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Cinema in sentence

2111 examples of Cinema in a sentence

the movie touches the soul of the audience very much,some scene in the movie is ultimate and tears comes out automatically,i'm surprised by seeing this movie that any director can direct this type of movie in the year 1925.as a student of cinema i can say this movie helps a lot to understand use of montage.first
being a cinema student i can the viewers that they can see this movie.
With "Batman Returns", Tim Burton succumbed to an important priority in American cinema: giving a sequel to a blockbuster.
I've been studying Brazilian cinema since 2004, when I stumbled onto "Cidade de Deus / City of God".
But this is a respectable second, immediately followed by The Lady and the Tramp.Just see it and enjoy what one of the cinema's greatest achievements.
The entire original Sasori series with the wonderful Meiko Kaji stands out as the absolute highlight in WIP cinema, and all of the films, especially the first three, uniquely combine Exploitation and Art-house cinema like no other movie does.
This little B produced gem is so full of new ideas in an old genre and so absolutely refreshing and inventive, that a dreadful feeling about the lack of cojones in today's cinema slowly overtakes your body.
Along with the best performance of 80's cinema by Eric Bogosian, for me (along with JFK)this remains Stone's finest moment.
Despite its age, this film retains its undoubted charm and attraction, and is a fine, surviving example of early British cinema.
Each week I visited the Wynyard Newsreel cinema on George Street to watch the Cinesound (and usually 3 Stooges) shorts.
"Shadows" is often acclaimed as the film that was the breakthrough for American independent cinema.
Hoot is a film aimed squarely at families looking for a fun day at the cinema.
The cinema of the 60s was as much as time of revolution as the politics and the music.
Starting with both "Breathless" and underground American cinema (such as Kenneth Anger), films became more and more experimental.
One-liners run rampant in a film spawning one of the greatest series of films in British cinema history (St.Trinians).
It's one of my greatest regrets that contemporary Italian cinema has been ailing since the mid-70s, mostly due to a dire lack of funding and nurturing of new talent, something which can be transferred to most fields and which makes Italy one of the most static industrialised countries of our time production-wise (both in an industrial and cultural sense)... unlike, say, China.
At times, the relatively long-held medium-distance shots may remind you of 'contemplative' Asian cinema, but just reminds you, the director doesn't push things to the radical minimalism of some Taiwanese filmmakers but then again, this is not a Taiwanese movie, it's a Turkish movie.
This movie contains what is probably the greatest opening sequence in 80's horror cinema when a teenager, on a stroll after engine trouble, is trapped in a deserted house and assaulted by a creepy collection of wax statues.
I caught this movie at the Glenwood Cinemas at the weekend as part of the Kansas International Film Festival, which, as usual has provided a thoughtful and eclectic sample of world cinema.
I first saw this film in 1959 at the Hoyts Double Bay cinema in Sydney when fifteen years old.
As much as the movie is a high point in the cinema, it is also an example of SZocialist Realism.
But while those films were on the basis of one man's view of cinema, narrating through most of the way, Richard LaGravanese and (the late) Ted Demmes' A Decade Under the Influence lets the films and the creators speak entirely for themselves.
Thanks goodness for a film that ignores all the rubbish we often see in Australian films that seem to revolve around a)race b)gender and c) class, in favour of er...dare I say....jolly good cinema.
Having never been to Venice I can't say for sure, but it does make a perfect setting for this somber but sumptuous spectacle from Luchino Visconti, one of the great stylists of world cinema.
You'll probably want to see it in the cinema and then again (over several more times) on video, and each time you will discover something new.
One of the great directors of cinema, Fritz Lang, has created a real gem in this excellent western.
If you are able to admire good cinema and are able to realize that sometimes the way on telling you something rather than what is told is more important, this is your movie.
Punishment Park is a brilliant piece of cinema.
A gritty presentation of the decay of family values and human dignity in the wake of Soviet communism, Vasili Pichul's 1988 film Little Vera is a landmark film of modern Russian cinema.
This movie was the second movie I saw on the cinema as a child.
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