Appeal
in sentence
1435 examples of Appeal in a sentence
"Soul Plane" is a horrible attempt at comedy that only should
appeal
people with thick skulls, bloodshot eyes and furry pawns.
Laced with some of the wierdest dialogue can be herd (what the heck is "plowing oats", anycow??), and just plain stupid, this titular thriller will moost likey
appeal
to the breast-cownters of Drive-In Theater, but no one else.
She had no
appeal
and at times appeared to be either lost in space or out of her depth.
It's obvious this film helped spurn Hollywood's need to churn out tired sequels to
appeal
to the masses.
There is story in Panchtantra , that a crow attachés so many feathers of a peacock, to look beautiful, and
appeal
to the birds; but the feathers fall off ultimately, and the real dark crow is revealed !
The film has a nice visual
appeal
to it.
I'd rather watch a film with little visual appeal, with good actors and sharp dialogue (i.e.: "The Brothers McMullen" or any Edward Burns film).
Otherwise, it has a mindless, unmotivated script and the lead actress has none of Deneuve's
appeal.
Desolation or hopelessness have nothing to do with lack of
appeal
to this movie, the world of George Lucas's "THX1138" is no brighter place and characters are no more fun, but the story has it's path.
It's not even done in Altman's unique style, so it doesn't
appeal
to his fans,either, and I'm one of them.
It's a fair bet that the title will
appeal
to fans of the Benny Hill show but those looking for attractive females in bikinis and miniskirts, while they will see some in this, will probably enjoy some of the other titles in the series, such as "Carry On Abroad" or "Carry On Up the Jungle" more.
This movie was apparently made to
appeal
to the type of person who's willing to kneel at the alter of either firemen specifically, "Heroes" or gods in general, I suppose.
Claire Trevor's character is too stupid and unmotivated to have any audience appeal, and the action (such as it is) stays so resolutely inside that damned house in San Francisco the film becomes claustrophobic instead of genuinely thrilling.
The actress playing Miss Morland is poorly cast with no obvious
appeal
to attract the attentions of an eligible bachelor, and though I rather liked the creepy Peter Firth as Mr. Tilney, he is not a bit like the novel, even when delivering dialog straight out of the book.
Overall, I can't recommend this film; it may
appeal
to some for its cult value but it didn't do anything for me.
I'm sorry but I was lured in when I found out about Lil' Bill O'Reilly (which I had no idea came from this show until months later, and has honestly since lost its appeal) but I gave the show a fair shot.
It shows, too, but that's part of the charm and
appeal.
Between irrelevancies, platitudes (to which the actors from the films are particularly prone), and acting out (by fans making the most--if not the best--of their one shot at fame), I could glean little of the special
appeal
of LOTR, the special emotional responses it evokes, and the range of the special creative forms those responses can take.
This sequel lacks the energy and
appeal
of the first movie, and doesn't come close to matching it in the "hotness" department, either.
The second approach explains why Steven Spielberg often make movies that
appeal
to a younger audience.
"Maximum Risk" doesn't distinguish itself in any way and will likely not have much
appeal
beyond the usual young male audiences.
this film is an undisguised attempt to
appeal
to a younger demographic of fourteen to 24 yr olds', and an insult to all of them.
low budget improvisation)
appeal.
Will not
appeal
to most, including myself to a point, but will no doubt adopt a cult following.
When blood sprays out like hoses, reality loses
appeal.
Part of the
appeal
of the first movie, of Louis' story, is that he is caught between his humanity and his curse.
Mel Welles, you might remember him as Mr. Mushnick in Roger Corman's Little Shop of Horrors, directs this somewhat interesting yet wholly twisted tale of Dr. Frankenstein's daughter carrying on her father's work after his death and creating a creature not for its intellectual ability or its likelihood to be/do good but rather for its sex
appeal.
Italian actress Rosalba Neri AKA Sara Bay/Bey plays the Baron's daughter with some aplomb and lots and lots of sex
appeal.
I am giving this movie a 2 because it is so bad it has a certain "car wreck" kind of
appeal.
Colloca proves that you don't need any talent to star in a film but just sex
appeal.
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