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Cinema in sentence

2111 examples of Cinema in a sentence

Anna Neagle appears a little matronly beside him, and a little too old for the part she plays but by the end of the 1940's their film partnership was well established with the cinema going public.
Surely one the French films of the decade so far, a taut, atmospheric thriller making full use of the lead characters hearing impediment to use sound in a way rarely explored in cinema.
Another reason why those who appreciate quality cinema should keep their eyes open for offerings from France.
I hope it will be released on DVD-this is a must for any collection about cinema history and brilliant film-making.
I saw it on the big screen at the Arclight cinema tonight (as part of the Paley Center screenings), and the cast and film makers spoke after-wards.
What I got wasn't this, but a thoroughly thought provoking and engaging cinema experience unlike any other.
Everyone I know who saw this film at the cinema told me that everyone there stayed through the credits because they were so touched.
These two TITANS of the British cinema have mixed some fabulous ingredients to produce a movie masterpiece!
This is one of the reasons people rave about Hong Kong cinema.
Not for the reptilian multiplex brain, but rather the true aficionado of cinema.
But first go and see it in the cinema if you can.
Insist that your local cinema puts it on!
Director Mitch Leisen actually goes to great pains to point the killer out to even the dumbest member of the cinema audience by giving the player concerned close-up after close-up.
My interest in international cinema has expanded since I first saw this film.
I recommend this movie to those who don't know much about Asian people to cleanse themselves from the typical Western stereotypes, and people who just love Chinese/Asian cinema like myself.
Flavia the Heretic is an undeniable work of art and probably my number one recommendation to state that the euro-exploitation cinema is severely underrated and not to be ignored.
It is the godfather of hong kong and is a welcome change rather than another wire frame fighting, martial arts epic which seems to be the major contribution to the cinema world from hong kong and china.
Young Mr. Lincoln is filled up with some 'old-fashioned' values, which in retrospect, despite its two-dimensional portrayal, is at least more respectably done than one might see in the pap in current cinema.
9/11 is a classic example of cinema verite, a sort of realist documentary, in this case of New York firemen as they battle against one of the most extraordinary events of world history.
It's really a beautiful, moving love story with 3 high points: the performance of Reese Witherspoon, who maintained her promises in the world of cinema, the beautiful cinematography by the "Old Lion" Freddie Francis and the fantastic score by James Newton Howard, which is really the soul of the movie.
(Not talking about Iranian or Swedish "cinema" here...) The acting is not brilliant, but merely solid - unlike what some people here claim (they must have dreamt this "wondrous acting", much like Anna).
This is true cinema which touches the heart.
The girl is played by one of the most brilliant young actresses working in cinema today, Alison Lohman, who was later so spectacular in 'Where the Truth Lies'.
This is why God created the cinema!
It is a powerful, affecting piece of cinema.
Now I'd be the first to hail Lars von Trier a genius just off the back of his films Breaking the Waves and Dancer in the Dark, but this is stupid, the fact that Europa has gone un-noticed by film experts for so long is a crime against cinema, whilst overrated rubbish like Crouching Tiger, Hidden Dragon and Life is Beautiful clean up at the academy awards (but what do the know) Europa has been hidden away, absent form video stores and (until recently) any British TV channels.
I am a huge Woody Allen fan and so when I saw that this was playing at the cinema I couldn't help myself.
I know I'll be lining up at the local cinema for her first major release.
I was initially forced to attend by my wife as she is fascinated by the Royal families of Britain and their history, and she won't go to the cinema without me.
Too many sources routinely lump this thought-provoking period drama in part based on historical fact together with the superficially similar "nunsploitation" which was a mainstay in '70s Euro trash cinema, overlooking the righteous anger that drives the whole endeavor.
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