Characters
in sentence
10488 examples of Characters in a sentence
The other
characters
are thin, probably the writer's fault not the actors'.
There is the obvious point when Jason looks like he wants to give up, but don't worry, all
characters
that despise Marty help out in the final operation, and with Jason's parents coming, he wants to finally prove his truthfulness, and boy does he deliver, big style.
The movies would have been much funnier if they had played their radio
characters
instead of retreads of stock casting.
Admittedly, I only watched about two hours at the most of it, but that was enough for me to realize that the series was nothing like Baroness Orzcy had portrayed her characters, and probably would have been rolling around in her grave when it was filming and airing.
The continuity between some of the scenes was dire -
characters
disappeared from scenes without explanation only to be replaced by other
characters
who minutes earlier had been some where else.
Why don't the
characters
in the film ask the questions that all the viewers have?
"Kicked in the Head" is all about the Corrigan character, a twenty something man on a quest to find himself, and his involvements with a handful of quirky
characters.
With The Messengers, the crowd did not disappoint giving numerous outbursts and warnings to the
characters
on screen.
I wouldn't mind if the combat was even any good, but it isn't; the main character Phillips pushes the various goons over with ridiculous ease, and no matter how often he stands in full view of the Tracker, he never gets hit, even though extras and minor
characters
are being shot and blown up all around him.
This sets the standard for many of the other
characters.
partition failed to create any depth in its
characters
as well as the scenes that were supposed to hav an impact.
over looking kristin kruek's accent and the smallvile image, which in itself wasn't an easy job. the
characters
just did not seem too real.
I don't really blame the actors, who are probably doing their best with shoddy direction and incomplete
characters
(because the very complete
characters
of the stage version have had their insides -- and insights -- ripped out).
The other major problem is that you can't tell most of the
characters
apart; of course, you know who Borgnine and Roundtree and even James Van Patten are, but all the other roles could have been played by different actors in various scenes, and you wouldn't know the difference.
It should also be noted, that she, and the other actors hired by Danny Aiello's character were billed as themselves, as well as the
characters
they played in his D-rated film.
Not sure who was more lost - the flat
characters
or the audience, nearly half of whom walked out.
But if you have read the book and actually got to know the
characters
and cared who done it the movie just does not compare.
There are several characters, but none of them are any more than what the plot requires them to be.
The situations are unsubtle exaggerations which make the the already flimsy
characters
even more unbelievable and detestable.
This film looks so tired, the acting is so old-fashioned, and the plot and
characters
so drab, that it should be studied instead of watched.
Badly shot, badly edited, clumsy dialogue, flat characters, unsuccessful adaption of a novel.
The script is so bad that everything the
characters
say to one another is ridiculous.
Like some other commentators, I wondered if parts were just French humor that I didn't get or if the
characters
were serious.
Take a cast of completely unlikeable characters, give them nothing to say, punctuate the whole thing with gratuitous ultra-violence, and you've got the formula for an aggravated Dash.
The
characters
are one-dimensional, cliched, incredibly misogynistic and stupid.
I kept waiting for more depth to the
characters
and there wasn't.
But we never really get to know the
characters.
I really felt for the
characters
in that film, and there was a chemistry (much more passion) between Clint Eastwood and Meryl Streep that there wasn't between Gere and Lane.
Throughout the film we meet supposedly off the wall characters, who are actually very dull, and just don't quite work and who clunk through the horrific screenplay like men in armour suits, driving jeeps through mansion houses and spouting preppy existential obviousness accompanied by the whinings of Coldplay.
If you are going to make a movie from any book, be sure that the
characters
are consistant with that book.
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