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Wasteland in sentence

62 examples of Wasteland in a sentence

It's almost as though either you accept the doctrine and then you can have all the nice stuff, or you reject the doctrine and you're living in some kind of spiritual wasteland under the guidance of CNN and Walmart.
But if you think the Chinanet is something like a deadland, wasteland, I think it's wrong.
And this sandy wasteland had lain barren for 10 years, and we were told, unless we found a developer in six months, it would go bankrupt.
At the beginning of the week, we got the exciting information that the theory of inflation, which predicts a big, infinite, messy, arbitrary, pointless reality, it's like a big frothing champagne coming out of a bottle endlessly, a vast universe, mostly a wasteland with little pockets of charm and order and peace, this has been confirmed, this inflationary scenario, by the observations made by radio telescopes in Antarctica that looked at the signature of the gravitational waves from just before the Big Bang.
But I'm encouraged, because maybe we're finally starting to come around, because what was once deemed this swampy wasteland, today is a World Heritage site.
Dress actors in furry rags, place in suburban wasteland, set cameras rolling and hope for the best.
With a supposed total budget of 1.5 million dollars, it was produced, shot and briefly released on video and then sent to the wasteland of forgotten film.
A number of performances are noticeable , especially when placed against the static and emotionless wasteland which Jonathan Kerrigan refers to as his face.
McClure is just too Cheezy to be believed, but who can blame him in the wasteland of this movie whose plot about ancient dinosaur birds ruling humans has 19th Century throwback "period charm," but not enough and unfortunately the script carries the racist connotations of the literary genre into films.
Unless you're a teen who likes The Pussycat Dolls, thinks Paris Hilton is "hot" and watches MTV it's like some sort of wasteland.
In sum, kick ass character progression, design, story without the cushion of dialogue, and most importantly, the always appreciated desolate scenery of a post-apocalyptic wasteland.
The alcoholism, the random sex, the ugly wasteland that was the Soviet city, the choking pollution, the proletariat victimizing each other and themselves, the utter hopelessness - it is all there.
Cash (Now played by Khrystyne Haje in for Angelina Jolie) has wandered to a post apocalypse wasteland (after her protector has died from old age, said protector was played by Elias Koteas, an actual decent actor) and now she finds that people wander through the rubble looking for cyborgs to trade for scrap metal and cash.
There's nothing quite like watching giant robots doing battle over a desert wasteland, and Robot Wars does deliver.
Max had the V-8, Trace (Wheels of Fires last and only hero) has a jet engine on the back of his car allowing him to make unintentionally humorous faces as he rockets around the halfway desolate wasteland.
Cash, a female cyborg, travels to a wasteland doctor to receive news that she is pregnant.
I myself was sold by the promising descriptions of "nuke mutants," "motor-psychos," and of course the "exterminators" themselves which, according to the back of the movie-store case, are all cavorting around a post-apocalyptic barren wasteland wreaking all sorts of mayhem.
As we all know, decent moovies tend to sprout horrible, horrible offspring: "Halloween" begat many, many bad 80's slasher flicks; "Mad Max" begat many, many bad 80's "futuristic wasteland fantasy" flicks; and "Conan the Barbarian" begat a whole slew of terrible, horrible, incredibly bad 80's sword-and-sorcery flicks.
An overpopulated, unforgiving wasteland with a hellish, unwanted existence?
The teens are not "party mad," but merely going through the rebellious angst of teenage wasteland.
Death Wish is a movie for all of the people who have to wade through the legends of scum that inhabit the streets of America's urban wasteland.
Just why the fifties are a vast movie wasteland is an interesting subject.
In fact it's hard not to see REPO MAN'S influence throughout this film, which portrays Los Angeles as an apocalyptic wasteland and its residents as drug and sex crazed loonies.
Same old premise -- destructed wasteland, no sign of sane life, deadly cyborgs reigning, some unlucky human beings... it works on a very cheap & boring formula.
That bar scene was murder, an emotional wasteland.
There are teeny bits of hah-hah in it, but they are utterly lost in the Antarctic wasteland that is "Farce of the Penguins".
you can past that the general conceit of the whole film, America turning into a barren wasteland simply because they used up all the oil, is a straw dog impossibility and if you push aside that character's this stupid and ineffective could survive when nearly 2/3rd of the population have passed on, then this certainly had the capacity to be a fun little flick.
Plus, after a while the quantum-fractured wasteland this film takes place in starts to grow on you... a giant hand shaped rock made sense after the tree village (elevation: 3 feet) of cretins, the goon squad dressed as vaguely menacing knights, and the endless rolling hillocks and groves that made it undoubtedly clear that this movie takes place in...Europe... somewhere... or other.
Despite a dazzling intro, showing a school bus racing through a nightmarish wasteland with Freddy at the wheel, this is a very tame and soft teenage-horror flick, completely lacking coherence and logic.
TV may be mostly a wasteland these days, but every once in a while, a fine original film shows up on the tube.
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