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Whose in sentence

6259 examples of Whose in a sentence

Instead we have just another empty spectacle of a blockbuster whose only reason to exist seems to be to nauseate the viewer with relentless violence, which is far more brainlessly gratuitous than anything in the original.
Based on an actual story, John Boorman shows the struggle of an American doctor, whose husband and son were murdered and she was continually plagued with her loss.
It is a joy to watch Bobby Van, whose acting puts me in mind of Red Buttons, and, as always, George Kennedy (Cool-Hand Luke) who always manages to carry gravitas in his roles.
Bonnie Hunt as the friend whose wit and encouragement underlines Minnie as a 'sister' is funny yet warm in the scenes especially with James Belushi as her husband.
There is also a cool use of two heartbreaking Nina Simone's songs, whose music, I reckon has never been used in a proper way for a score.
(We can't recall just whose it was; either MERV GRIFFIN or WOODY WOODBURY, one or the other!)
This short deals with a severely critical writing teacher whose undiplomatic criticism extends into his everyday life.
The mismatched bunch of small-time crooks in the film are outshadowed by the investigative partnership of Emma Thompson and Alan Rickman, the humour of whose scenes is much needed in making the movie what it is.
The device can be put to both good and bad use, depending on whose hands it falls into.
For instance in the opening scene the scarecrows (which were humans on stakes, whose blood was drained to grow the crops), looked very real, but later in the film they looked more like fake scarecrows wearing blue colored masks.
This is a short for people who read, for those whose "bar" is set high and for those who recognize that living in a culture that celebrates stupidity and banality can forge contrary and bitter defenders of beauty.
'Terreur' was a period of massacres whose importance hasn't been fully documented and that -for the most part- were driven by ambition, greed and the settling of personal disputes, fed to ignorant sans-culottes as the next epochal step against tyranny.
And add to the twist, the woman is actually a married one whose husband has been missing for a year.
The film stars Lori heuring of In Crowd fame as a young mother whose husband has just passed.
It's all there: not just great, great bands like Black Flag, Fear, X, the Germs, whose names may not mean much to you today, but whose influence on today's alternative rock music can not be over-estimated, but also the promoters, the media and first of all the audiences - the punks - all portrayed in a manner that makes you laugh, shudder and gasp with astonishment about the energy, the anger and the fury these youths put into their music.
In the film, Lumumba, we see the faces behind the monumental shift in the Congo's history after it is reclaimed from the Belgians, and we see the motives behind those men into whose hands the raped and starving country fell.
The film opens with the director talking to the camera and saying he is going to show a story about Brazilain street kids whose families live in poverty and must steal and kill to survive.
He helps a servant girl escape from a ruthless businessman, whose goons then come after them, and terrorizes the young man's uncle's noodle restaurant.
You can feel that the man whose voice is dubbed over the credits and in the beginning and ending believes what he is saying wholeheartedly!
It is a film whose effect relies on the cast portraying the varyingly benign/malignant characters and it is here that Fellowes' directorial choices are superb.
In Batman Begins we have the scarecrow, whose not nearly as demanding on screen as the penguin or cat woman.
Furst is hilarious as the overweight slob Harold, whose attempt to use a computer to decipher the various clues leads to a gooey mess.
The story revolves around a 23 year old inventor named Brian Foster whose systems at his boss's company seems to keep failing, Brian is also dating the boss's daughter named Casey.
The dashing, jovial Flynn essays Custer from his days at West Point as a reckless, headstrong cadet, through the Civil War years in an extraordinarily generous and partisan interpretation of history, and finally as the nonpareil Indian fighter whose blunder at the Little Big Horn is excused as a sacrifice by Custer of his command as a way of exposing the corruption of government officials and post traders as well as a protest of the unfair treatment of the Plains Indians.
In real life, there are many people whose facial expression doesn't change much so Kim Frank keeping his was quite all right.
And there's Tim Thomerson as a plastic surgeon with seemingly few "real" parts and a taste for men, and a rich old man whose situation is a parody of Howard Hughes, and who is going to make several people rich with a complete set of organ transplants, including testicles.
The surviving print is jumpy and has missing audio snippets, and there are some plot holes left open (how would she know whose son it was if she's sleeping with both of them?), and the music is awfully hokey.
In a nation whose tastes have been so corrupted by reality TV shows, where repulsive nonentities have become the national heroes, is there even a market anymore for a film like this?
The movie was about a seventeen year-old boy whose mother and father are very religious.
It influenced me as a Jewish teen-ager who had friends of various colors and whose father's family had suffered under the Fascist regimes in Europe during the second quarter of the Twentieth Century.
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