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Whose in sentence

6259 examples of Whose in a sentence

Well, for those audience members whose only other movie experiences are TV: THE MOVIE and SURFER, DUDE; they might be bamboozled into nodding their heads in agreement.
Swain plays an invisible girl at a private school whose best friend is rich and does anything she wants at any time (Phillips).
The director of this waste of celluloid specialises in dreadful exploitation films where pretension is all; the previous year he did "Dangerously Close" whose good idea (about gangs getting too much power in school and the school paper editor against them) was submerged in a sea of sloppiness, and he would go on to do "Cyborg," Jean Claude Van Damme's worst film ever (no mean feat).
This would-be comedy about a girl - Kathy Ireland in her film debut - who's a total schlump whose inner babe is only awakened after she falls to the centre of the Earth and has a set of badly filmed, impossible-to-follow adventures (chiefly involving a set of dwarves who want her because she has big bones - go figure!) before returning home changed for the better isn't funny, gripping or entertaining in the slightest.
Brigitte Nielsen leads a bunch of ass-kicking warriors in various shapes and sizes to recover a green rock from some evil queen whose motives are never fully explained.
Without giving the whole story away, it revolved around an armored car guard who was financially down and out, and whose house was going into foreclosure.
Japan is located right alongside the Pacific Ring of Fire (active volcanoes) and also along the edges of plate tectonics, whose shifting will cause earthquakes and tsunamis (a Japanese term in itself for tidal wave).
The back of the VHS box states that the Goliath "emtombs a Nazi file whose secrets could destroy the free world forever."
If he hadn't been under contract to Warner Bros. he would've of been perfect in the Cary Grant role in Suspicion: the good looking charmer whose 1000 watt smile blinds one to the fact that he's a predator.
Killer Flood: The Day the Damn Broke: 1/10: Finally a movie whose title is spoiler proof.
Some have merely called the film "contemplative", meaning slow and devoid of plot, however, one Dutch reviewer hit the nail on the head: this is an important event turned into a dull film whose tone is set in the very first scene.
Sandra Bullock struggled along valiantly with a character who was supposed to be zany, but whose wackiness consisted of things like madly kissing a husband she hated, abandoning her child, going on carnival rides, offering to strip for money, and bumming a ride with a fellow airline passenger.
The underlying theme of the series is that a silent majority of colonists enjoyed British rule; that the founding fathers were manipulative schemers whose only goal was to draw Britain into a violent civil war; that the American supporters of the revolution and the militia were racist, violent louts, duped into the struggle.
Patrick Dempsey (whose movies are almost always a class act --sarcasm) plays this "devil" who changes her life - but from what we've seen, her life was this series of vignettes to begin with.
Legendary pop star Steve Alaimo ("Don't Let the Sun Catch You Crying") stars as an unlikable stock car racer whose career has hit the skids (ha ha) because he constantly crashes his car (or as he laments, "I'm tired of being run down by every grease monkey that gets behind the wheel").
Steven Spielberg once said that a high-concept movie was one whose plot line could be described in one sentence.
A clear sign that this is unimpressive is that it was directed by a visual effects creator, whose only other credit in that field is a Henry Rooker film that wasn't well received.
Instead, I found my sensibilities somewhat dulled as a succession of bearded Islamic villains replaced each other taunting, torturing or killing the wantonly victimized prototypical middle-class Iranian whose Western cultural sympathies were patent (and whose exoneration the movie quite blatantly seeks.)
Ugly and uneasy, it doesn't showcase anyone involved to any advantage (especially Kristofferson, whose hollow stares and usual gravelly talk is out-of-place in a psychological mishmash like this one).
Angela Cartwright, an actress I usually like (and whose name isn't even in the opening credits, poor soul), is ten years too old for her role, and her horrible matronly yellow prom dress must haunt her nightmares to this day.
MOREAU or MYSTERIOUS ISLAND, is trashed by the heavy dialog and mono tonal acting of amateurs whose lines sink like lead weights into a sea of stupidity.
The fight choreography was done by Cynthia Rothrock's frequent co-star Richard Taylor, whose classy and witty presence in front of the camera would frankly have made this a better movie.
The only exceptions were a couple emotional scenes with Keena (Violet), with whose performance I was pleasantly surprised and occasionally moved.
She is a completely inappropriate choice to play the sexually hungry woman whose flirtatious, dissatisfied presence caused so much trouble in het Acherhuis.
There really is only one reason to watch this barely adequate and utterly predictable movie about an uptight chef Kate Armstrong (Catherine Zeta Jones) whose life changes when she inherits her orphaned niece Zoe (Abigail Breslin) after her sister is killed in a car wreck.
Band has said that he regrets the period of Full Moon output alongside Tempe Entertainment (whose Creator J.R. Bookwalter and regular Danny Draven also speak very badly of Charles Band).
An exception is Randy Quaid, whose character is superfluous and incredibly annoying.
There are some so extreme misfires I haven't seen in a movie in a long time (the story of Lucas whose dead sister lives in his head, the divine revelations, all that lizard nonsense).
Based on a book by Richard Miles, and about as far removed from a commercial drama as one could get, this lurid material not only attracted Dennis but also director Robert Altman (whose work is static, at best).
Even the film's best sequence (Dennis shopping for a prostitute to satisfy her prisoner) doesn't quite come off, with Sandy acting both ill and indignant (whose idea was this plan?).
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