Benefits
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4904 examples of Benefits in a sentence
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And special mention must be made of veteran character actor Paul Koslo: as the maniacal Russian Villain, whether he is ruthlessly stomping on his helpless opponents after they've already surrendered or complaining that their close proximity to him in a bar has caused his vodka to taste "like blood" (a line he delivers with a deliciously campy sub-Bela Lugosi accent) he is clearly having a ball and the film
benefits
enormously whenever he is on-screen.
This film further
benefits
from sterling acting by a bang-up cast, with praiseworthy contributions by Richard Conte as wise Mafia kingpin Nick Gusto, Carla Gravini as Arzenta's supportive lady friend Sandra, Marc Porel as Arzenta's loyal pal Domenico Maggio, Anton Diffring as ruthless, calculating capo Grunwald, and Lino Troisi as the venomous gangster Rocco Cutitta.
This gives the film a very claustrophobic atmosphere which
benefits
the paranoid atmosphere greatly.
A charming small scale British sci fi thriller from 1967, 'Night of the Big Heat
' benefits
from some good performances, solid direction, excellent set design, good editing and a plot which, whilst talky, does not lapse into boredom.
This tale of fussin' and a feudin' is showing its age in spades, but at least it
benefits
from a memorable cast: Randolph Scott, Buster Crabbe, John Carradine, and little Shirley Temple, whose doll gets its head shot off.
He dedicated his life to the art of filmmaking and we get to reap the
benefits.
This one
benefits
from crisp direction from soon to be legendary Diector Budd Boetticher, a great supporting cast and good story.
Stylish tale of thug's love/hate relationship with famous gangster
benefits
from a terrific performance by Paul Bettany as a really scary guy.
Once again this film clearly
benefits
from the presence of Bela Lugosi, and The Ritz Brothers were amusing.
Once they actually get into the dialogue it becomes apparent the script has vast layers to it, it essentially is a comment on modern existence and the conflicting views held by people, it uses the two characters in the film as symbols of society; Andre representing the new age thinking, while Wallace represents the rational scientific mind and shows the conflicting desire of wanting to retreat back to primitive living to find our humanity but also wanting to enjoy the
benefits
modern society grants us.
This movie further
benefits
from fine acting from an excellent cast: Page really sinks her teeth into her juicy evil old bat role, Gordon projects her usual winningly spunky charm as the endearingly feisty Ms. Dimmock, plus there are sturdy supporting contributions from Rosemary Forsyth as sweet young widow neighbor Harriet Vaughn, Robert Fuller as the dashing Mike Darrah, Mildred Dunnock as the timid Edna Tinsley, Joan Huntington as Ms. Marrable's bitchy niece Julia Lawson, and Peter Brandon as Julia's conniving stockbroker husband George.
This film deserves as wide an audience as possible, and support from educators and community leaders will help open a dialogue that
benefits
all viewpoints, but most importantly
benefits
our children.
My favourite Hammer film is the first version of 'I, The Jury' which
benefits
from some superb noir imagery.
Set in the post-war economy, desire to leave the old ways to incorporate
benefits
of modern urban life is seen only briefly as intrusive on the people whose community is intimately tied to the sea.
The
benefits
we got out of so many young men and women dying became less clear.
It's also one of those films that
benefits
from being watched more than once.
The fluffy but pleasant story
benefits
greatly from the director's touch, since he had the knack of giving significance to little things without taking them or himself too seriously.
"Fracture
" benefits
mainly from the acting of two great actors, Ryan Gosling and Anthony Hopkins.
It's actually more of a promotional film than a documentary, urging sailors to join the union & extolling the benefits, etc etc.
Completed in less than one month and having a sparse budget, the skillfully edited work
benefits
from a forcefully driven narrative that includes several parallel plot strings.
It is, again and too often, sad to see how money can be used in such a bad way and I still can't understand how the cinema industries works so this kind of project can actually
benefits
to someone.
The film
benefits
from excellent performances from Kurt Russell and Richard Jordan.
In this movie, Paris is basically a typical Third World nation in microcosm: You have a charismatic dictator (the Mayor) surrounded by yes-men and flunkies, an economy that has no real industry as such and forced to take "foreign aid" any way it can, a populace who is so dependent on the dictator's policies that it will support them whatever the moral cost--and not challenge him when times go bad, and the army (the kids with the hot rod cars) who do the dirty work but don't share the
benefits
and have no future.
I'm tired of these Hollywood elites lecturing us on the ills of industry and capitalism, while constantly reaping the
benefits
of it.
This is actually a very human story of an actor who has had acclaim throughout his career, but who has now reached that age where his appearance no longer
benefits
him.
It
benefits
from beautiful location photography (it was filmed in Florida's Eden State Park), strong performances, good editing and the creation of a sense of claustrophobic horror.
Gremlins
benefits
a little from the fact that I grew up with it, but mostly I liked the sequel and since then I've realized the original is better.
It certainly
benefits
from a good cast, with the central performances by Rose McGowan and Rebecca Gayheart spot-on, however prominently-billed P.J. Soles, William Katt and Marilyn Manson hardly appear at all.
The movie mostly
benefits
from very good direction by Harold Ramis and excellent performance by the actors and not just De Niro and Crystal.
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