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Towards in sentence

4017 examples of Towards in a sentence

Between each chapter, the narrative returns to the present, as Mishima proceeds towards his eventual ritual suicide.
John Huston was seriously ill when he made his final achievement,and it's thoroughly his testament:uncompromising,difficult ,a thousand miles away from crazes and fashions,it will stand as the best "last film" you can ever dream of.A very austere screenplay,no action,no real hero,but a group of people coping with the vanity of life,the fleeting years and death.The party doesn't delude people for long.Admittedly,warmth and affection emanate from the songs and the meal,complete with turkey and pudding.But the passage of time has partly ruined Julia's voice,first crack in the mirror.Then the camera leaves the room where the guests are gathered and searches the old lady's bedroom.For sure,hers seems to have been a happy life,but it's a life inexorably coming to an end-A shot shows towards the end of the movie Julia on her future deathbed-.Maybe an unfulfilled life,because she remained a spinster,with no children to carry on .Only some poor things,yellowish photographs,bibelots and trinklets....
Only thing that disturbs me a little bit is the sadism, especially towards women; I don't quite understand why?
We then go on a shot from the ground and see the frog gall towards us (oh yeah this movie was in 3-D).
If Homer's girl, Wilma comes towards him perfectly in focus, Al goes over to his wife also perfectly in focus.
Amy Watson's hurtful and humiliating behaviour towards her husband seems to pass without comment.
Reverse the roles and one could expect a torrent of condemnation towards the man.
After resistance, at first, Maria slowly teeters towards his objective, but has plans of her own..she says she wishes to help Sayer relinquish his sadistic behavior towards women, so that he could love and not feel such yearning desires to harm.
The start of the film has the alien's spacecraft hurtling towards the Earth centuries before mankind walked the planet with an explosion that unleashes the film's title in amazing shining white and blue stating 'THE THING'.
Also enjoyable is the absence of military hierarchy on board of the ship and the positive attitude towards sex and the human (and alien) body.
This movie starts off somewhat slowly and gets running towards the end.
I've seen both movies and I saw without a doubt the re-make is the best, I know a lot of people would disagree those who have become fans of the original will most probably not like this re-make, but i thought it was well thought out and definitely scary, It was so good I'm going to see it again tonight, the original creeped me out because they kill the children, i mean who does that in movies anyway....but in this one the children have at least half a chance...The only bad part about this movie is when the babysitter (Jill) Walks towards the sounds she hears and runs outside into the bushes to check for someone, clearly no one in their right mind would do that whilst babysitting, so that is the only thing i found wrong with the movie, and even so they probably had to put that in there to build suspense, i don't want to give too much away for all those who have not seen it, i recommend you do instead of listening to all these people saying its crap and worse than the original, it would be a better movie for teenagers, as it displays things that most of us are scared of, but when i was in the movies there were at least 10 adults over the age of 70 in there watching it, and they enjoyed it, if they enjoyed it i think you will to!
First of all the story is not so simple as many earlier reviewers tend to emphasize, it is actually a very complex story, unlike Bergman's other movies that are more bend towards character study.
A travellator slowly carries a solitary out of focus figure towards the camera, trailing a huge suitcase behind him.
The locations, beauty of their attraction for one another when it unfolds when they first meet, and the story that follows, and as they begin to know each other with the attraction they feel towards each other is real, is romance that is projected to an audience with tender care.
So astonishing, frank and honest is each startling verbal exchange between one son's wife (IreneDunne) along with the other's fiancé as these two younger girls together go to war - gleefully angrily unwrapping the clearly incestuous hankerings of Mom towards her hunky eldest son played by virile Joel MacCrea and her younger 'beau'/son payed by delicate and beautiful 25 year old actor Eric Linden.
The film obviously has aspects of horror, yet is geared a little more towards the humorous side of things.
Hardly ruled by man or perhaps by a poet-prime minister, so that as a social and cultural 'low pressure area', Poland could play the role it did in WWII, being critical yet Christian towards the Jews but often not less critical toward oneself.
there is a point towards the end of the film where the name of a character who then speaks with an American accent is actually beeped out--a simple google search of "lumumba film censor" or something similar will reveal a truly fascinating (and perhaps disturbing) twist regarding the production of this important film.
Having grown up a Mormon and grappled with the church's bigotry towards Blacks (they were not allowed to hold the church's priesthood when I was a member) -- I wasn't aware of the organizations policy of excommunicating gay men and women until after I left the church in 1966 -- (I was 20.)
The cartoon was marketed towards young girls, selling dolls with soft bodies and big plastic heads, one for every colour of the rainbow, with their own special animals, 'sprites' and even a talking rainbow horse.
Shah Rukh at first appears to be a villain but then towards the end you start to sympathize with him.
All of the stories were detailed and you are able to feel strong emotion towards each character from the very beginning.
Le conseguenze dell'amore (2004)is a beautifully made film that takes small carefully positioned steps towards its ending that need to be savoured in order to be enjoyed.
Also, smart move adding David, driver of the truck that spilled the GC-161, as Vince's bumbling assistant in the hunt for comedic effect but also you get to love him towards the end.
This early Warner Brothers talkie "Son of the Gods" (1930) deals with the racial intolerance that Anglo-Saxon Americans show towards the Chinese.
Falon is an alcoholic, and that tends to sway him from being in self control, though he manages to direct his attention towards finding who's really behind his partners death.
He carries along a rookie as his new partner (which seems to be seen too often in films) but Esai Morales does well in accompanying Sam Elliot, though puzzling pieces begin to fit to where Morales begins a self-approved investigation towards Falon; he mainly wants to find the answers since Fallon isn't letting him in on the whole story, and does not like what he finds.
The film is watchable throughout if a little messily plotted and written and for me it only lost it a bit towards the end when the Monster Man of the title starts to resemble a member of Slipknot and the film tries to go more horror style but isn't twisted or convincing enough.
I tend to be inclined towards movies about people who choose to cross the barriers of censorship, and express what they really want to express.
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