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Capture in sentence

1208 examples of Capture in a sentence

Here you have overhead motion capture cameras on the top that tell the robot where it is 100 times a second.
We need to capture that up close to establish that what it's like-type experience.
You know, we capture this imagery but to build the 3-D models we need to do geo-positioning.
We try to capture as much of somebody's personality as we can.
It is this that caught and held my attention to the point that I became obsessed with inventing a battery that could capture this gigantic economy of scale.
He just couldn't capture the picture.
And so to me, this beautiful culture, this beautiful expression is something that I want to capture through games.
And our new book "Reinventing Fire" describes how you can capture it.
So as a filmmaker, I've been from one end of the Earth to the other trying to get the perfect shot and to capture animal behavior never seen before.
You'll notice I'm only smiling in one of these two pictures, and in the other one my dive buddy had to be a whole lot closer to capture that image.
So the very simple idea was to use the ancient technique of sailing and tacking of the wind to capture or intercept the oil that is drifting down the wind.
So instead, I turned to video, and video is the next best way to preserve and memorialize someone and to capture a specific moment in time.
And you've only got about seven days to capture 50 percent of all of the Web searches that will ever be made to help your area.
But what I can't quite capture for you was the pity and disbelief with which the interviewer asked her question.
If you ask about child tax credits, the future of the penguins in the south Antarctic, asked to hold forth on whether or not the developments in Chongqing contribute to sustainable development in carbon capture, and we will have an answer for you.
I admittedly used to be that guy a little bit, back in the day, and I've decided that the best way for me to still capture and keep a visual memory of my life and not be that person, is to just record that one second that will allow me to trigger that memory of, "Yeah, that concert was amazing.
The first one is all about that same problem that I was showing you: how can we capture how objects feel and recreate those experiences?
If you look at disability, as measured by the World Health Organization with something they call the Disability Adjusted Life Years, it's kind of a metric that nobody would think of except an economist, except it's one way of trying to capture what is lost in terms of disability from medical causes, and as you can see, virtually 30 percent of all disability from all medical causes can be attributed to mental disorders, neuropsychiatric syndromes.
The only machine capable to capture the carbon that we are producing, always, even if we reduce them, everything that we do, we produce CO2, are the trees.
Our original prototypes didn't have cameras at all, but it's been really magical to be able to capture moments spent with my family, my kids.
But we've come up with very clever ways that we can actually discriminate, capture and discriminate, the mammoth from the non-mammoth DNA, and with the advances in high-throughput sequencing, we can actually pull out and bioinformatically re-jig all these small mammoth fragments and place them onto a backbone of an Asian or African elephant chromosome.
We first capture the physics with a mathematical model of how the machines behave.
When I began recording in the late '60s, the typical methods of recording were limited to the fragmented capture of individual species like birds mostly, in the beginning, but later animals like mammals and amphibians.
When I began recording over four decades ago, I could record for 10 hours and capture one hour of usable material, good enough for an album or a film soundtrack or a museum installation.
Now, because of global warming, resource extraction, and human noise, among many other factors, it can take up to 1,000 hours or more to capture the same thing.
Visual capture implicitly frames a limited frontal perspective of a given spatial context, while soundscapes widen that scope to a full 360 degrees, completely enveloping us.
In the 1930s, Roosevelt put thousands and thousands of Americans back to work by building bridges and infrastructure and tunnels, but he also did something interesting, which was to hire a few hundred writers to scour America to capture the stories of ordinary Americans.
Anna Deavere Smith famously said that there's a literature inside of each of us, and three generations later, I was part of a project called StoryCorps, which set out to capture the stories of ordinary Americans by setting up a soundproof booth in public spaces.
And so we launched this to capture the stories from all around the world, through video, through photos, through written history, and so people's experiences on that day, which was, in fact, this huge risk for the institution to make its first move this open platform.
Three generations ago, we had to actually get people to go out and capture the stories for common people.
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