Voice
in sentence
4572 examples of Voice in a sentence
Almost everything was
voice
over commentary to carry the story.
The scriptwriter forgot that sometimes less is more and tried to explain several millennium of detailed history in the
voice
over.
Then, the
voice
in off seems as a documentary, actors and actress in the movie sometimes laughs -take a look to the sequence when Juana arrives to the council which want to keep her isolated-; the castles are almost broken when in the age of the movie they have been recently built, crowds are just "four" people, lights are bad placed...Compared with Amelie Poulain, the french movie for the oscars...it has no sense to speak about a bad movie like Juana la loca.
The theme song was great, only because Drake had been in it, the music was pretty good and Miranda's
voice
sounded fake.
My feeling is that if you have a decent script, the audience will follow along, without having to be insulted with
voice
over storytelling.
She slauters the songs with her screechy
voice
and overacts in a role she clearly doesn't understand.
The movie does well to include a lot of Wilde's dialog, but the voice-over narration in the
voice
of Dorian contains a lot of rubbish that directly contradicts Wilde's character.
I actually signed up on IMDb purely for the fact that I needed a way to at least
voice
how awful this "Garbage" was.
The writer writes in one
voice.
With massive stitches on his forehead, Campbell breaks free and roams the streets looking for his wife; all the while he is arguing with a strange
voice
inside his over-sized head.
But getting her to 'mimick' Shirley's
voice?
It must be said that the acting and interpretation is most heavily polluted by the TV-generated trend to speak in a severely muffled voice, not moving lips, straining tones, as emerged in the "That's real life"-productions and "Let's-raise-our audience-with-a-few-tears"-screen-playwriting.
The plot and acting in this movie was terrible (with the exception of Debra Wilson; and I'm not just saying that because I love her, she seriously was the only actor or actress who had any emotion in their acting and voice!)
The kids acting skills sucked too (I think they were reading from a cue card or had somebody off camera whisper their lines) because they'd be asked questions and would look around and then answer in a questionable
voice
(i.e.-"yes
It's hard to tell what's worse: Kathy Ireland's acting skills, or her ultra-high-pitched voice; the one that sounds like a screeching mouse on helium scratching its tiny little claws down a blackboard.
Most of the
voice
over artists really sounded like they were dead pan and they were going to die at anytime now.
His demeanor, his voice, his appearance- all of it spoke to dislodgement.
Sometimes you ignore that little
voice
in your head that says "stay away from this movie".
We should all pay more attention to that little
voice.
That being said, let me urge you to listen to me, the little
voice
in your head.
Unfortunately, Albert Finney (at this point in his career, not at all elderly) seems too robust and quick-thinking to play the actor; Finney (and Oscar-nominated director Peter Yates) cannot modulate Sir's moods and bouts of coherency in a way that makes sense to us, so that in one scene he's stopping a train with the commanding echo of his voice, and in the next he's curiously falling apart.
His sole claim to fame as a performer evidently is a bullfrog-like low
voice
unusual for someone of his age.
How can Kevin Connor possibly think that we'd rather listen to Peter Cushing's fake accent and look at some ridiculous ape-man whose
voice
sounds like a scratched cd than gaze at the beautiful Munro?
OR they needed to just let him use his real
voice
(and move his mouth), and maybe give him a costume that would not make him stick out like a sore thumb when walking down the street.
The most sane
voice
connected to the whole schmeer belongs to the person who decided - very, very wisely - that this was unreleasable and not even good enough to go straight to video/DVD which throws up yet one more riddle, why - if we rule out serious payola - did the Mail On Sunday get involved and deign to give it away.
The beginning
voice
over sounds like 'The Wind' could be quite an intriguing movie, but as the story unfolded I knew it was downhill from there.
The last and loudest
voice
comes from a third rate German actor, ranting and raving.
The first scene wherein a bunch of vampires in very bad wigs seemingly get electrocuted by various slow moving weapons wielded by an even slower moving Van Helsing wannabe... in black and white... with a
voice
over, sets the pace for the entire rest of the film.
(which, combined with her rusty
voice
certainly is nice, but nothing to base a movie on) The high point for me is the opening scene, and the film just degraded from there to a point where I just wanted to quit the film about 45 minutes into the story.
Ranch hand & ex-priest Miguel (Del Zamora) recognises Isabelle's symptoms as a possible case of possession & when she starts to speak ancient Latin in a strange
voice
he becomes convinced of it.
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