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Violent in sentence

2197 examples of Violent in a sentence

An awesomely powerful look at the divide between social classes in the US circa 1950 culminating in the transformation of law-abiding citizens into a violent, blood-thirsty mob bent on taking the law into their own hands.
Films as Pasolini's "Teorema", Anderson's "if...." and Kubrick's "2001: A Space Odyssey", among others, reflected the times of sudden and often violent changes people were experiencing all over the world.
The story line is very good and although there are some violent moments in the movie it wasn't at all gory or messy.
Tsukamoto Gishiro(Eiji Okada), Takemura Banzo(Noboru Nakaya), Shokei Tokuichi(Takeo Chii) & Kitahama Okono(Sanae Nakahara)were responsible for Yuki's father's horrifyingly violent demise, proclaiming him a corrupt member of government just because he wore white(..he was actually an innocent schoolteacher on his way to teach in the village the four thieves had just swindled).
The subtle romantic pieces between Andrew and Sara make it a touching film that although violent never seems nihilistic.
Dolph lundgren is a badaass in this and made me remember how much i love him sure he was never as big a star as most of the action hero's of the 80's but as he proves here, he's the one who's ruling the genre now cus he plays one mean mofo here, the story has Dolph's wife and kid murdered by the Russian mafia, he moves to los angelos and seven years later he is asked to go back to Russia to bring back somebody's daughter back, he refuses to do it at first until he realises it is the same gangster that killed his family seven years ago, so he goes to get his bloody revenge, the mechanik is violent and dark but its great entertainment and delivers the goods, sure the story has been done many times before but the way it is made and its style just make the mechanik an action classic, Dolph lundgren also directed it and does a brilliant job crafting one of the best action/thriller's for the past ten years.
In KTG, Cags plays Ralph Cotter who after a daring and violent daylight prison break, uses his smarts to prove that he is no small timer and formulates a grand scheme to garner lots of cash and protection which involves crooked lawyers and crooked policemen.
Direction is robust and swiftly paced by Gordon Douglas and in the end, makes this film fun, breezy, yet violent, but also a very good watch.
"Cue Ball Cat" has the typical violent gags of these cartoons, however it is different because, for one thing, Tom is playing pool.
It's extremely violent and concerns a highly traumatic situation involving young children -- not to mention that the hero is a juvenile delinquent (NOT the misunderstood kind) who wins out by playing all sorts of illegal tricks.
This is OK for the kiddies, though it is rather violent.
However "House of 1000 Corpses" is one of the better horror films of the decade, and should really be viewed by only horror fans, otherwise normal moviegoers, probably won't dig the films violent, retro, and horror themes.
For all those guys out there that are forced to watch 'chick flicks' and for the ladies that sit through over violent action thrillers, here is a movie both will enjoy.
'London to Brighton' is not just (or even mainly) a work of social compassion: it's a violent gangster thriller, but it takes place in a Britain best described as squalid.
The superb action sequences are split up by good plot detail and a bit of humour thrown in for good measure, a lot of it completely incongruous to the often violent scenario (the sequence with Yun-Fat dodging bullets while holding a baby for example).
If your not a fan of subtitles then watch it for the action sequences and any conosseuir of all things violent would lap this up.
The key to understanding and enjoying this film is knowing what it is: a sexy and violent movie adaptation of a video game!
The who-dunit is actually presented in an entertaining (and surprisingly violent) way, and makes for an entertaining time.
I used to consider it an exciting western, action packed, very violent.
After a weak attempt to find work, he ends up driving an ice cream truck directly into the cross hairs of an old, violent friend played by Daniel Baldwin.
The boss of an institute for psychic researches of the American government discovers that his own son and a girl are being sought by terrorists who want to use their mind's powers.Narrative conducted in an agile and suffocating way by the veteran De Palma, responsible for equally violent and full of action classic such as "The Untouchables".
It is also sickeningly violent in places.
This sequel is very claustrophobic and also very violent, but it deserved a better conclusion.
When not turning his liver into plywood Tommy halfheartedly attempts to find work as a mechanic but winds up driving his uncle's ice cream wagon and getting in over his head with a troubled teen on the verge of bolting from daddy's violent household.
Everyone with an eye to see this film will no doubt have heard about how brutal, violent and shocking it is; and after seeing it, I've got to say that Assault!
Set in a desolate, desert cafe in a desolate Arizona town, Bogart and his murderous, violent band of criminals hold up and hold hostage, a various assortment of people.
The film doesn't explain why she decided to go to a motel with him, even when he seemed violent and over-assertive.
Indiscriminate hatred and violent atrocities against all humanity provide the locomotion, propelling this gripping drama to a bitter-sweet ending.
Certainly not as violent as the "Dirty Harry" pictures, but just as unsubtle, it was a powerful movie with a totally convincing, appropriately square performance by Joe Don Baker.
It jumpy, violent and memorable yet not scary.
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