Vistas
in sentence
51 examples of Vistas in a sentence
But instead of looking at the scenery around him, seeing the beautiful
vistas
and noticing the cool ocean breezes, he was driving fast and contemplating driving off that bridge.
No one else will ever, could ever, possibly see the views, the vistas, that I saw for 10 weeks.
But though these Martian
vistas
resemble the deserts of our own home world, places that are tied in our imagination to ideas about pioneering and frontiers, compared to Earth Mars is a pretty terrible place to live.
The extreme environments of our own world are alien
vistas.
YNH: Thanks! (Applause) Imagine a place where your neighbors greet your children by name; a place with splendid vistas; a place where you can drive just 20 minutes and put your sailboat on the water.
It was like we were both heroes climbing up into a mountain range together and we kept arriving at new vistas, and these new, perfect constellations of words would come out of us to describe them.
We want to discover completely new continents, and gaze at magnificent
vistas
of ignorance.
Located at the border with Guinea and Mali, Kédougou first strikes visitors with its stunning
vistas
and views of the Fouta Djallon Mountains.
The careful testing, retesting, design, are going to open up
vistas
of understanding, complexities, difficult things.
And those
vistas
will both create new science, and fundamental change in the world as we see it, in the next hundred years.
Even on a television screen, the
vistas
were impressive.
A sad but triumphant story told against a background of fantastic
vistas.
The first time around I was certainly impressed by the astronomical
vistas
we're treated to in this movie, but by and large I didn't think that much of the movie as a whole.
The title sums up the film's use of compelling contrasts - huge plainland
vistas
set against intimate horrors; the noblest of motives set against the most degraded; hope turning to dust.
I won't go through another long plot description - suffice to say that seeing it for the first time in its proper widescreen format left me agape at the
vistas
and the scope of the film.
I loved the interplay of characters and the filmed
vistas.
Some lovely vistas, and an odd but interesting cameo by Henry Fonda as a grizzled canyon man, are the sole compensations in fatigued comedy-drama, with the two leads being trailed by cartoonish killers who will stop at nothing until they get their hands on that map.
After reading the other reviews for this film I am of the opinion that the high markers are probably paid studio lackeys as the film I saw was absolutely dire, with wooden acting, lacklustre scripting and plodding predictable directing, one of the few plus points has to be the stunning scenery as this film features some stunning backdrops with great sweeping
vistas
and dramatic skies and wide open prairies, sadly when the most memorable thing in a film is the part featured behind the actors this has to be a warning sign as to the quality of the movie, all in all a thoroughly uninspiring addition to the western genre which even at the very reasonable price it can be obtained on DVD is best to avoid.
Some of the
vistas
are pleasing but there are silly mistakes in the cinematography.
Instead of gazing at
vistas
from afar, he incorporates them into the drama as characters that redirect, complicate, or evoke the human characters' goals.
The western scenery was filmed well, and some of the
vistas
were simply breathtaking.
His use of vibrant colours, striking vistas, dream scapes and powerful, haunting imagery made the film a true delight.
But check it out and enjoy....... Goulet's and Howes' voices are certainly in their prime, and this particular number appears to be shot on location -- wonderful
vistas
combine with perhaps the most beautiful piece in the Brigadoon score.
In this way, it avoided Hollywoodism, but when I consider how the film-makers could have incorporated vast
vistas
as a cinematic expression of the isolation of these communities I was dismayed.
Also missing are Kipling's picturesque
vistas
of the India he knew and recalled so well, scenes he paints with words easily surpassing all the Technicolor location shots.
That's a pity, because it could have been a good old-fashioned action flick in the manner of its predecessors, but with an added cachet of great color and wide Scottish
vistas.
The twists in this film are truly fun and surprising and the musical score adds a real sense of unease to the well directed carnage and misty
vistas
(hats off to Jim O'Connolly!)
Look, I don't want to intellectualize over some anti-Hummer tirade by the director, but this movie sucked and the panoramic
vistas
(which some people think is the saving grace of this movie, kind of in the wide open style of Kubrick in 2001,but it simply did not work for me.
The movie was filmed in colorful wide screen CinemaScope which captures the beauty of western
vistas.
At least it is in John H. Auer's 1953 movie of that name, sort of a noir-inflected Grand Hotel or Dinner At Eight, that opens and closes with floodlit
vistas
of the wedding-cake Wrigley Building.
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