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Whose in sentence

6259 examples of Whose in a sentence

Bo is Jane Parker, whose long-lost anthropologist father (Richard Harris, in the worst role of a very inconsistent career) is in Africa studying something or another.
She tracks him down (how?) and he tells her of the natives' stories of a giant monster whose nightly howling can be heard throughout the jungle.
Dirk Benedict was so much more plausible as the sensitive hero-type than the new-age Kattee Sackhoff-- whose overacting will probably be henceforth lauded as "a compelling, exciting, must-see, ground-breaking performance," by the politically correct new-speak of today's review copy editors; but in essence, it is just a tired, old image of a woman with a chip on her shoulder as big as a townhouse: the biggest cliché on screens today.
I feel bad for the two actors whose legacy is marred by this disaster that should never have been made.
COme on-- whose rules are those?
Whoever wishes to be surprised by other factors of the film's story won't be: once again, we are dealing with a film whose characters are all in their early twenties, who won't think rationally when placed in front of a problem, will rather argue for hours and pick up fights than try to think and do something about it.
Dean Jagger portrays Armand Louque, an officer in the French Army of World War I, who has stumbled upon an ancient tale of soldiers turned into automatons, or "zombies", who are impervious in battle and may hold the key to victory in the war, though on whose side is not certain.
Oh and the lamp is that suppose to signify whose' house this is?
The film's feminist-leaning conclusion also goes against the austere conclusion of the novel, Washington Square, whose author, Henry James, savagely parodied feminism in some of his other novels.
Yes I know "talkies" had just been invented for the cinema 2 years earlier when this was produced in 1929 but this film showed that much had to learnt about the art of producing films.It comes over as a filmed "hammy" stage play with the actors melodramatically enunciating their lines,rolling their eyes, using too many pregnant pauses and using gestures more appropriate to silent cinema, which I suppose was normal during the process of educating them to appear more naturalistic on screen.The gaps between lines spoken should have been tightened up during editing as it considerably slows the film.It is now only of interest for Titanic buffs who want to see an early example of this marine accident on film.In next chronological order they could see "Titanic" (1953) A Night to Remember (1958)"Titanic (1997), to see how the cinema's depiction of this tragedy as evolved over the years.There have been many documentaries and TV films made including the atrocious "SOS Titanic" (1979) On my version which is a DVD, David McCallum gives the introduction.It was he who played Harold Bride Marconi's junior wireless operator in "A Night to Remember"(still the best feature film - please read my "Tribute to Walter" comments on IMDb under Howard Morley.demon.co.uk)and gave the commentary on the series of 4 videos entitled "End of a Dream" so he was well qualified to give the narration.Of more interest I found was a recording accompanied by actual photos of the 1912 US Senate hearing which is also on the DVD.Actors speak the actual words spoken by Lightoller 2nd officer, J Bruce Ismay,Managing director of White Star, Harold Bride and others including Gloria Stewart (The "old Rose" in Titanic 1997) whose voice is used for one of the first class women survivors.
I don't know whose fault it was for this garbage ending up in my DVD player but I feel that someone owes me at least $20 for my time, pain and suffering.
The only thing that surprises me more than the number of people who liked this movie is that it was directed by Clint Eastwood, whose work I admire immensely.
There is nothing memorable about this movie except Danny Glover -- who wasn't on screen enough and whose character wasn't developed enough.
