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Wealth in sentence

3143 examples of Wealth in a sentence

Adam Smith talks about 18th century America, where the prohibition against visible displays of wealth was so great, it was almost a block in the economy in New England, because even wealthy farmers could find nothing to spend their money on without incurring the displeasure of their neighbors.
Thirteen trillion dollars in wealth has evaporated over the course of the last two years.
Talent, background, education, freedom, networks, opportunities, wealth, ideas, creativity.
When King Henry of England died, he had 18,000 things in his house, but that was the entire wealth of England, so ... (Laughter) And with that entire wealth of England, King Henry could not buy any antibiotics, he could not buy refrigeration, he could not buy a trip of a thousand miles, whereas this rickshaw wallah in India could save up and buy antibiotics and he could buy refrigeration.
He could buy things that King Henry, in all his wealth, could never buy.
When I conduct this experiment, a bunch of stuff comes up: vast wealth, trophy spouse, good health, lots of travel, time, etc, etc, etc.
So, vast wealth can make you happy.
Vast wealth can disappear tomorrow.
That means you don't need to be a big nation to be successful; it means you don't need a lot of people to be successful; and it means you can move most of the wealth of a country in about three or four carefully picked 747s.
Because in agriculture, if you had 10 kids and you grow up a little bit earlier and you work a little bit harder, you could produce about five times more wealth, on average, than your neighbor.
And today, of course, you all know that the most productive nation on earth is Luxembourg, producing about one third more wealth per person per year than America.
One third of the global population producing 5 percent of the wealth because they didn't get this change, because they kept treating their people like serfs instead of like shareholders of a common project.
And, given that the music is over, I was going to talk about how you can use this to generate a lot of wealth, and how code works.
They started to build flyovers to get from A to B faster, but they effectively went from one area of relative wealth to another area of relative wealth.
This is the greatest time there's ever been on this planet by any measure that you wish to choose: health, wealth, mobility, opportunity, declining rates of disease ... There's never been a time like this.
I think this true marriage of art and information is woefully underused in adult literature, and I'm mystified as to why visual wealth is not more commonly used to enhance intellectual wealth.
First: accrue wealth, power and prestige, then lose it.
But little of this wealth is trickling down.
I started to feel guilty for my own relative wealth, because I wasn't doing more, apparently, to make things better.
There is a whole wealth of other natural enemies and this is just the last example.
It is true that Hearst did use his considerable wealth and clout to build Davies' career.
The whole chase sequence is really ridiculous, with the young lady stopping every so often to set traps; only for the maniac to show up seconds later, and this is cut with scenes showing her with her husband - who just happens to have a wealth of information on how escape insane killers; with lines such as "expect the unexpected".
The film should have at least tried to cover larger topics, such as race, ageism, the burgeoning gay "caste system" based on wealth, body image, and the rise of the "clones", discrimination of sub-groups within the community, and the ability to grow a decent mustache (which was very important in the 70s!).
The film has a very thin plot line with Kronk trying to win the approval of his father, and ending up finding the true meaning of wealth and success.
However Dino doesn't like Udita to the heart as he wants only her wealth.
So she lends all her wealth to Dino.
Finally Dino comes out of the police - station and goes with Tara with all the wealth.
Although the basic premise of the story offers a wealth of possibilities, they are never developed to any satisfying degree, and exposition is almost non-existent.
With the 1990s containing a wealth of clever, surreal cartoons, why should I be?
enchantment and magic are also markedly absent from this particular piece. in fact, all aspects that made the stage version of 'the tempest' full of wonder and intrigue have been sucked completely from this convoluted version about a self-absorbed, pompous arse who can't figure out how to care about anything beyond the blur of his wealth and power.
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