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Whose in sentence

6259 examples of Whose in a sentence

In the year 1985 (my birth year) Steven Spielberg directed an emotionally strong and unforgettable story of a young African-American girl Celie (Debut role for Whoopi Goldberg) whose life is followed through rough times.
I won't give anything away by describing the plot of this film other than to say that it begins with the return to Israel of a young blind woman whose closest friend and companion has just committed suicide.
I have to believe that the cutting was out of Leisen's hands since the great Duke Ellington's number is savagely chopped, but that doesn't mean that it ain't worth a look: the 'Sweet Marihuana' number featuring topless chorus girls is a mind blower, considering the looming production code and it also has the ravishing Toby Wing (whose unfortunately fed horrible lines and playing the prototype dumb blonde) as a chorion hot for an otherwise preoccupied Jack Oakie.
As it stands, "Zentropa" (or "Europa" as it is referred to outside the US) is one of the most fascinating and artistic views of the bleakness and almost psychotic uncertainty that oozed out of post WWII Europe, namely the decimated German landscape, whose physical horrors were matched only by the damage to the psyche of its people.
It stars Dana Andrews as Sergeant Mark Dixon, a detective whose brutal tactics have landed him in hot water with his superiors.
A wonderful film by Powell and Pressburger, whose work I now want to explore more.
A true story about a true revolution, 25 of April ; a revolution against a repressive regime of 41 years, that was imposing a colonial war on it's military's, for maintaining an empire (Angola, Mozambique, Guine-Bissau, Cabo Verde, S. Tomé e Principe; the first and the last of the great colonial empire's of Europe) of 600 years, since it's beginning in the conquest of Ceuta in 1415; a revolution by the army for the people, and for a democratic Portugal; the most's surprising fact in this revolution is that it were no people killed in it (except those that died in the hand's of PIDE, the political police of the State, during a brutal gunfire against an unarmed crowd protesting in front of it's headquarters in the day of the revolution, in 25 of April 1974, has it show's on the film).And has all revolutions it has it's heroes, one them of was Captain Salgueiro Maia, a returned soldier from the war, whose convictions along with the rest of the army, was that they were fighting (since 1961) a hopeless war, and that sometimes a soldier has to disobey it's country.
Canadian filmmaker Mary Harron is a cultural gadfly whose previous films laid bare some the artistic excess of the Sixties and the hollow avaricious Eighties.
Return to the 36th Chamber is one of those classic Kung-Fu movies which Shaw produces back in the 70s and 80s, whose genre is equivalent to the spaghetti westerns of Hollywood, and the protagonist Gordon Liu, the counterpart to the western's Clint Eastwood.
Richard Attenborough is a director whose name is synonymous with the Academy Award winning 'Gandhi', back in '83.
I turned this on to see the incredible Ethel Waters, whose autobiography I am now reading.
She has been described, perhaps even unfairly caricatured, as a director whose commitment to bringing a woman's sensibility to the screen outweighs her artistic strengths.
Michele Morgan is an annoying, inane presence, and Jack Haley is an actor whose appeal has always been totally lost on me.
The cinematography is magnificient, such as the cast lead by Pierce Brosnan, whose performance is due to Attenborough's master hands.
What gems both of them are in this charming comedy about a young girl, Peggy Pepper, whose acting is the talk of Savannah trying to make it on the big screen.
Sutherland is particularly adept at this sort of role, where he must portray a character whose morality is, at first, uncertain to the audience.
Even Fox, whose main asset is of course sex appeal, shocks with what turns out to be quite a dark character and acts that "bimbo" role all to well.
-- A young WWII British fighter ace whose plane is about to crash, has radio contact with a young American woman who comforts the brave pilot, knowing that within minutes he will be dead.
Jim McKay has made one of the best films you will see all year.The quiet simplicity of this film draws you in from the opening shot and never lets go.There is not one false note in the entire film.Not one.Everything works.The hand-held camera is never distracting and always where it should be.The three young ladies whose lives we follow are always real.There isn't a single beat where the audience is reminded we are looking at actresses performing a role.These are just real girls trying to find themselves.There is no political agenda,hidden or otherwise.This is cinema at its most basic,and although it will probably only be seen by a handful of movie-goers,it deserves a much wider release.A special hats off to Hugh Hefner for providing the film-makers with the grant money needed to get this important film made.I can't wait to see what Mr. McKay does next.
Its rather funny that director Rob Schmidt who only has the not bad Wrong Turn to his credit and writer John Esposito whose only scripting chores to date have included Tale Of The Mummy and Graveyard Shift should be the ones to give us the best written and most thought provoking episode of the season.
Ernie Kovacs, in the small supporting role of an aspiring writer, is the only actor in the film whose performance approaches what you might call "wit".
Richard Chamberlain gives a good performance as a defense lawyer whose life becomes increasingly unmoored from reality as he delves deeper into a murder case involving Aboriginal tribal rivalries.
Nevertheless an intriguing film whose overall impression of mystery and dread lurking just below the surface of what we perceive as 'reality' will stay with you.
At points you just laugh out loud, at other points you feel for the characters whose mistakes and failures you watch.
As that French film critic, whose name escapes me, said: "There is no Garbo.
Michael Brandon pops up to play a slimy take-no-prisoners type whose comeuppance you can't wait for.
The film faithfully presents us Bettie Page as she probably was: a playful almost-innocent from the rural South whose career as "the pinup queen of the universe" was for her just goofy, natural fun.
The public was suspicious of the Seventh Day Adventists, whose origins made them appear to be a cult, and all sorts of wild beliefs about them contributed to the appearance of guilt.
-The movie tells the tale of a prince whose life is wonderful, but after an evil wizard tells him to go into town disguised as a beggar the wizard then locks up the prince and soon becomes the shadow ruler of Baghdad. the jailed prince meets a thief called Abu who helps him escape the jail and head to a town called Basra where he meets a princess who he falls madly in love with, but unbeknown to him the evil wizard Jafa is also in love with the princess and tries to convince her father to allow him to marry her.
Here is the example of a film that was not well received when it was made, but whose standing seems to be raising in time.
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