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Whose in sentence

6259 examples of Whose in a sentence

I am not a fan of Sean Penn, but in contrast to my German colleague whose review appears here, I think he was perfectly cast as the neurotic, druggy character in this film.
Either you are left walking out of the theater asking, "Why?' or you receive MANNA FROM HEAVEN, a delightful comedy from the Burton Sisters, whose mother not only provided inspiration but the screenplay itself.
Ursula Burton, plays Theresa, a nun whose friend's and family had always believed she was touched by G-d.
Our puppet characters consist of Chauncy, a yellow furry monster with a hat, whose our host.
Wordsworth is the smart one whose brain always shows.
This movie is violent, powerful and thought provoking.The protagonist is a woman of flesh and blood, whose adversity brought out the best(or worst) out of her.
The rest of the cast is first rate, especially Edmund Lyndeck as Judge Turpin who gets to perform "Johanna" in this production, which was cut from the original production and Ken Jennings as Toby, whose gorgeous tenor fills the auditorium on "Not While I'm Around."
Between Minnie, a disillusioned museum curator whose abusive married boyfriend dumps her and leaves her even more uptight and confused than she already was, and Seymour Moskowitz, a parking attendant so desperate for attention that he spends his nights going to bars and restaurants aggravating people, there is a chaotic and disenchanted match from the start.
This film would be particularly fun for anyone who has been in the film industry, especially in any indie capacity... those whose inheritance includes a film introduction may not appreciate it quite as much.
She's no star yet, but she gets a big break when she's chosen as a cover girl for Vanity, whose owner was actually in love with her grandmother.
Only once is the wrong note struck, when old Miss Julia (a trained singer and music teacher whose voice is supposed to have been cracked by age, not shattered) sings so badly that the audience burst out laughing when I saw this at the cinema.
Karen Carpenter was a carefree, but very unconfident young lady, whose wonderful voice helped her and her brother Richard to soar the charts with wonderful songs.
Also a standout was Fran Kranz, whose natural ease well complemented the more season veteran actors.
This film is a comedy which entertains the audience, a romance which skillfully utilizes many clichés, and a story of a handful of people whose nation is collapsing around them.
The film also shows the growing bond between Tripper and a quietly lonely, puppy-dog eyed Rudy(Chris Makepeace of "Vamp" fame), whose dad is often away all the time.
Nanny was a one-woman social service organization whose boarding house was filled with drunks, derelicts, cripples, drug addicts, misfits, and everyone else in town who needed a hand-up instead of a hand-out.
The crux of the story revolves around Nanny's relationship with young Ruben (beautifully played by Marcus Franklin),a boy whose divorced parents were unable to raise the boy properly so Nanny took him in.
S. Epatha Merkeson, who has been wasted for years in the thankless role of Lieutenant Van Buren on NBC's LAW & ORDER, turns in a powerhouse performance as Nanny, the neighborhood mother-figure whose boarding house became a symbol for the downtrodden black folks in her town.
DING-A-LING-LESS is a film whose time has come.
Arthur Kennedy, in one of his last roles, is also excellent as an aging shipbuilder whose family business is about to close.
However, Distant is Ceylan's arrival on the international scene as a great artist, one who has many of the same qualities as other great filmmakers like Ingmar Bergman (although his screenplay is not as dialogue-heavy it is just as brooding, and he lacks Bergman's penchant for close-ups- his shots are usually long shots for exteriors and medium shots for interiors) and Yasujiro Ozu (whose penetrating scenes of contemplation Ceylan reconfigures).
My 'guardian angel', whose name is Vigil, enjoyed this movie even more than I did, but then bodyguard movies are very much his thing.
You play Adam Randall whose father contacts him from the beyond and asks him to come and save him.
Ultimately, the whole film amounts to little more than sour grapes by Letterman fans, who just cannot accept that the better comic was chosen by people whose business it is to know these kind of things.
In Don't Change Your Husband, Swanson plays a bored housewife whose wealthy businessman husband (Elliott Dexter) pays more attention to work than to her.
This is an exciting flick whose main virtue is that it is virtually impossible to predict how the events will unfold, and particularly, how it will end.
Lupino plays a woman engaged to house-sit a vast California estate whose previous caretaker -- Jennifer -- up and disappeared.
He is oddly affecting throughout, and in the end, is the character whose fate really hits home and who made me think most vividly of the fate of more than 200,000 Japanese people in Hiroshima and Nagasaki.
Early next morning the young man returns to the sea and bids farewell to the girl whose holiday has ended.
What ensues in some spectacular scenery and mesmerizing scenes involving not only the three leads, but the other 3 gang members, as well as a newcomer with a small child, whose entrance is easily one of the ten grandest entrances of all time in cinema, partly because she sings one of the greatest songs of that generation.
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