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Towards in sentence

4017 examples of Towards in a sentence

The costumes the unflattering photography - unflattering towards the actors but loving towards the locations) The one thing that makes the whole thing bearable is the sight of Meryl Streep making a fool of herself.
It didn't make me scared, horrified, or make me sympathetic towards the characters; it was simply annoying.
Watching the documentary "Wamego: Making Movies Anywhere" only made this film more cringe-worthy, with praise lauded towards it by... the director and the director's father... hmmmmmm.
There is a decent plot twist towards the end, but so many scenes that don't make sense.
Even the acting, which wasn't bad early on, turns bad towards the end.
He is also a very shy guy towards women.
Through this however director Jon Jost keeps interleaving awkward frames, blocks of letters, opening credits with annoying swooshing sounds, color frames that announce "BLUE", numbers that count towards the "12 Steps to a Conclusion" announced in the opening credits.
Paul, towards the end of the film, becomes incredibly annoying and one wishes she would just close her mouth and shut up, as it seems she is screaming as if it has just become an Olympic event!
Welles' film is too personal, with an interesting twist towards totalitarianism, the 1990 or so TV version is too shallow.
Jonathan Demme had exactly the right feeling for the plot, the characters and their relationships towards each other in The silence of the lambs, he should have done Hannibal,too.My only comfort is that I've seen the movie only two times,it's long ago and thank god for that reason I'm able not to see the scenes from the movie when I read the novel.
Richard Donner shows off his liberal credentials with this ludicrously overcooked simplistic attack on the politics of South Africa.It's not as if America is the cradle of racial harmony and brotherly love - and further irony is added by the fact that the movie is set in the city that was the home of Rodney King and glorifies the Police Department that did so much towards community relations with their brutal racist behaviour.
I don't agree with graphic realism towards animals, insects or any living creature.
Towards the end of this film, just before I nodded off and missed the last two minutes, I got the sense that "Everything's Gone Green" is a product of "connections" in the world of film - someone with very little talent knew someone with very little directorial skill, knew someone with absolutely no marketing sense (but plenty of disposable ego) and out popped this dull and inefficient attempt at whimsy and humor-with-a-conscience nonsense.
There are some nasty editing cuts towards the end of the film especially during fight scenes and when the main character is chasing thru doors and runs into a patron.
There are flashbacks within the flashbacks and no real time takes place until towards the very end.
After learning that Sesame Street, to name the best example, was not solely responsible for the fact that I could read at an adult level before I could walk, it only increased the level of disgust I feel not only towards the Lyons corporation and its product, but those who defend them, too.
There were some scenes I liked, such as when one girl is using her camera in the dark and the monster is coming towards her.
Apparently the directors thought the movie was getting too long, so towards the end they stopped pointing their camera to a kind of creepy image of the starlet and brought in plot enhancers to wrap this thing up.
When it recently came back in reruns, and I tried to watch it again, I was more calloused towards the girls' abysmal acting and had to change the channel.
The amount of hype and the huge success this film has encountered is evidence how desperate our people are towards a good independent Saudi film.
Segal is paired well with Trish Van Devere, and their moments of connection (though also played for laughs) are really the only sequences one can gravitate towards.
A couple of unexplained scenes towards the end.
The film features one decent gore scene towards the end, but this really isn't enough considering that it takes eighty minutes of tedium to get there.
Shame on all of you voters who chose to show some generosity towards this wretched piece of work you call a movie and kudos to most of the critics who concurred with my reaction.
This film appears to be an exposé of the current trend towards globalization and homogenization in the wine industry.
Crialese uselessly insists on stereotypical situations and characters, trying to melt neorealistic suggestions and video-music technique, Fellinian surrealistic remembrances and a very annoying and completely off-topic soundtrack, leading the whole thing towards an end which gives you the sensation of an exaggeratedly long story cut abruptly short.
Even the nods towards Argento fails flat.
The only reason why I gave it a 4 and not a 1 is that they used at least a somewhat attractive girl in the movie and towards the end you got to see almost full frontal nudity from the girl, thats it, thats the only thing thats worth watching it for.
Towards the end of the film, MacLaine turns the whole thing into a passel of hugging scenes, and even concludes with the kid hugging the Pope in Rome!
And poor Kelly is so confused, and believes having sex with Juan P will solve everything because her husband is so strange and so aggressive towards poor Juan P? So... for all of you who reads this... What do you think about it?
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