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Whose in sentence

6259 examples of Whose in a sentence

Great back-up also comes from the great John Huston as Teddy's beleaguered SecState, John Hay; Geoffrey Lewis, from the Clint Eastwood films is great as the hesitant US Ambassador, Gummere; the late Vladek Sheybal with his demonically evil stare is great as the Beshaw and more is given by Steve Kanaly and Roy Jensen whose faces we have seen in several backgrounds.
Kelly performs beautifully in this role, especially with the Grandma (whose quip almost caused me to laugh out of my seat).
Although the lovely Miss Agutter has received all the accolades it is Mr Cribbins and Miss Sheridan whose performances dominate "The Railway Children".They both know how Edwardian society works from opposite ends of the spectrum but there is an unspoken mutual respect and understanding between them.
I am a fan of sci-fi but I must say that this film exceeds most science fiction films in it's cinematography and mostly it's utilization of an actress whose presence supersedes the plot which is fine but is nothing new.
This is explained to us by one of the bed's victims, a painter whose soul is trapped "inside" one of his last works, the artistic rendering of the his final resting place(..he was dying of consumption, coughing up blood, deciding to die on the death bed).
The painter(Dave Marsh)might just have a method to destroying the death bed but it will include a human sacrifice in order to resurrect the body of the one whose death caused it's hunger in the first place.
Bogey's character is Sherry Scott, the man who runs WUBC, a radio station whose program lineup is losing listeners.
Mickey Rooney takes top billing as Mi Taylor, a misguided ex-jockey with devious intentions, whose relationship with young Velvet reawakens his sense of dignity and opens a new, optimistic chapter in his life.
There is a great father/daughter chemistry with Laura San Giacomo, whose character happens to undergo the most growth from the ordeal.
A tragic romance intertwined with a complex mystery whose threads are all but invisible until they all unravel at the end in one fantastic rush.
A woman whose love and admiration is so strong that she even loves the homosexual lover of her idol is to me the essence of true love.
Very low-budget police procedural film about homicide detectives trying to solve the murder of a woman whose body turns up in a stolen car in Central Park, and their only clue is a tattoo on her arm.
A thematic staple of cinema since its inception is that genre involving seductive women whose wiles and means entice susceptible men not only into their arms but also into dire circumstances that typically will only result in jeopardy for the male victims, along with incertitude as to whether or not temptresses will be forced to take their medicine, and here Susan Lucci performs as a siren, although her acting chops from a primarily soap opera pedigree are inadequate to make her performance a credible one.
There are plenty of stupid and totally unfunny characters whose names should sound funny.
In a 19th century castle in Southeastern Europe, a Countess falls for her sworn enemy, the leader of the Hungarian revolt; she's aided by her ancestor, whose painted image magically comes to life.
Unfortunately what we end up with is poorly drawn characters whose sole purpose seems to be to look beautiful at the beginning to make the inevitable decomposition more contrasting, a hackneyed script so profanity-laden as to leave the viewer tuning out the dialogue, and several incomprehensible subplots that motivate little more than (in one instance) an on-screen appearance by director Roth.
The story is about an old couple whose son died and living a life that is heavily dominated by poverty, and wherein the main character is a cock that hopefully one day brings some money for a forthcoming cockfight.
Even though Serbia and its nationalist politics is main reason of Yugoslavian breakup, it is not mentioned in this "documentary", which is made by Bogdanovich whose name tells us that he is Serbian and his movie that he is far from being objective.
So, let's see...Mira Sorvino, whose judge husband has been shot while protecting her, goes from Madrid to Seville for her cop job.
He acts as a sort of "gentle giant" -- a person whose rough exterior can scare anybody, yet whose heart is clearly in the right place from the very start -- and he does an amazing job.
Additionally, the set-up and premise were excellent: four people whose past is virtually irrelevant to us are trying to get away from an overwhelming infectious fatal disease.
The next door neighbor whose computer Will was fixing, has relatives in the mid-east who thru their bank send money to the neighbor's bank , and Ripley sees a terrorist connection.
Nor is a young and very beautiful Susan Hayward, playing his future wife, Charmian, whose biography on London is the "basis" for this film.
Even when the "its just a movie" phrase excuses the script from addressing real-life problems, 'Daughters' suffers from too many incoherent high-note songs, children whose personalities are not based on real children and band leader Hose Iturbi playing himself.
I mean, this is not the Robin Hood story, not the Arthurian legends, not Beowulf, not someone whose life is so shrouded in the mists of many many centuries past that any recreation of their life and times is 99% guesswork.
Published in 1944, THE RAZOR'S EDGE is the tale of a World War I veteran whose search for spiritual enlightenment flies in the face of shallow western values.
In Hell House (sorry, I don't remember the actual name of the residence), a bunch of mysterious, unexplained deaths took place long ago; some, like arthritic Lurch stand-in John Carradine (whose small role provides the film's only worthwhile moments), attribute it to the supernatural; bellowing film director John Ireland dismisses it as superstitious hokum.
People tried to make me believe that the premise of this rubbishy supernatural horror/thriller was inspired by the actual last words spoken by an authentic serial killer (whose name escapes me at the moment).
Two FBI field agents (whose deployment to the Vanessa case is ostensibly required due to her involvement with internet BDSM sites), in addition to a Los Angeles Police Department homicide detective, are assigned to investigate the crime, while endeavouring to provide security for Celia whose enthusiastic performance in her new vocation is avidly enough regarded by her customers as to have created conditions of personal danger for her.
The movie centers around a surgeon whose life's ambition is to bring the dead...back to life.
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