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Cinema in sentence

2111 examples of Cinema in a sentence

I saw this in the cinema at age 4 and I have very fond, and vivid, memories of it.
While Lambert Hillyer's "The Invisible Ray" of 1936 does not nearly share the brilliance of other contemporary films starring Karloff ("Frankenstein, "Bride Of Frankenstein", "The Mummy",...) or Lugosi ("White Zombie", "Island Of The Lost Souls", "Dracula",...), or both ("The Black Cat", "The Raven",...), this is doubtlessly a highly entertaining film that no lover of cult cinema should consider missing.
Otherwise, "The Invisible Ray" is a wonderfully entertaining film which should satisfy every lover of classic Horror/Sci-Fi cinema, and a must-see for all my fellow Lugosi/Karloff fans.
For one, I went to see it on a whim expecting something mediocre, but given this, the most shocking thing was that this was in a populist American cinema at all.
In fact, this is one of the pinnacles of cinematic poetry, up there with some of the seminal works of 1930s art cinema, in the same prestigious group as Under the Roofs of Paris, Tabu, Olympia, and even L'Atalante.
It is what gentlemen refer to as classic cinema.
She also has to deal with her attraction to Bob Redding, the owner of the local cinema, and another woman (Patty) who has her eye on Bob as well but is not nearly as deserving of his love as Elvira.
"Pure cinema" is one way of describing that sequence, and it is truly amazing to see how director De Palma's entire movie works at the same high artistic frequency of that scene.
Eric Weissberg's and Steve Mendel's performance on guitar and banjo as part of the Duelling Banjos sequence remains one of the most awesome pieces of soundtrack in the history of cinema for the sheer intensity of its performance.
This is the movie for those who believe cinema is the seventh art, not an entertainment business.
This is an excellent film, and is the sort of treasure that one can only catch through sporadic cinema showings, as it is unavailable on video/DVD.
I caught Evening in the cinema with a lady friend.
When I took my seat in the cinema I was in a cool mood and didn't plan on changing it.
I went to the cinema to view this film having the wrong impression, the wrong expectations, and at the end I felt how superficial I could be!
And that's how we got in the cinema to watch this movie in the first place: to see if we can fit the benchmark, or if the benchmark is to small for us.
Before Sunrise has many remarkable things going on, almost too many to fit into one review like this, but it's suffice to say that it's one of the most observant character studies of the nineties, maybe even in all of contemporary cinema, to be observant not about love, per-say, so much as it's about a human connection.
What is amazing with Miike Takashi's cinema is its ability to surprise you.
Much like 'A Corner in Wheat (1909),' he is here using cinema to make a profound social statement, this particular issue highlighted in the film's title: 'What Shall We Do With Our Old? (1911).'
She's surrounded by the stalwarts of Hindi parallel cinema- Raghubir Yadav, Irrfan Khan, Konkona Sen Sharma, Ranvir Shorey, Vinay Pathak, etc, and I won't even bother saying anything about Akshaye Khanna because I'm just too damn biased.
The plot drew from stories that have been around since the beginning of cinema.
Although the substance matter doesn't belong amongst the other titles in the list, The Driller Killer often wanders on the thin border between trash-exploitation and art-house cinema, as it features voyeuristic elements (a gratuitous lesbian shower sequence) as well as sheer close-ups of blood-puddles and whirring drills.
Not a bad film as American cops and robbers cinema goes.
Its fair to say that in cinematic terms, British cinema will sadly always lack behind Hollywood, they have more money and more exposure and if you went out onto the street and asked people about this movie, the majority would not know what you meant.
To me it embodies everything that cinema is meant to be; it's visual art in motion, literature with pictures, history with emotion; all those and much more.
I ran screaming from my own cinema.
It doesn't need saying that Sergei Eisenstein was one of cinema's most significant innovators, and his mastering of the montage was forever to alter how films were made and perceived by audiences.
Patrick Still Lives is a curious piece of cult cinema; not for its content, but merely for the fact that it was made.
This new Australian pic seems made for almost nothing and looks to be shot on bleached 16mm, enlarged for a welcome cinema release.
Sometimes one must wonder how some pieces of cinema could be allowed to see the light of day.
I would recommend it to every one as it certainly is good cinema.
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