Theatrical
in sentence
377 examples of Theatrical in a sentence
All Humor appears forced, theatrical, mechanical, staged, reminiscent of those Pakistani plays available on video, including even the mannerisms.
I can't believe this movie was even considered for
theatrical
release.
A lot of staring and
theatrical
acting just doesn't do it for me, and what was all that about putting Tim in the role of Rochester.
It even came with original
theatrical
previews of other Italian horror classics like "SPASMO" and "BEYOND THE DARKNESS".
What seems to have happened is that they actually constructed a much longer film and then chopped it down for standard
theatrical
viewing.
By now you should already know about this film, the Jessica Simpson "bomb" that pretty much went straight to video (limited, anemic
theatrical
run).
The parallel between the
theatrical
sequences and the film itself are puzzling: it's like if the stage became a way out for the Heroin.
How long will it be before we really do see shows like The Running Man? How long before we have 'court-appointed
theatrical
attorneys' or the entertainment division of the Justice Department?
They play off each other like members of a top-notch
theatrical
troupe, who realize that a quality product requires each actor to support the others unselfishly.
Seeing Willy Clark(Matthau) and Al Lewis(Burns) two big
theatrical
comedy actors now reduced on the imbecility from the hard and unceasing old age you can feel only anger and blue.
It debuted I believe on HBO and never did get a
theatrical
release to my understanding.
It deserved a
theatrical
release.
The freshness of that close-to-home event combined with this dramatized true story made for a very disturbing
theatrical
experience.
A
theatrical
release was intended for earlier this year (March, 2005) but this never happened.
Nevertheless it could have worked without and would have removed the slightly
theatrical
element, but then maybe that was intended because the courtyard certainly seems to take on the look of a theatre at the end.
With a
theatrical
look throughout, Guys and Dolls isn't a great film musical but certainly a very good one.
In 1993, with the success of the first season of Batman: The Animated Series, Warner Brothers commissioned the team responsible for the hit-show with producing a feature-length movie, originally slated for Direct-To-Video, but bumped up to
theatrical
status.
If you're sensitive to the camera's movements, you'll be fascinated by the way the camera moves on stage, the particular flow, that give you the impression camera follow the actors as if it was lead by the
theatrical
principle of "private space"... amazing.
Richard Benjamin appears as Matthau's nephew, a
theatrical
agent who has been given the monumental responsibility of making this reunion a reality.
I liked Emma Roberts in this role, but they gave her a made-for-TV, not
theatrical
release, script...
I remember NOT seeing the Alfred E. Neuman depictions shown in the
theatrical
trailers.
It's one of my all time favorite
theatrical
scores, so I was very happy to hear that Rob Zombie is leaving it untouched in his remake.
Director Shumlin,
theatrical
director, frames his action with an oppressive rigidity appropriate to the material, and the seemingly inept compositions compellingly suggest unease.
In a 40s thriller!), the film has an upright hero who turns mad and murderous (and possibly paedophiliac), brilliantly brings the faraway ideologies of the Spanish Civil War into jolting dangerous reality, has one horrific murder, an astonishing insights into class and capitalism, clever
theatrical
metaphors, a rare approximation of Greene's God, and an ending that is only happy if you know nothing about history.
Edel & Starck is great, it has all: great plot, smart, witty, always well delivered lines, an amazing
theatrical
timing showed by all the stars and beautiful shots of Berlin, one of the most interesting city in the world.
As usual the lovers--Sally Field as almost-over-the-hill soap opera queen, Celeste Talbert; and Kevin Kline as marginally employed and marginally talented actor, Jeffrey Anderson--are working at cross purposes, seemingly unaware that they are madly in love, etc. Owing a little to Bette Davis's Margo Channing in All About Eve (1950) and a whole lot to the slapstick
theatrical
tradition, Sally Field goes over the top towards hilarity as she malaprops her way to love and happiness.
He went on to direct other
theatrical
blockbusters such as "Star Wars Return of the Jedi","Eye of the Needle",and "Jagged Edge" among many.
The only other film that tells the story of the Fab Four that I know of,is Back Beat which had a
theatrical
release in 1994.
Released as Zentropa in North America to avoid confusion with Agniezska Holland's own Holocaust film Europa Europa, this third
theatrical
feature by a filmmaker who never ceases to surprise, inspire or downright shock is a bizarre, nostalgic, elaborate film about a naive American in Germany shortly following the end of WWII.
I rented the film (I don't think it got a
theatrical
release here) out expecting the worse.
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