War
in sentence
10451 examples of War in a sentence
The vibrant red appears to you as a symbol of love, but your friend is convinced it's a symbol of
war.
Which means most human beings are at
war
with reality 50 percent of the time.
Because we're not only losing cultural heritage to natural disasters and in war, but we're also losing it to something else.
And the governments all around the world are fighting their
war
on smog, but I wanted to make something within the now.
How does it deal with real African issues like war, poverty, devastation or AIDS?"
So at em speeds, physical travel feels really painfully slow, so most em cities are self-sufficient, most
war
is cyber war, and most of the rest of the earth away from the em cities is left to the humans, because the ems really aren't that interested in it.
Now here, their claim to tradition is at
war
with history, but they're nevertheless very certain about their purity and about the impurity of others.
Our telomeres are losing the
war
of attrition faster.
Can you imagine the impact on children of living years in a
war
zone?
I once asked a US soldier, "Why did you volunteer to fight this war?"
So it all starts back in 1946, just a few months after the end of the war, when scientists wanted to know what it was like for a woman to have a baby at the time.
Over the course of Kurt Vonnegut’s Slaughterhouse-five, he hops back and forth between a childhood trip to the Grand Canyon, his life as a middle-aged optometrist, his captivity in an intergalactic zoo, the humiliations he endured as a
war
prisoner, and more.
As a prisoner of war, he lived in a former slaughterhouse in Dresden, where he took refuge in an underground meat locker while Allied forces bombed the city.
After the war, Vonnegut tried to make sense of human behavior by studying an unusual aspect of anthropology: the shapes of stories, which he insisted were just as interesting as the shapes of pots or spearheads.
Thankfully, however, it was my teacher's teachers, Chea Samy, Soth Sam On and Chheng Phon, who would lead the revival of the art form from the ashes of
war
and genocide: one student, one gesture, one dance at a time.
The disastrous effects of
war
still haunt Khmer people today.
To put it into perspective: if you compare this to the soldiers in Iraq, for instance, right now fighting the war: 0.5 percent.
So in some very literal way, the young black men who were growing up in this country were living in a
war
zone, very much in the sense that the soldiers over in Iraq are fighting in a
war.
The old women in my father's village, after this
war
had happened, memorized the names of every dead person, and they would sing these dirges, made up of these names.
But a friend of mine, called Emmanuel, who was significantly older than me, who'd been a boy soldier during the Biafran war, decided to come with me.
Meanwhile, Marcus Licinius Crassus had assumed control of the
war.
Crassus won the war, but it is not his legacy which echoes through the centuries.
And it was for us, the young, the first time really we hear the language of war, of guns.
And that was the language of the
war.
Extraction, and good, big business of the
war.
And what I did for the first war, after we have lost everything, I have to save something, even myself, my life and life of the staff.
And after the war, I have been able to bring it back home, so that we continue our studies.
The second
war
came while we didn't expect it.
We heard that now from the east again the
war
started, and it's going fast.
I sent the message: what is going about the progress of the
war
and what they are planning to do.
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