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Cinematography in sentence

1385 examples of Cinematography in a sentence

Excellent direction, script, acting, and cinematography.
- Claude Lelouch (France) : a weak plot with a great cinematography... Just imagine a deaf woman living by the WTC who sees without understanding it that her dog barks... Well just see it.
Another fault lies on a trivial cinematography unable to capture the intensity of the internal drama lived by the characters.
The film's velvety cinematography (which reminded me of Avant Garde photographer,Man Ray's photos of the era,which goes for some impressionistic use of light & shadow,a lot)is by Hans Androschin & Jan Stallich).
The wickedly profane dialogue, Jost Vacano's glossy cinematography, Gary Chang's stirring score, the harshly amoral tone and the rousing conclusion are all likewise on the money as well.
Orson Welles' "The Lady From Shanghai" does not have the brilliant screenplay of "Citizen Kane," e.g., but Charles Lawton, Jr.'s cinematography, the unforgettable set pieces (such as the scene in the aquarium, the seagoing scene featuring a stunning, blonde-tressed Rita Hayworth singing "Please Don't Love Me," and the truly amazing Hall of Mirrors climax), and the wonderful cast (Everett Sloane in his greatest performance, Welles in a beautifully under-played role, the afore-mentioned Miss Hayworth--Welles' wife at the time--at her most gorgeous) make for a very memorable filmgoing experience.
The older brother needed to say little, as he usually did, it was all there in that deadpan face of his! Beautiful cinematography, wonderful acting, great direction!
The commentary is superb, probably the best that I've heard, covering the cinematography, the framing and lighting of shots, the production design, the casting of non-professional actors in small roles, and the ironies and parallelisms in the plot, like an insightful seminar on 1950s film techniques and film noir generally.
The script is sharp with plenty of great lines, the acting is wonderful, the accents (I've been told) are letter perfect and the cinematography is beautiful.
Everything works really well here; the casting, acting, script, and cinematography are all first-rate.
The musical score, cinematography and sound are absolutely stunning as you might expect from an Imax production.
The cinematography done by Tony Scott is extremely well done and unique, unlike another movie.
If the mechanics of movie making are what make a picture great, then yes, ROAD TO PERDITION is a distant cousin to THE GODFATHER in terms of what it achieves in cinematography, editing, music scoring and sound.
This movie set out to be better than the average action movie and in that regard they succeeded.This movie had spectacular cinematography featuring spectacular mountain snow and heights,a very fit Stallone putting in a good performance as well,an exciting plot,and a great performance from it's main villain becouse he will really shock you with his evil ways.The movie does not rank an all time great becouse of the weak screen play.The plot and story cries for this movie to make Stallone an extra special human,much like the Rambo or Rocky or Bond movie characters.They chose to humanise Stallone's character in this one which is ok but considering the plot's style,weakens the excitement factor.Also,the dialogue was cheesy and carelessly condescending at times.The script should have been more realistic and less "talky".Another weak point was the unrealistic shooting scenes.The movie makers should have been more carefull how they hadled the shooting hits and misses.They should have continued the quality of the scenes of the shooting sequences during the plane hijacking early in the movie.Instead,they decided to water down a lot of the shooting sequences (ala "A-Team" TV series) as soon as the villains set foot on the mountain tops.This movie had a lot of all time great potential.Crisper action sequences,better dialogue and more Rambo/Rocky style emotion/determination from Stallone would have taken this movie to a higher level.I know this was not Stallone's fault.I sense the movie's director wanted to tone down Stallone's character and try to steal the movie by taking credit for his direction which was not all that great if not for his cinematographer.Sill a good movie though........
Bad acting, bad direction, bad looking woman, bad sets, bad cinematography, bad sound and bad sex scenes.
Stunning black & white cinematography from Conrand Hall, excellent country - road music score from Quincy Jones, amazing performances in two principal roles from Robert Blake and Scott Wilson and first time in a movie a sad comment about capital punishment at the last moments before their deaths.
The photography, editing, cinematography, music combined to transport us to the dangerous side of a tourist destination.
Performances & cinematography are pretty much above par (compared to many other late 70's/early 80's films in the same vein), but what really makes me recommend this film is the fairly long climax-scene in the basement-setting.
Silvano Ippoliti's glossy cinematography boasts several graceful pans.
It's a masterpiece of cinematography and music, yes, and also of editing, direction, writing, and acting.
I did like this movie, the soundtrack, cinematography and acting earns it a well deserved 7 out of 10.
The cinematography and editing are understated but inspired, enabling the visual storytelling to dominate through marvelous close-ups and framing of images, capturing loneliness and alienation in most memorable ways.
Walt Lloyd's sharp and gleaming cinematography gives the picture an attractive glossy look.
Not one the length of Gojoe though, even though it had some of the most remarkable cinematography I've seen since the Korean period piece MUSA.
This film grabbed me right from the start with it's opening theme and stark but crisp black and white cinematography.
Screaming Mad George's funky special effects and the reasonably polished cinematography by Miguel Arana and Daniel Lopez both hit the spot as well.
Appalling cinematography, grating music, atrocious acting, and a director who praised Palance's what-was-he-thinking turn and despised the very presence of Power as Justine, although she was almost the only one who wasn't mugging in every scene.
The cinematography was good in "Frogs" even through, you could see the shadow of the cameraman and the camera once in awhile, definitely in one running scene you could see the shadow of both the camera and the cameraman.
The reason I gave this awful film a 4 instead of a 1 is the wonderful cinematography.
Nice cinematography and sets add the finishing touches to this atmospheric film.
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