Treatment
in sentence
2329 examples of Treatment in a sentence
There was a bit a of a back lash over the
treatment
of the original "Lone ranger", Clayton Moore.
Some scenes which require a different
treatment
includes- a Minister is talking foul about Sarkar and the son is overhearing; a very amateurish shoot out in the jail on Sarkar, Sarkar Jr. escapes from the clutches of his enemies, a Son easily motivated to kill his own father, a son is secretly entering his father's room to kill him, a police commissioner slapping Sarkar Jr-all this requires a more realistic, hard-hitting approach which is the back-bone to create the required conflict.
He conducts unorthodox methods of
treatment.
Hard to find film that has recently gotten the full HD
treatment
by MGM.
Full of clichés, unrealistic moments: punching the air in celebration after putting a fire out, never mind that someone's lost their home and possessions!!, announcing a pregnancy in a bar along with all your mates before telling you in private first, walking on the roof of a burning building for no apparent reason, the stereotypical funerals and strained relationships, the very dodgy, cheesy music at the end, the unrealistic
treatment
of the girl who was rescued from her apartment, the very unrealistic explosion from that same apartment!! Did they have a couple of oxygen tanks in the attic or something!!? Anyone with an ounce of wit can see that this movie was a joke.
However, the suspense and drama that could have made this a really top rated film have been completely spoilt by the dull
treatment.
Romance-novel writing gets sluggish treatment, although I thought the performances by leads Harrison Ford and Kristen Scott-Thomas were fine.
Screen
treatment
of the comedic Broadway success "The Gay Divorce" (a title which was considered too scandalous for American moviegoers, though it was used in the U.K.) concerns a man and woman (Fred Astaire and Ginger Rogers) meeting under embarrassing circumstances while she's in the process of divorcing her spouse; they dance, argue, make up, dance, argue some more and dance some more.
In this case the ghost was that of a religious cult leader who tried to refuse treatment, but who's plea was ignored and he died in an operation.
Winky's
treatment
of Vena is a good example of this.
This feels like a feature-lenght
treatment
of a comedy-routine that could have also been told in a ten-minute short.
But, even in its
treatment
of this Swoon over does it by far.
Truly should have been "GAME OVER" for Bill .. but somehow .. he got
treatment
.. and went on to better??? movies.
At the beginning of the movie the plantation owner Prosper gets in a conflict with his brother Antonio about the
treatment
of their slaves.
Even the
treatment
of leprosy is something out of a Victorian interpretation of the Bible.
Jack Higgins' straightforward thriller about a guilt-ridden IRA bomber forced into "one last job" (where have I heard that plot before?) gets a snarky
treatment
from cult director Mike Hodges.
For a more even-handed and accurate
treatment
of events at Los Alamos during the Manhattan Project, see the TV movie, "Day One," or better yet, read the Peter Wyden book on which it is based.
Even he seemed to know it, probably from its jejune treatment, not much above a Bonanza or Big Valley.
Franco Zeffirelli's ("The Taming Of The Shrew," "Romeo And Juliet," "Jesus Of Nazareth," "Othello") third stab at transferring Shakespeare to the screen works very well, with the casting of Mel Gibson ("Mad Max," "Lethal Weapon" and pre-"The Passion Of The Christ" notoriety) in the role formerly owned by Sir Laurence Olivier (and rightly so; see my review on his "Hamlet," arguably the best interpretation of one of the Bard's timeless (and most quoted) tragedies) and redone 5 years later by Kenneth Branagh as a full-bloodied treatment, explaining its 3 hour 22 minute running time, combined with a dream cast (and a lot of little additions, which were well-chosen and expertly done by the contemporary master of William Shakespeare, Kenneth Branagh, the director of "Henry V" and "Dead Again."
For a better
treatment
of the same theme (and a more entertaining movie), try Bunuel's Belle de Jour.
The movie keeps piling on tiny, improbable, unspecific details that fight the epic
treatment.
What really rankles is the
treatment
of the women.
She needs treatment, urgently!
However, the
treatment
is totally unrealistic.
On the present days, Karen Tunny (Lori Heuring) has just lost her husband after a long period of terminal disease when the family savings have been spent in the
treatment.
Villa's raid into the United States was an interesting (if, in the overall scheme of things, not especially important) historical sidebar, and probably deserved better
treatment
than this.
The wall itself, the supposed subject of the film, is given no serious
treatment
at all.
Misguided, miscast, murky, interminable lunacy given the high-gloss MGM A-budget
treatment.
Could they not pull at least a few actors in from the first film for some kind of nostalgia
treatment?
Ray and Hardy play off each other well, but really aren't a team; in each of these films, Ray has more footage and is clearly meant to be the hero, while Hardy bullies him in a manner very much unlike his later "Ollie" character's
treatment
of "Stanley".
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