The Haunting is yet another bad horror remake with phony overdone special effects and a big cast of on screen favorites and has no redeeming qualities whatsoever except maybe for the cinematography.Yes remakes aren't all bad but remakes directed by Jion Da Bont definitely are.I suppose that the A-List actors (Liam Neeson,Catherine Zeta Jones,Owen Wilson)are there to distract us from the boring plot,ridiculous special effects, and terrible attempts at scaring it's audience however this is a movie not a tabloid magazine we don't care whose in it we care about the characters and story two things this film missed.The storyline is like taking the classic novel The Haunting Of Hill House and ripping out four chapters and then using whatever's left for the film it is so boring and a lot of it is unexplained.The characters are pretty thin and while the acting is good you don't really care about any of the characters at all.Lily Taylor gives a horrendous performance and sounds like she's 8 years old when delivering her lines not to mention what a horrible screamer she is.Lily Taylor isn't made for the horror genre at all.The ghosts are stupid and cheesy, they look like a bunch of Casper The Friendly Ghost's and the ghost of Hugh Cain looks like a fat guy dressed as the grim reaper for Halloween with a smoke machine.There is this creature on the roof of one of the rooms that is a giant purple mouth and it's not even funny unintentionally just plain sad.The house is pretty and well designed that is probably the only positive thing about this movie it looks nice but that doesn't save it from it's brutal everything else.I can honestly say i felt like i was wasting my time watching The Haunting on TV for no price so I would've been even more pi$$ed if I had paid to see it but luckily it was on Scream Channel.Overall The Haunting is a boring remake that tries to overwhelm you with bad special effects, a poor attempt at horror.
Alone in the Dark is a film by director Uwe Boll, whose film right before this one was House of the Dead (2003).
Those expectations are buoyed further when the film is directed by Stanley Donen, whose comic touch was so evident in, among others, DAMN YANKEES!, BEDAZZLED and CHARADE.
The movie tells the story of two lovers whose musical careers are headed in opposite directions.
I am a relative latecomer to the transcendent work of film auteur Yasujiro Ozu, whose masterfully understated views of Japanese life, especially in the post-WWII era, illuminate universal truths.
After giving stupendous blockbuster comedies like Hungama, Hera Pheri and Hunchul, his train derailed slowly with movies like Chupke Chupke and a few others whose names I can't recollect for now.
Gramps remembers something about a historical document, and the rest of the movie is about the last 36 hours when Arnold and Jamal must find the document with the undercover aid of Helga, whose father is hoping to become rich thanks to Shenk's Mall.
Del Tenney(The Curse of the Living Corpse;I Eat Your Skin), of all people, executive produced, co-wrote, and stars as a priest in a pivotal role whose relationship to the killer I guess means something to why he's psychotic.
I can hardly believe that this inert, turgid and badly staged film is by a filmmaker whose other works I've quite enjoyed.
Mae Clarke will always be remembered as the girl whose face James Cagney showed a grapefruit into in the same year's THE PUBLIC ENEMY.
Scream Queen Brinke Stevens is better than usual as a pretty, fragile housewife whose worthless husband (Jay Richardson) is plotting to do away with her because he needs money to pay off a gangster (played by Robert Quarry).
Jane Eyre is one of my favorite books and has been since childhood, but William Hurt's weary, throwaway acting style is completely unsuitable to the bold passion of Edward Rochester and poor Charlotte Gainsbrough looks like a bored, petulant teenager whose dental braces hurt!
I realize that we are talking about the guy whose first novel featured a humiliated, blood-covered, emotionally crippled teenage girl slaughtering everyone at her high school prom...but mainstream King always at have characters and plot elements that leaven the grimness of the proceedings a bit, and mostly have endings that offer at least a glimpse of hope and human feeling.
"Jason Priestly stars as 'Breakfast', a psychotic jewelry store thief whose grip on reality is frighteningly precarious, according to the DVD sleeve, "With his accomplice 'Panda' (Bernie Coulson), the duo make off with a carload of cash, a result of a tip-off from beautiful cashier 'Ziggy' (Laura Harris).
The Howling II starts as it means to go on with a bizarre and surreal opening narration by Christopher Lee whose image is imposed over a moving star field, oh and a skeleton appears as well for some reason.
The plot, and I use that term loosely, involves a father and a daughter trying to rendevous with "the general," whose daughter is missing, at a church to kill a vampire who, very conveniently, happens to be traveling with the father and daughter.
I am a great fan of Martin Amis, on whose book this film is based.
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