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Cinema in sentence

2111 examples of Cinema in a sentence

I saw this film when it first came out in the cinema.
It shows the poor resources of the spanish cinema.
I wanted to leave the cinema within 5 minutes of the start.
I think this does however represent the dumbing down of cinema as with most media these days.
Dracula 3000 is the epitome of painfully cheesy cinema.
The end of the film dissipates into something not quite real - either another example of 60s cultural cinema or the end of the scriptwriter's creativity.
this is by far the most pathetic movie Indian cinema or any cinema has come up with.it is totally a piece of crap.the
And I even saw "Highlander 2: The Quickening" at the local cinema.
Thank whatever deity is chortling down at us as it observes our "cinema" that there's no chance for an "Air America 2."
You have to acknowledge Cimino's contribution to cinema.
I actually saw this movie at a cinema.
If I had not been in the cinema was my two young cousins (who also thought it was disappointing, but not as terrible as I thought), I would have left the cinema.
Shirley Temple's films for Twentieth Century Fox aren't negligible because they're poorly-made (Darryl F. Zanuck supervised most of them, after all); they don't retain much of a "classic" stature among cinema aficionados mainly because they're weighed down with the syrupy optimism of Depression-era Hollywood.
George Sluizer's original version of The Vanishing aka The Man Who Wanted to Know offers one of European cinema's most quietly disturbing sociopaths and one of the most memorable finales of all time (shamelessly stolen by Tarantino for Kill Bill Volume Two), but it has plenty more to offer than that.
I went to the cinema with a group of die-hard league fans and we were all in agreement that this film wasn't as funny or dark as the three series before.
not even sub par compared to the things that have been done in action cinema as of late.
Anybody who knows American cinema circa 1957 knows the answer to what the commies will do, but the story gets ripe when the Americans actually test the things in the middle of the Pacific.
I saw this in the cinema during its initial release and can only ask "has the world gone mad?"
It's not that I don't "get it" -- I'm a big fan of Asian cinema.
Steven Segal's movie career is a tribute to horrible cinema.
This movie sucks so hard, that makes me so disappointed about the kind of cinema coming out from Hollywood these days.
This is an oft-used line, but it really sums up this movie..."If this is the current state of gay cinema, then we're in real trouble".
As a big fan of indie cinema, gay or otherwise, I had high hopes.
Some of them, e.g. the infamous Manos The Hands of Fate, are truly bad, and watching them, especially on your own without any friends and beer around, is a torture for a good cinema taste.
For me, reviewing movies is an extension of my love of film--and of horror cinema, in particular.
Completely devoid of any merit whatsoever, this 1981 hodgepodge of unformed ideas is amateurishly directed, poorly acted, and, in every sense, an unmitigated embarrassment to horror cinema.
Not every movie released during this bountiful season of the Slasher Era would be of the artistic merit or commercial success of the original "Halloween" or "Friday the 13th," but these films were all well-made and clearly contributed to the ongoing development of horror cinema.
A pointless exercise in how to waste film, "Graduation Day" is an utter disgrace to horror cinema.
What about showing it to us with the power of powerful cinema.
Say what you will about cinema's "Wizard of Gore," Herschell Gordon Lewis, it must be conceded that from his first films (1963's trashy "Blood Feast" and 1964's crackerbarrel massacre "Two Thousand Maniacs") to his last (1972's "The Gore Gore Girls"), the man remained faithful to his muse, gleefully chopping up the bodies of young men and women for the delectation of the camera.
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