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Urban in sentence

1748 examples of Urban in a sentence

This might not be so bad if we were allowed glimpses of character between the cheap shots, but the whole thing feels stitched together like a bad re-telling of urban legends; the kind of material that would be deemed unfit for even the shoddiest of best man's speeches, never mind an 80 minute motion picture.
no movie ever made on any budget with any great actors pulled off such a believable urban setting.
The many Shinya Tsukamoto's films (such as "Snake of June","Tokyo fist","Tetsuo" and others) appears psychological exploration of "love triangle" situation.Unusial in "Gemini" absence urban constituent.Therefore "Gemini" is not hypertrophied as "Tokyo fist",not surreal as "Tetsuo" and not so atmosphere as "Snake of June".Total is not so intensive as others Tsukamoto's works.But it is a good movie because qualified lighted , acted and cinematographied.Pleasant momentary turn (by using equipment in manner sci-fi movie) from "historical film" to "modern" (plague child scene).Synthetical music soundtrack is the part of "urban" instruments of director Tsukamoto.
America was attempting to adjust to the aftermath of World War I (which is explored brilliantly in this film in a sequence through which Tom's brother, Mike, refuses to drink from a keg of beer smuggled in by Tom for his dinner party) People like Mike were still trying to feel that sense of loyalty towards the government after World War I. Yet that loyalty somehow vanished with the development of Prohibition and the rise of gang rule in urban society.
Beatty's transformation from a suicidal senator on a campaign trail he no longer cares about to the life loving man who embraces urban hip-hop culture to the hilt is great.
i loved the first 2 urban legends, i don't even understand how this movie got added to the urban legend series.
Based around the urban legend of La Llorona, "The Cry" deals with mothers who drown their children because a spirit tells them to.
The story is Helen and her friend are investigating urban legends for university.
I also thought it was well written and well directed, despite the shortcomings of a low budget urban film.
Great locations and cinematogopry capture the fascinating urban locations of historic old San Juan, elegant hotels, palatian homes, picturesque seascapes, and even the cockfight colleseum.
Battle in Heaven is an epic adventure in film in the urban world.
Jerry Schatzberg (Scarecrow, Panic in Needle Park) can be an attentive director to the mundane and the types of people in urban environments left by the wayside, but he needs something of a really powerful script to work with.
It's a poetic movie about the urban heaven.
Mexican films, in recent years, are mostly easy going urban comedies.
The music (Patti Smith, Ramones, if you love it it's probably here) is to die for, and Alan Moyle's direction paints an masterly picture of urban street life in the late 1970s (it's New York, but everyone will see echoes of their city in this film).
And like in nature as in life people die and we already mess with nature enough, through urban expansion and deforestation for the researchers to keep a meerkat alive that would have died in there absence would be bad.
Kresten, the lead male character, is a modern urban male in a global sense.
What was once thought of as a mere urban legend (a tall, surgical-masked woman who spirits off with young children during the twilight hours) turns out to be something much more than a scary tale.
As for it's American counterpart, I suppose that you'd be looking at something like Lost Highway, David Lynch's bizarre account of a modern, urban couple trying to grapple with the unknown.
I enjoyed this movie, it has an up to date urban twist on an old story...but I would wait for the tv version before I let MY mother or mother-in-love see it.
first of all it has no story to follow: instead of having a slasher who kills all the nasty rich kids one by one (copykilling after urban legends as usual), it's some voodoo-magic-zombie thing!
It showcases the music as a true underground phenomena; fun, creative, positive, and energetic; embraced by urban youth eager to rebel.
This movie sets its story in two opposing contrasts one about urban life and country living, and another about young and old.
Yumi, lives a shallow life like many teenage girls living in urban Japan until her father sends her to country side where their relatives live for the summer.
Araki's films say, we've created such irreversible urban decay that we've reached the existential state in which nothing we do could make it worse and so let's embrace pointless violence.
After bringing forth Nigerian money scams, phishing scams, identity theft, email viruses, spyware and stupid urban legends, now it thrusts upon us yet another abomination we have to warn all our friends and relatives about.
The plot centers on doctoral student Helen (underrated actress Virginia Madsen in her best role) who becomes obsessed with the urban legend of a hook-handed killer that terrorizes the pauperized ghettos of the nearby Cabrini Green.
Ferrara has a good eye for location shooting and the grim ugliness of urban living, so that his depiction of Reno's madness isn't unconvincing.
There's two types of Giallo; namely, urban and rural; and this one belongs to the urban side of the equation.
Helen Lyle (Virginia Madsen) is a graduate student doing research on an urban legend named 'Candyman' who is supposed to be haunting the Cabrini-Green housing project in Chicago.
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