Appeal
in sentence
1435 examples of Appeal in a sentence
When we all thought that the western had lost its
appeal
in our modern day and age, HBO came with a title that definitely proves otherwise.
Some reviews have said that the movie tries too hard to
appeal
to adults, but I disagree.
After reading the other reviews, I don't agree that this is a movie that PETA would love since it portrays an animal rights activist as an embezzling, slightly deranged loner who mistreats the dogs in her care and has no life, no friends, etc. Peggy didn't
appeal
to the dog lover in me either - she was the one who left her dog out all night, neglected to repair the hole in her fence, mistreated all the dogs she supposedly 'rescued'.
The 'video' does also not really
appeal
to the reality happening.
Much of Miller's
appeal
comes not just from his go-to-hell attitude towards life and art but from the way he expresses his sentiments on the page.
A lot of times I really enjoy them but am slow to recommend them to friends as broad
appeal
is sometimes limited.
It looks good, but the character of Fanny has been totally rewritten to
appeal
to the modern woman's idea of a good heroine.
This movie has a bit of everything, comedy,
appeal
to kids, romance, racing, Disney villains who are as likable as they are bad.
Instead, she smoked and drank during the entire flick (is this the moviemakers' attempt to
appeal
to the teenage crowd this movie is aimed at??).
Perhaps in the 70's this movie had some appeal, but I cannot think of any good reason anyone would want to watch it now.
First, its story isn't interesting enough to
appeal
to general audiences.
This movie obviously may not
appeal
to everyone, but then again this movie is not for everyone.
If ever a film typified the Eighties and the flash-bang
appeal
of producers Don Simpson and Jerry Bruckheimer then, for me anyway, "Beverly Hills Cop 2" is it but this tired addition to the series has none of the charm or style of the early films.
Who actually watches this, it was a huge success but I can't quite understand who it would
appeal
to.
Leslie Howard who has been brilliant in nearly al his films (esp The Petrified Forest, Of Human Bondage, Pygmallion, Teh Scarlette Pimprenel and of course GWTW) realy gave a stiff, false performance in this 1939 movie that he himself co-produced with David o' Selznick of the Gone With The Wind (1939) -- I'm thinking that both their creative juices were at a major low --- this movie was so insincere and contrived and lacks any universal
appeal
that makes movies "classics".
It's abstract intellectualism combined with sex and drug use surely won't
appeal
to conservative film watchers.
To me it epitomizes what is essentially wrong with the film industry in New Zealand; that being the fact that Kiwi film makers seem hell-bent on making boring movies designed to
appeal
to less than .000000001% of the population.
Mary Wickes has far more warmth and
appeal
than Marjorie Main, Gordon McCrae could sing better than Tom Drake and Gray had a slight edge on O'Brien.
Anyway, with only a handful of mildly bloody killings, this film should barely
appeal
to Lewis' usual rabid fans.
Nor should it
appeal
to anyone looking for a well-put-together film.
I don't understand the
appeal
of this film.
Aside from that, it is a genuine portrait of human life that can
appeal
to non-Italians, such as me.
The jury is still out as far as nunsploitation and I are concerned; it's not that I don't appreciate sleaze in movies, just that the idea of a load of God-fearing women living behind convent walls doesn't really
appeal
to me all that much.
The musical number "Tomorrow Belongs To Me" is so effective an illustration of the
appeal
this new Nazi hope held for impoverished suffering Germans, and yet we have The Master Of Ceremonies' evil nodding grin to remind us, in retrospect, what it really led to.Just as every musical number (aside from being so beautifully choreographed and presented) reminds us of the desperation in Sally Bowles' life and in most of Germany.
That's the
appeal
of an average college dropout battling hell with his friends at his side.
Blue Bird, Baby Take A Bow) that her films often lose
appeal.
It has guest spots and musical numbers galore, but unlike the themes in "Grease", for instance, this doesn't have the impact or widespread
appeal
to be wildly successful; it just doesn't work.
It is low budget and simplistic, but it had kid
appeal
when we didn't have 200 tv stations to choose from and video stores at every corners.
When a movie tries to
appeal
to boomers, teenagers, and families simultaneously with a mixture of non-erotic sex and cheesy special effects along the lines of those in BE KIND, REWIND (only 1,000 times more expensive), it stands to alienate all three potential audiences.
The first movie should
appeal
to children under the age of 8 and had one decent villain followed by the worst $0.02 CGI transformation sequence in the history of mankind.
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