Allows
in sentence
1537 examples of Allows in a sentence
I realize a period piece is expensive to make, and that this style of shooting (close framed shots to camera, moving camera, wide aperture shots, washed-out)
allows
such films to be made for a price.
As a style, it has advantages and disadvantages like any other, it
allows
more period pieces to be made.
taking off ALL the clothes when any scene
allows
it.
Divorced single mom in picturesque seaside town finds an anonymous love letter and
allows
it to spur into action her dormant love life.
Then, the dopey American scientists uproot the tree, bring it back to life "in the name of science", &
allows
it to SLOWLY amble about the island, killing off everyone who has done him wrong.
A vanity project gone south, "Hell Ride
" allows
usually good actors to chew the scenery... at least when the camera isn't centered on Bishop's feeble attempts to steal every scene he's in.
The same reason why Robert Mitchum
allows
himself to be cast as another loser who falls for femme fatale Faith Domergue in the 1950 noir, "Where Danger Lives".
The gunfight in the hold among the crates is especially idiotic and
allows
drunken viewers with friends in altered states also watching to contribute appropriately.
The Motion Picture Association of America has seen fit to advise potential viewers and this is particularly useful to parents and guardians that this film which is hereby titled "Frostbite" is given a "R" rating.The "R" rating has specific information which
allows
any person who not knowing anything about a film to know something about what this film provides.The "R" was instituted for Sexual Content including Nudity and Perverse dialog,language, crude sense of humor and drug use.There is no reward in viewing such a film though it would be useful to know if this could be removed as a possibility at all I would as this reviewer remove such a possibility.This is a film whereby merely a 1 was not the equal to a number as it did not qualify as a film to be counted,in fact such as this purpose is with this film so should such a purpose be with this films place at all.This is a unwholesome and undesirable offerring that should of been given a much stricter interpretation because at no point is conduct or language suitable for viewing and this kind of film may wish for a Blacklist rather than a stricter definition as to its content.It is suggested hereby that the stricter definition would allow,it is hereby put forth a criminal charge.It may any way irregardless of its rating.This is a unsavory world which would damage any persons viewing this film as its purpose is to commit an offense.It is an offense and it is offensive in its purpose.There is no sense of humor in the film but a depraved and indifferent purpose as to its undesirable underpinning.Without reservation this is a do not see list and perhaps not entirely necessary to say to any adults considering but to any whose interests concern the environment to which there children grow up in,do not allow nor provide any young person the viewing of this film it is unfriendly.Society often sends the wrong message when these kinds of problems are in the public domain let this not be one of those times.
Lem is so weak he
allows
his father to mistreat his wife, who is propositioned by Mac (Richard Alexander) , one of the reapers, to come away with him.
It is the subtle humor woven around a seemingly straight-forward narrative that tells a great story, but
allows
you to enjoy the visuals at the same time.
Yes, we see the violence and the heroism, but as The Fog Of War brought us into the mind of one of last century's foremost warmongers, this film
allows
us a peek at the life of a grunt who is captured by the enemy, tortured, and ultimately triumphs.
Set in a California detention camp in an indistinct future, an English film crew capture proceedings as young students and political dissidents are put on trial under a fictional 'Insurrection Act' that
allows
the United States government to suspend civil liberties for its own citizens in cases of emergency without the right to bail or the necessity of evidence.
Being cool is just as important a feature of the modern crime movie as guns and gangsters, and Melville delivers that with this film in droves; the tone of the film is very relaxed too and Melville
allows
the bulk of the film to bubble under the cool exterior.
Alice is the daughter of a prominent scientist who invented a device called Mielophone that
allows
to read minds of humans and animals.
This episode is also memorable for creating a unique situation: it is the first time Uhura is part of the action and the story
allows
the viewer to see what an endearing character Uhuara can be when the story
allows
her.
There are a few interesting scenes through the movie like the guy getting hit by the truck and literally exploding, the sex scene between Chucky and Tiffany and the ending which
allows
for another sequel to take place.
There's a spartan, unsentimental edge to this film that
allows
plenty of room for us to participate in the action without any stylistic encumbrance telling us HOW we're meant to be feeling; in 'Blue', everything was overtly sad (sure, powerful as hell, but still); in 'White', it was delightful whimsy.
However, "Checking Out
" allows
her to shine.
Unintentionally, Bill
allows
Joe to find out that he just killed a hippie.
This is so effective because it
allows
the viewer to form his own opinions on the death penalty, one of the most controversial subjects of our time, without being unfairly manipulated in either direction.
I must say - This film deals with it in a way that
allows
the viewer "inside" someone who is suffering and simply doesn't know why, or how to stop it.
It is nice to occasionally see a movie that does not depend entirely upon special effects but
allows
the characters of the story to touch the human psyche on many levels.
Julie (Meg Tilly) is a "goody two shoes" type high school girl who, determined to prove something to herself,
allows
herself to be subjected to the rituals of "The Sisters", a small-scale clique presided over by snooty, homecoming queen type Carol (Robin Evans).
The film has a low budget and is obviously made without the glitz and glamour afforded to most Hollywood productions but that minimalism is what
allows
this film to transcend the stereotypical Sci-Fi labeling and become a true drama.
By the time we observe Monica Dolan (in a truly genius bit of casting) delightfully goofing it up as Cora early on we're already hooked, but it is only later on when she reveals herself in her marvellous screen creation, that deranged, scheming, maleficent queen of murder and deceit posing in the guise of the uptight Miss Gilchrist, that she not only effortlessly steals the entire telemovie for herself but quite simply blows off screen anyone who comes near her, including the ever well measured David Suchet who himself seems to be somewhat bedazzled by her acting talents and, very gentlemanly,
allows
her to take centre stage.
HBO's Lackawanna Blues changes that and
allows
this talented actress to shine as Nanny, successful entrepreneur in a world changing from segregation to integration.
Barker is at his best when he
allows
us to peek into his world of unprecedented horror, yet showing us the other side of the coin.
this is a positive aspect of this film, in my opinion, and, perhaps, it is my interpretation of this movie that
allows
me to find it enjoyable.
No flashing sabres, no cavalry charges, no carnage -- just the story of a sorry group of Union soldiers stumbling into the farm of a Confederate woman and her son and taking as much as their captain's conscience
allows.
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