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Voices in sentence

1303 examples of Voices in a sentence

Together, we envisage and enact a society that understands and respects voice hearing, supports the needs of individuals who hear voices, and which values them as full citizens.
In the last 20 years, the Hearing Voices Movement has established hearing voices networks in 26 countries across five continents, working together to promote dignity, solidarity and empowerment for individuals in mental distress, to create a new language and practice of hope, which, at its very center, lies an unshakable belief in the power of the individual.
How do I get around the problem of really wanting to have as many different voices going on at the same time.
(Multiple voices) Voice 7: It was probably about 11 o'clock at night.
(Multiple voices) Voice 13: I got a call from my father.
So I'll play you just a short excerpt of a mockup that we made of a couple of these voices, but you really get a sense of the poetry of everyone's reflection on the event.
But when I'm reading with synthetic voices, I love to come home and read a racy novel with a real voice.
It begins in Elliott's voice, but then Elliott's voice recedes, and we hear the voices of Elsa, Margot and Simon, characters that Elliott created on Twitter specifically to tell this story, a story from multiple perspectives leading up to this moment at 10:13 p.m. when this woman falls to her death.
I think that this kind of spontaneous creation of what was coming out of the characters' voices really lent an authenticity to the characters themselves, but also to this format that she had created of multiple perspectives in a single story on Twitter.
He then explained the tonal differences between male and female voices are very different and distinct, and that I had learned it very well, but in a woman's voice.
People with hearing loss often hallucinate music or voices, sometimes as elaborate as the cacophony of an entire marching band.
So I'd like to spend a little bit of time this afternoon and tell you a little bit about our process for fixing the city, a little bit about Detroit, and I want to do that through the voices of Detroiters.
Now that's millions of people worldwide who are using generic voices, including Professor Hawking, who uses an American-accented voice.
And I looked around and I saw this happening all around me, literally hundreds of individuals using a handful of voices, voices that didn't fit their bodies or their personalities.
So what I wanted to do next is, I wanted to find out how we could harness these residual vocal abilities and build a technology that could be customized for them, voices that could be customized for them.
Dr. Bunnell is an expert in speech synthesis, and what he'd been doing is building personalized voices for people by putting together pre-recorded samples of their voice and reconstructing a voice for them.
We set out with a little bit of funding from the National Science Foundation, to create custom-crafted voices that captured their unique vocal identities.
She calls it mixing colors to paint voices.
What we've done so far is we have a few surrogate talkers from around the U.S. who have donated their voices, and we have been using those to build our first few personalized voices.
I imagine a whole world of surrogate donors from all walks of life, different sizes, different ages, coming together in this voice drive to give people voices that are as colorful as their personalities.
But I was totally immersed in this world that was filled with everybody, and then I went on to the United Nations school, and that just completely — So I began sort of developing these voices and these people, all of whom were loosely based on people I really know, and so, for example, in performing them, I would really try to inhabit them.
To prevent their voices from breaking, these singers had been castrated before puberty, halting the hormonal processes that would deepen their voices.
Known as castrati, their light, angelic voices were renowned throughout Europe, until the cruel procedure that created them was outlawed in the 1800s.
Though stunting vocal growth can produce an extraordinary musical range, naturally developing voices are already capable of incredible variety.
By pushing air faster or slower, we change the frequency and amplitude of these vibrations, which respectively translate to the pitch and volume of our voices.
This growth is especially dramatic in many males, whose high testosterone levels lead first to voice cracks, and then to deeper, more booming voices, and laryngeal protrusions called Adam’s apples.
After puberty, most people’s voices remain more or less the same for about 50 years.
But we all use our voices differently, and eventually we experience the symptoms associated with aging larynxes, known as presbyphonia.
This decreased flexibility increases the pitch of older voices.
The folds' increased mass slows their vibrations, resulting in deeper voices.
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