Thriller
in sentence
1284 examples of Thriller in a sentence
One of the significant differences is the use of a slow build-up of complications and tension over a period of time in the average thriller; horror movies tend to deliver the scares much earlier, and often feature some element of the supernatural.
This could have been an outstanding science fiction/crime
thriller.
This movie definitely showcases Hitchcock's early talent for the
thriller
genre and he keeps you guessing throughout.
Not a top flight
thriller
but delivers with nice plot twists.
Once again, for a light comedy, spy
thriller
(The Second World War was in full sway) it was away ahead of most of it's ilk.
The character's lack any kind of spark, the plot is very weak, and for a thriller, it's not in the least bit thrilling.
On the surface, this tale of a brutal gang who rob a gas station (hence the name!) and take the workers hostage appears to be just another been-there, seen-that Asian thriller, but underneath there's a soft centre waiting to be discovered - short vignettes give us clues as to how these thugs came to be this way, one of the hostages learns to stand up for himself, characters who are even nastier than the robbers end up worst off, and even the thugs themselves get a shot a redemption.
Oh come on now, I keep seeing posts where this movie is described as "an intelligent
thriller"
.
Think of this is a high-budget, flashy
thriller
based on a murderous, whining teenage (?) girl who's planning to go into, of all things, law enforcement, and you've got the gist.
The lab falling apart in second chapter was indeed an old
thriller
type of stunt.
Anyway, I fondly recall this as a very effective
thriller.
"The Philadelphia Experiment" takes the intriguing idea of time travel forward and turns it into a routine, often silly
thriller.
This is not a mystery, but a very good
thriller!
"Jurm" is a film which is supposed to be a thriller, without actually being one.
It's a typical Hollywood
thriller
with kids.
Leelee is great in this movie, and the tragic parents death and surprisingly violent ending (like, everybody dies!)make this formula following
thriller
fun and not too bad.
I saw EYE OF THE CAT as a double feature with the Carroll Baker
thriller
SWEET BODY OF DEBORAH... a terrible title for a good 'is my husband a killer' Euro ski lodge style thriller, very snazzy and in retro, a very good double feature.
He even was a 70s Streisand leading man in FOR PETE'S SAKE and a great Margo Kidder
thriller
dude THE REINCARNATION OF PETER PROUD.
This one could have easily been called LITTLE LOST PANZER ON THE RANGE, and is a nearly brain dead but nonetheless enjoyable Spaghetti Western masquerading as a war
thriller.
This is an interesting
thriller
that I thought would be terrible.
The screen icon is a police detective with a difference in this very moody and formidable
thriller
from writer / director Richard Tuggle.
Personally I would question whether disaster movies really comprise a distinct category - they are dramas in the
thriller
category where the more usual dramatic excitement of violent action is replaced by the tension of waiting to see whether or not the impending disaster can be staved off.
The Unsaid is slow and predictable, barely even qualifying as a functional
thriller
as it seems more interested in piquing the interest of bored housewives who think they're experts on psychology because they watch Oprah and Dr Phil on a daily basis.
Rather than take the audience for a ride the movie here has to constantly catch up to the viewer, a backwards way of making a thriller, unless you don't actually want to generate any suspense.
A promising
thriller
that swallows itself up.
That's the movie that claims to be a murder
thriller
but is nothing of the sort .
YOUNG SOUL REBELS is basically the same , it starts with a murder in a park then spends most of its running time going out of its way not to be a murder
thriller
except for the last five minutes which reveals who the murderer is .
Hamlet, Freud and Edgar Ulmer may seem like an unnatural group of pals, but among them they have come up with a tidy little psychological
thriller.
Intriguing, better-than-average old house
thriller
where a cantankerous old millionaire decides to give his money to his heirs whilst still alive - providing of course his lost granddaughter from a runaway daughter continues NOT to be found.
Capably directed by Edward L. Cahn, with a clever and compelling script by Curt Siodmak, a brisk pace, sharp, moody black and white cinematography by Fred Jackman, Jr., genuinely creepy zombies, a spooky, rousing score by Mischa Bakaleinikoff, a tight 69 minute running time, and a thrilling conclusion, this nifty little quickie provides an inspired and entertaining blend of snappy straightforward horror and gritty film noirish crime
thriller.
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