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Cinema in sentence

2111 examples of Cinema in a sentence

I was actually getting angry in the cinema listening to Andre Benjamin's utterly relentless droning for what seemed like half the film, whilst all the time thinking - what would Turkish have done to this complete joke of gangster/con man, whatever he's supposed to be, when he made his "offer"?
'Game of Death II' falls into the category of junk cinema in my opinion, despite Bruce Lee being in it.
It occurs to me that some of the films that have been banned during the course of cinema history were actually very important and very good films.
Ronald Reagan top to bottom, in short; so as a piece of cinema it's down to the details.
And the concept of a cyber, kung-fu, satirical chimpanzee had me wondering, "Is this the film that's going to break the mold?" Let's face it, America has never been let down by any piece of cinema that features a simian costar.
I tried watching this abomination of the cinema when I was five years old; I have never been the same since.
Are they as bored as the viewer, or is this the directors idea of cinema?
I am an avid fan of violent exploitation cinema, who would never attack a film for being violent or disturbing.
With the rising popularity of the now iconic Godzilla series, like with any hit cinema event, there was inevitably going to be a crowd of imitators trying to cash in on the success on the big lizard.
I admired the idea in 'Dogville' but the overall exercise looked to me too dry and too theatrical, less cinema.
As the family make their escape one the women I saw the film with - incidentally one of only about a dozen black people in a large, full cinema - whispered "This is like the sound of music."
I saw this film in my cinema class.
I saw this movie in my international cinema class and was grossed out from get go.
No plot, bad acting and gallons of blood are staples of these mistakes of cinema, and this "movie" is no exception.
Gene's leading lady is Cyd Charisse, one of the best dancers of 40s/50s cinema, and unlike the generally superior "It's Always Fair Weather" this film gave them the chance for not only one but two dances.
Yet, in the earliest years of cinema, the premise of reanimated corpses was merely used in slow, nearly action-less psychological thrillers.
This sequence is, in my humble opinion, the absolute low-point of Asian exploitation cinema.
If this is your first time experiencing the wonders of cinema, if you've never seen a "Moving Picture" before, you'll think this movie is a child of the gods.
There are numerous continuity errors that clash glaringly with the original films, and the emergence of Darth Vader was handled so terribly that what could have been a legendary moment in modern cinema is now instead a cheesy goof that will be ridiculed for many years.
I keep on defending the Dutch and Belgian cinema and claim that it should get more credit and chances...and then they smack you around the head with junk like this! Intensive Care is a terrible production and probably the worst thing that was ever made in the Dutch-speaking countries.
The worst movie in the history of cinema.
The film is obviously trying to hark back to the good old days of Grindhouse cinema (which Hostel did, successfully), but it really doesn't come off.
There is no suggestion that there is any intended humor, but on quite a few occasions the poor acting, poor directing, and appalling script had the audience laughing out loud in the cinema.
I think everyone else in the cinema agreed with me when i shouted "SHITE" when the credits rolled up.
You know those films that have you trapped in the cinema?
Having been a connoisseur of Pekinpah cinema for years, I found this DVD, drastically reduced, for sale and thought it was worth a shot.
I am both upset and embarrassed to have been one of the first few in Singapore to watch The Leap Years, but those of us in the cinema would agree that our muffled groans at the cringe-worthy performances spoke volumes.
Everyone in the cinema, young and old, was there to see talking animals make jokes, and whilst they did that we were all happy...
When I was in school I made a film about a couple roaming around in the trees and talking, and I realized halfway through editing that this was not just a failing aesthetic strategy but a cliché of Canadian cinema: sodden lyricism married to vacant, metaphor-burdened stabs at social commentary.
Being a well established star of the south Indian cinema, the feedbacks he was receiving before Baba was great.
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