Cinema
in sentence
2111 examples of Cinema in a sentence
Actually, this is a great piece of Hong Kong action
cinema.
This movie is heartwarming and makes you leave the
cinema
with both a smile on your lips and tears in your eyes.
I like this movie because it is a fine work of cinema, made by people who care enough to make it art and not just home movies.
Director Greengrass has surpassed himself with this compelling thriller and this is probably as exciting as
cinema
thrillers get; a true pay-off to Bourne fans and a new breed of spy-thriller standard.
I do miss the company Vestron, they sure had their finger on the pulse of unique and unusual
cinema
back in the 1980s.
This movie is surely not for the main stream audience - but for fans of Italian (or Portuguese) cinema, a must-see also for Mastroianni-fans.
I'm really tempted to reward "The Case of the Scorpion's Tail" with a solid 10 out of 10 rating, but that would largely be because I think Italian horror
cinema
of the 1970's is SO much better than the cheesy crap I usually watch.
A wonderful surprise of the Spanish
cinema.
A quiet little Aussie flic that came and went at the
cinema.
Directed by Govind Nihalani, this is definite cop film of Indian
cinema.
The film was made absolutely off beat tone in the time when people didn't pay much attention to such kind of
cinema
& yet it becomes a most sought after cop film in class & mass audience when it released.
For Om Puri its first breakthrough in mainstream Hindi
cinema
& he delivered a class performance as Inspector Velankar.
When you watch a movie as fast paced and entertaining as this you begin to wonder how
cinema
itself was able to survive before the martial arts genre was created.I genuinely believe that movies in general and action movies in particular were just marking time until the first kung fu movies made their debut.
Bruce Lee was the father of modern action
cinema
and his legitimate surviving offspring Shannon does not let the family name down here.Although there are several pleasing performances in this movie (Michel Wong for one)it is Shannon Lee whom you will remember for a genuinely spectacular performance as Mandy the hitgirl supreme.Hell;you may well come away whistling her fights!
Although this film has been available on DVD for some years now,if you can find a
cinema
that is highlighting a revival of this fine film,by all means,seek it out (it's easily a film that was composed for the large screen,with a proficient sound system to truly experience this film the right way).
As is the penchant of French filmmakers , many scenes were shot on real streets and in public places, giving a
cinema
verite feel to the story , yet L'Emploi du temps also possessed an elegant look thanks to excellent camera work and some stunning location footage ( most notably a Swiss mountain retreat ).
It's remarkable and quite praiseworthy how writers and directors continue to make great movies out of one of the oldest and most (over)used story lines in
cinema!
The riot-sequence is truly grueling and easily one of the most macabre moments in 70's
cinema.
Like his elder brothers, Claude Sautet and Jean-Pierre Melville, Alain Corneau began to cut his teeth in French
cinema
with a series of fine thrillers: "la Menace" (1977) and "Série Noire" (1979) among others.
Jim McKay has made one of the best films you will see all year.The quiet simplicity of this film draws you in from the opening shot and never lets go.There is not one false note in the entire film.Not one.Everything works.The hand-held camera is never distracting and always where it should be.The three young ladies whose lives we follow are always real.There isn't a single beat where the audience is reminded we are looking at actresses performing a role.These are just real girls trying to find themselves.There is no political agenda,hidden or otherwise.This is
cinema
at its most basic,and although it will probably only be seen by a handful of movie-goers,it deserves a much wider release.A special hats off to Hugh Hefner for providing the film-makers with the grant money needed to get this important film made.I can't wait to see what Mr. McKay does next.
Henri Verneuil represented the commercial
cinema
in France from 1960-1980.
One of the more enjoyable aspects of Asian
cinema
(or, indeed, most anything done outside these holier-than-thou United States) are the permutations that crop up.
It is not a great story, not even a great
cinema
work, but I believe it is worth a 7-stars rating only for the courage of both author and director to shot a story that is not made to please the audience, thus selling billions of copies and making the big studios even richer.
Renaissance of European
cinema
indeed ;)
We do not come across movies on brother-sister relationship in Indian cinema, or any other language or medium.
I don't know if Secret Sunshine is typical of Korean
cinema
but I'm off to the DVD store to discover more.
First off, anyone looking for meaningful "outcome oriented
" cinema
that packs some sort of social message with meaningful performances and soul searching dialog spoken by dedicated, emotive, heartfelt thespians, please leave now.
There are way too many subjects avoided in
cinema
and eating disorders is one of them.
It shows the peak of what world
cinema
is doing at the moment (I will not restrict that term to just France) and everyone should try to see it.
It's a fabulous giallo (released in the golden year 1972) that belongs in the top-five of every fan of Italian
cinema.
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