Appeal
in sentence
1435 examples of Appeal in a sentence
This show probably won't
appeal
to everyone.
"The Unseen" is a slow and predictable but nevertheless potent early 80's film that will certainly
appeal
to fans of 70's exploitation and generally weird stuff.
First of all it is quite linear so when your mission says for example go to that room all the doors in the house will be locked apart from those that lead to the room of your mission this may save time but it restricts your liberty of exploration.Secondly the fact all the weapons are antiques may not
appeal
to most fps players who are used to high tech weaponry.
For a number of reasons, "American Beauty" doesn't
appeal
to me as much as this film which is easily the darkest thing that Tom Hanks has ever done and probably one of the most underrated films of the last decade.
Not only was the story of the colony incredible, but I remember the music as being so much a part of it's
appeal.
The film was slapped with an "X" rating for language originally, but earned an "R" on
appeal.
I agree that some special effects were overdone and unnecessary, taking away from the overall
appeal
of the film, but I really hope an English version could come out so I can see it with the rest of my family.
If you are a fan of 70's T&A films, this one will should
appeal
to you.
The Last Mimzy doesn't pander needlessly to its core audience, but at the same time it also has a good accomplishment in that it also has an
appeal
to adults, or at least those that have passed that age of adolescence and look back on childhood with levels of nostalgia and relief that it's over.
Maybe this film owes its only
appeal
to the bad acting of the actors, the principal cause of hilarity.
But 'Lenny' was indeed a Broadway play by Julian Barry, and here he makes it into something that works extremely well cinematically, and at the same time has that
appeal
of the theater, of that rush that comes from seeing someone like Fosse direct or Bruce on stage.
The idea of a human being able to interact with the trains and people of Sodor has some appeal; sadly that - and watching Alec Baldwin having a ball and Peter Fonda attempting to "keep it real, man" - is the only high point in this film.
Here again despite the
appeal
of Cruise, is a movie that lacks any cohesion, sensitivity, vision, or logic.
The show is still a tiny bit addictive, but it just doesn't have the same
appeal
to me it once had.
I've personally never really enjoyed those whole day-in-the-life-of/intertwining stories films that are so popular anymore, and this one in particular didn't really
appeal
to me based solely upon that said type of plot line alone.
It's
appeal
is so unusual it's hard to quantify.
There is a novelty appeal, which tapers off during the running time.
See, i feel sad in side because this sort of satire could really have some potential if the real hilarity wasn't so overshadowed by the disproportionate amount of really dumb jokes that would best
appeal
to 10-yr-olds (who, incidentally, are not allowed to see the movie).
Would probably
appeal
to 11 year old boys with nothing better to do on a wet Sunday afternoon.
However, she gets nowhere until she's noticed by famous movie star Norman Maine (Fredric March), a performer on his way down in terms of popular
appeal.
This film is totally degenerate and stupid to boot, despite it's hip Euro
appeal
and it's A list actors.
What exactly is it's
appeal?
But the movie provides a window onto contemporary life in China, with its focus upon villagers in the city, the consuming quality of subsistence--daily struggle, family and local cruelties--and the
appeal
of movies as escape, fantasy, and, ultimately, as source of community.
A show made in Canada, but not strictly specialized to
appeal
to only Canadian tastes, the themes and stories are universal.
Askwith, as usual, mugs as if his life depends on it while the movie provides a masterclass in how to make a bunch of attractive women appear completely devoid of sex
appeal.
This is the type of film which (like Night in the Museum) can
appeal
to all ages.
The movie had no
appeal
at all to the six completely different personalities.
The gift of Margaretha Zelle never was great looks as much as charisma and sex
appeal.
The screenplay omits two short passages that are important to the plot: (1) Cassius' avowal in the first act, after his attempt to persuade Brutus to oppose Caesar, that if their positions were reversed and he, Cassius, stood as well with Caesar as Brutus does, and Brutus made a comparable
appeal
to him, he would certainly not listen.
Much of his comedy career has been played serious and his dramatic
appeal
is sometimes hilarious.
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