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White in sentence

4105 examples of White in a sentence

The sad fact is that the movie depicted a situation which could not be improved upon without action from the improvement of the relationship between the white southern traditional thinking and the progressive movements of that time.
Made at the height of the Black Power movement, this movie portrays African-American Putney Swope (Arnold Johnson) getting made CEO of a corporation after the white CEO dies (the white executives all hate each other and can't decide who should succeed the previous CEO).
If you like your films to pull your emotions out of you, if you like your films with a guy you can root for, and relate to, if you like your films in black and white, you gotta see this film!
But one thing that really does bother me, as a film maker myself, is the film being in black and white a need to cover up a multitude of sins than if it was colour?
Wonderful bits of Rudy Ray Moore comedy stand up that don't seem funny, at least not to a white boy like me, but great in context.
It's pretty surprising that this wonderful film was made in 1949, as Hollywood generally had its collective heads in the sand concerning black and white issues at that time.
The film deserves strong kudos for taking this stand, for having exceptional acting from its mostly lesser-known cast and for the super-intelligent script that doesn't insult the audience or take the easy way out when it comes to white racism.
In real life well over half of situations are black and white, but only a fraction of movies make it seem that way.
This movie is the best example of a back and white look.
It is best seen in black and white.
I saw this film many years ago on a old black and white t.v.
Each chapter itself is a blend of two contrasting narratives, the first continues the story with scenes from Mishima's life and appear in black and white.
It's all filmed in black and white with the true 40-ish feeling.
I really enjoyed this old black and white talkie.
Perhaps a great white?
Of course, Cassavetes told some guy it wasn't really an improvisation per se, on his deathbed, so...it's the story about a light-skinned black woman, Lelia, who passes for white, and her family: another passing-for-white brother named Ben, and a black-black brother named Hughie.
When she falls in love with a white jerk named Tony, he is unpleasantly surprised when he finds out she's black, and from there it goes on about the three main characters' individual aspirations and shortcomings.
If Viagra was the slime mold stage, that white sparkling powder is the Stephen Hawking evolutionary rung (or at least the pharmacist idiot savant branch).
The film looks cheaply made, and it probably was, so the black and white cinematography is vastly inferior to that of Godard in Vivre Sa Vie, to cite another film noir of more than 30 years earlier.
When will filmmakers learn and provide yellow subtitles so that they can be read against a white background.
The start of the film has the alien's spacecraft hurtling towards the Earth centuries before mankind walked the planet with an explosion that unleashes the film's title in amazing shining white and blue stating 'THE THING'.
With great black and white animation and an interesting story this is again a great animated short from 'The Animatrix'.
I wasn't sure about getting this movie on DVD because I really do have something against people making black and white films in the 21st century, but I ended up buying it anyway.
I still don't understand why it had to be black and white, but that's the only negativity I can see about the film, and it sure is a perfect example to see the definitive rise of Brazilian cinema.
It's also nice to see that a black girl was chosen for the role of an Egyptian Queen (No, I'm not predjudice against white people, I am one).
This movie had reminded me of watching the old black and white movies with my dad.
All right - it was in black and white and probably on 2" tape - which means the BBC wiped it, right?
This could have easily unraveled into generic suspense thriller, or depressing white trash drama, but it stayed a course all its own till the end.
I saw this black and white comedy noir yesterday at the London film Festival.
Only this time, he's able to implement touches of homage- things like black and white photography (a given due to the shoe-string budget but also essential to the dark crevices these characters inhabit) and casting of the actors (the John Doe lead, the slick male counterpart, and the beautiful-in-a-gritty way femme fatale)- while keeping it in the realm of the 90s underground indie where for several thousand dollars and specific choices in locations and music and such anything could be possible.
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