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Towards in sentence

4017 examples of Towards in a sentence

It's a perfect album, it starts out with Let's Go Crazy(appropriate for the beginning as it's a great party song and very up-tempo), Take Me With U(a fun pop song...), The Beautiful Ones(a cheerful ballad, probably the closest thing to R&B on this whole album), Computer Blue(a somewhat angry anthem towards Appolonia), Darling Nikki(one of the funniest songs ever, it very vaguely makes fun of Appolonia), When Doves Cry(the climax to this masterpiece), I Would Die 4 U, Baby I'm A Star, and, of course, Purple Rain(a true classic, a very appropriate ending for this classic album) The movie and the album are both very good.
It's a sort of critic towards the hypocrite society we're living in.
None the less his attitudes towards a little boy who comes to work for him and the convicts is complex.
I'm biased towards any movie that paints a luxuriant picture of Italy - in my opinion the most romantic country in the world.
The reason is actually not the film itself but the attitude it takes towards vigilantism which it seems to support.
Don't get the wrong idea, I don't mean to bad mouth Disney but most of it's stuff is aimed towards kids and THAT'S OKAY.
It seemed to be aimed more towards children about 6-12 years (maybe a bit older) and it's pretty much PG or G rated.
Social issues like black market trading of precious goods, in this case human organs usually from children; nostalgia for childhood and one's roots, which was especially prevalent in Dead or Alive 2; thumbing-of-the-nose at taboos like gay sex and (satirical) rape/violence towards women; blood-curdling violence.
This movie, in my opinion, is geared more towards the young gay population.
Firstly, the hatred towards this movie.
And everything about it has a magical feeling towards it.
And I'm a 19 year old man which is impressed by this movie directed towards a younger audience.
Towards the end when Ray Mitchell hits a homer he doesn't step on the plate and therefore that wouldn't be a score.
Clearly, Harron is more interested in America's attitudes towards sexual imagery then and now.
Together with a fearless lead performance by Gretchen Mol and the stunningly atmospheric cinematography of W.Mott Hupfel III, she accomplishes this goal admirably, holding up a mirror to the past while making the audience examine their own "enlightened" 21st Century attitudes towards so-called pornography.
The cowards that start their abuse of power even towards innocent children are now active again.
It is geared towards kids, but I laughed at most of the humor.
Inspired at least a little by Ivy Benson & Her All Girls Orchestra, who performed throughout the war years at the Covent Garden Opera house, this film chronicles the attempts by an elderly saxophone player to reform the (almost) all girl band with whom she played as a schoolgirl towards the end of WWII.
When Alan mentions things of his past, Charlie turns violent towards Alan or anyone who mentions his deceased family.
The music perfectly complements the footage, but never draws attention towards itself.
It's tone offers a stark contrast to the often gung-ho attitude towards World War 2 that the media exhibits.
Dom has had a unfortunate lot, manipulated & literally working a rubbish job, Eugene torn between personal aspirations and duty towards his sibling.
The complexity of having a twin serve as a surrogate father and even husband added great tension towards making this film emotionally interesting.
Well, we all kind of know that the lives of the brothers, Andy (played by Hoffman) and Hank (played by Hawke) will spiral downward towards destruction since where else is there to go but down, but we do not know how or when until near the end of the movie.
I really loved the Claude Lelouch (personal live of a couple in New-York, showing that our day-to-day "problems" are unimportant), Shoei Imamura (bizarre, strongly anti-wars in general), and Idrissa Ouedraogo (funny, typical African optimism despite terrible day to day misery), and Youssef Chahine (an Egyptian intellectual, pro-peace, having moral difficulties to accept the U.S. policy towards Arab countries) I am really pleased to see that many Americans liked this movie.
This is essentially a variation on House Of Wax ,in both the plot and the type of role played by the star of both movies ,Vincent Price.In both pictures he plays a talented artist who is sent toppling over the edge into insanity when his creations are usurped by other,less talented and less scrupulous people .In this movie he plays a designer of illusions for stage magicians who aspires to set out on a performing career himself only to be frustrated when another illusionist ,the Great Rinaldo (John Emery)insists that he honour his contract and give him first choice of any illusions he designs.Price is already ill disposed towards Rinaldi as his former wife is now a paramour of Rinaldi.
Not only did I find myself feeling lots of hatred for the screwer and lots of sympathy towards the "screwee", I felt myself cringe and feel pangs of disgust at certain junctures which is really a rare and delightful thing for a somewhat jaded horror viewer like myself.
The dedication of one man towards his lost son is entirely moving.
The monster towards the end is very scary.
It is by far the best I've seen that depicts the current reality in Latin America...kidnappings, corruption, ruthless and greedy police officials and heartless mayhem towards innocent victims.
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