Violent
in sentence
2197 examples of Violent in a sentence
I've heard people talk about how gory and
violent
this movie is.
It's really not that gory or
violent.
The review on the main page admits that the movie is horrible but that you should forgive it because it is nicely
violent.
Would allow a borough in his city to degenerate into such a
violent
place to live; especially for voters who could have much to say about his or her future job security.
Violent
sequel to RoboCop was directed by Irvin Kershner (Never Say Never Again, The Empire Strikes Back) will never be as good as the original, because it is almost humorless, and it is extremely mean, and should have been rated NC-17, because of scenes with infants being involved in gunfights, people threatening to brutally murder very young infants with REAL automatic weapons, and even scenes with a 12 year old using lots of explicit profanity, giving drugs to lots of random people, shooting and graphically shooting up and killing policemen and SWAT officers, opening fire on police officers when lots of small and young children are present, and a whole group of children using strong profanity and beating up the store owner (who is a very old man) of an electronics store and stealing and destroying lots of items there.
This film for me and my wife is more entertaining than all the bloc-buster
violent
thriller/mystery/murder movies that abound.
They were working in a coal mine when suddenly they were all killed in a collapse.Now they wander the forest carrying their pickaxes and shovels, waiting for someone to come by so they can kill them and eat them.Oh, they also come out at night.Yep, only at night.That makes the movie even more fun then it would be if they came out in the morning.Despite all of the
violent
and gory mayhem in this movie, 'Wicked Little Things' is a great choice if you're looking for a movie about zombie children.Don't expect anything great like 'Dawn of the Dead' or 'Land of the Dead', but do expect lots of gore and violence that makes this movie a real zombie fan pleaser.Everyone give Scout Taylor-Compton from Rob Zombie's 'Halloween' a big hand for delivering a great performance like the one she did in 'Halloween'.She really needs to start starring in more horror movies.
They get robbed and this leads to a
violent
and murderous ending that foreshadows the stark and chilling ending to Taxi Driver six years later.
A of a bunch of lovable rouges, who are not the
violent
or psychotic types, who with cheek an guile pull off the biggest job of their lives.
Someone else? Contrary to most fan's frequent representation on the film's
violent
content - I consider it much more plot driven; featuring only one real moment of memorable bloodshed (involving chains and boards).
Violent, but not too much so.
He is then lent to another department in the building, and he is sent to the posh yet
violent
world of Sam Campbell, the Splatter and Gore department.
Sam Campbell, Eddy's new boss, is telling Eddy about the big break on his movies, the gruesome Loose Limbs series, and he needs Eddy to make the movie somewhat less
violent
so they can be shown all over Europe.
This early Sylvester and Tweety short presses many of the right buttons and, while Tweety is often particularly irritating with his forced cuteness, there's some deliciously
violent
antics between Sylvester and the dog, culminating in a surprisingly brutal climax which is unfortunately marred by a final unfunny non-quip by Tweety.
The
violent
death of Fernando Ramos Da Silva only eight years after the completion of this film, only adds to the poignancy of dierector BAbenco's powerful message.
The film is split into two halves - the first in a reformatory where a group of youngsters are abused and violated by the
violent
law enforcers and guardians.
love the non
violent
drama, and the colorful scenery.
Dagmar Lassander (immortalized as the gone to seed landlady from Lucio Fulci's HOUSE BY THE CEMETERY) has never looked more exquisite than she does here, subtly portraying the innocent (?) researcher held hostage by mad medic Philippe Leroy (with all the art-house favorites to his name, you wonder whether he has the good humor to mention this one on his c.v.) as their initially
violent '
relationship' turns to S&M-tinged love story.
Erotic and violent, the movie distinguishes itself by setting the story in Atlanta, and delivering a chaotic detective case, to you(the viewer), on a silver platter.
Violent, provocative and humorous at the same time with a truly wonderful ending.
Norman Wexler's incisive Oscar-nominated script is superbly enacted by Peter Boyle (in a powerhouse performance) who manages to make his garrulous, down-to-earth yet hypocritical and opportunistic character (with a barely-disguised fascist streak which comes to the fore in the remarkable
violent
conclusion) likable, even admirable; indeed, he comes across uncannily like a flabbier version of the young Marlon Brando!
Vera dreams of life of leisure, as she imagines the West to be; her reality is very different, with a bitter mother, a
violent
father, and the ever-present alcohol.
I am not a historian, but all the events that preceded the decade (a few being the
violent
deaths of major figures of the American political and cultural scenes, the racial struggles, the emergence of the 1960s counter-culture, the increase of violence and death in the streets...) seemed to influence the vision of filmmakers who were willing to dare, be different, and create entertaining and intelligent motion pictures.
Really this film even though
violent
and somewhat gross with many penguin scenes is clearly an exciting thrill ride from start to finish as you never find a dull moment and thumbs up to Tim again for his exploring of the characters as dark and conflicted it just made the film even more interesting.
It is
violent
and has a little language (though most of it is covered up).
Out of their element, Duchess and her kittens befriend a street smart stray cat known as Thomas O'Malley (voice of Phil Harris who did the voice of the big bear Balloo in the Jungle Book); after making a pass at Duchess, unaware that she is a single mother, O'Malley decides to escort them back home, with Duchess genuinely falling for O'Malley as the usual codependent surrogate family bond develops; chaos and mayhem ensues, culminating in a
violent
clash between O'Malley, his brother cats from the streets and Edgar.
It is such a break from the
violent
movies of bad taste so many kids watch these days.
In the first twenty minutes we are swept away by several powerfully portrayed emotions: a suffocating and overbearing mother has a
violent
argument with her live-in 40yr old daughter; a piano teacher (and professor of music)'s love for her pupils expressed in unswerving critical appraisal; the joy that music can inspire both in the listener and the performer.
I think "Apocalypse Now" should have taken it, but the Academy probably felt it was too
violent
and strange, plus Vietnam was still too recent.
An anti-(Vietnam) war protest consisting of spookily-dressed young people of all races painted like skeletons becomes violent, with cops beating protesters.
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