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Cinema in sentence

2111 examples of Cinema in a sentence

This remake should be labeled with a warning for any viewers- if you know the original, don't bother: I felt cheated by losing part of my life in a cinema watching this unmemorable piece of fluff.
If, like me, you actively seek out the rarest and weirdest (and often most awful) that world cinema has to offer, then you should look no further than the supernatural horror output of Hong Kong in the early 80s.
This film revival right march in a bad film industry and Saudi Arabia, I want to know how the director was able to stand in front of people of the industry after he making this film, work was so very bad, we do not know how cinema Saudi companies such as Rutana and other does not support yang Filmmakers in KSA like UAE We hope in the future to prosper film industry in Saudi Arabia But without such intervention Fools traders and idiots make us bad movies do not benefit the reputation of cinema in Saudi Arabia is like the Roman and Iranian cinema At the same time, please makers simple experimental cinema in Saudi Arabia such as Abdullah alayaf And others to achieve the dream of a good film industry to participate in festivals world away from the major companies interventions stupid
I felt compelled to remain in the cinema until i had extracted £5.70p worth of entertainment from it, though i feared that I would be there for some years.
Which I think it's one of the worst French or non French movies ever made in the history of cinema !
The truth is, there is not enough I can say about the confusing senseless plot, the really atrocious acting (I'm talking nasty here folks), or the random images of violence toward women that make up the chaotic pastiche of radically horrendous film-making mistakes that propel this affront to all that is good and decent in the world of cinema, nay, human culture.
Everyone who was in the cinema agreed, what was the point of this film?
It serves no purpose to the drama community, its adds nothing to the palette of Australian cinema.
Amidst all the many problems that make this a dire piece of celluloid is the stupidest plot device in recent cinema history.
For a country that has produced some of the world's finest dramatists and has such a rich musical heritage it has always been a source of bewilderment to me why so much of Ireland's home-grown cinema has been so appalling.
Perhaps because, by its very nature, those talented in the field of Irish cinema have been quick to abandon their native shore for careers in Britain or America, (Colin Farrell is a recent case in point), and that the really successful Irish directors that have continued to work in Ireland and with Irish subjects have made their films with international money and an eye on the international market.
I really wanted to like this film as I have admiration for Italian rip-off cinema (especially Jaws rip-offs!), but the simple fact of the matter is that Monster Shark isn't very good.
All the signs of this being a great piece of trash are there; we've got one of the kings of trashy cult cinema, Lamberto Bava, in the director's chair - one of the best ridiculous cult actors, Michael Sopkiw, taking the lead role, and a central creature stupid enough to give even the best that this sort of film has to offer a run for it's money, yet somehow the film still manages to be rather stale.
Oz stars like Occy and BIG Wednesday hero Gerry Lopez are drafted in to add head nodding recognition to our farm boy's wave prowess, but it only made the crowd in the cinema guffaw.
Although inevitably linked to the 70's decade, the concept of "exploitation-cinema" is actually nearly as old as cinema itself.
I once had a conversation with my parents who told me British cinema goers in the 1940s and 50s would check to see a film's country of origin before going to see it .
The film was obviously shot on an extremely low budget, and that has translated into the script; as Blood Rites works on an idea often seen in horror cinema, and doesn't do anything new with it.
I cannot believe that after fifty years, this movie gets the National Award when there have been such gems from Marathi cinema that have been so systematically ignored.
Wheter it's the constant 'shoe ad' cinema, the pillow stuffed 'fat kid', or the sleep inducing 'horror' that soured me on the film, i don't know, all I know is I loathed the film (and this from a guy who has a soft spot for B-horror films).
Franco is responsible for some of the most shocking films in cinema history, and god bless him for it.
I don't know what this guy is trying to pull off... it's like he had no plot no dialog and the movie needed to run just so long so lets not edit scenes at all... Foreign films are great for creating a story without using a lot of dialog, this movie makes me think that there is no way American cinema can ever do this.
(Not to say just because a film is in cinema it will.)
This is a fact that this is the 1st Saudi feature film to be shown in cinema theaters but not in Saudi Arabia for a simple reason we don't have cinema theaters in our large kingdom .. not only one cinema theater!
The government forbidden opening cinema theaters after the Islamic extremists OR the religious police (or both) asked for closing it in the late 1970s & the early 1980s .. accusing the 7th art with encouraging wrong sex relationships and stuff like that .. I don't see a powerful reason why we don't open cinema theaters!! .. we have many videos stores throughout the kingdom, we watch movies in the TV from some satellite channels, we can install the "Showtime" set channels and after all movies in general seems harmless in many ways .. I know many people how go to neighboring countries only to watch a couple of films .. I personally went to Bahrain several times only to watch films in theaters because watching it there is big fun unlike watching a movie home.
Saudis pay the most expensive cinema ticket in the world, we travel to watch movies while the rest of the world have cinema theaters around every town.
As early as 1983 the genre was already struggling to release more than three decent offerings per year and by '88 the stalk and slash flick had become pretty much the whipping boy of horror cinema.
Certainly conveys how tedious, repetitious, joyless and empty a person's life can be, but I don't usually go to the cinema to find that out!
Everyone in the cinema (when I saw the film) went out muttering about how they nearly fell asleep.
"Priscilla, Queen of the Desert" is always being trotted out as a masterpiece of Australian cinema.
((THE FOLLOWING CONTAINS SPOILER)) Hitler together with the most notorious Nazis are attending a stupid plot less movie about the killing of 300 Italian soldiers in a small cinema theater in Paris is unbelievably ridiculous.
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