Terror
in sentence
1339 examples of Terror in a sentence
A skilled TV director, well-trained in story-telling and in directing his actors through long epics he tried to catch in this very low-budget film the essence of the very special psychological situation the Israelis live though under the permanent danger of the
terror
attacks, resulting in 'distorted' lives.
But it fails to capture the flavor and the
terror
of the 1963 film of the same title.
But you will enjoy the friction of
terror
in the older version much more.
It is a good opportunity to sit back and laugh at the international intrigue that is too much with us in these time of
terror
and fear.
Now it's time to learn about the nature of this evil, the psychological aspects of Freddy's realm of
terror.
Evil Dead II: Dead by Dawn is the sequel to the ultimate experience in grueling
terror.
Shot by fledgling writer/editor/director, Siddiq Barmak, "Osama," the film exposes the desperation and
terror
of a beautiful twelve-year-old girl (Marina Golbahari) during the Taliban era in Afghanistan.
If you can endure the saccharin and the stolen physical metaphors (e.g., worst use of a flying whale as a template for terror), have fun ripping it to shreds (ala MST3000).
The fact that (with a few exceptions that ran 2 episodes), each story was limited to less than 30 minutes (the commercial breaks which accounted for the "less than" were surrounded by fade-outs of some new
terror
arising - which, even the youngest viewer realized after a few breaks, would be a false alarm when it resumed) rushed the plots of stories I laughed and fascinated over in book form, giving no time to absorb the scares, other than the phony ones resolved in 60 seconds while the camera dimmed and returned.
That could have given the director/actors more room to really explore the true
terror
these dragons were inflicting and could've been more graphic/dark.
He has approached this "exploring the unknown" in several films including "The Funhouse", "Poltergeist", and of course, "The Texas Chainsaw Massacre" and "Toolbox" really brings us back to the classic form of screen
terror
we have longed for since we traveled to "Salem's Lot", which was also masterfully done by Hooper.
The movie deals with the so-called historical figure of Vlad Tepes (phonetically that is "Tzepesh" and it literally means "Impaler"), not the vampire of Bram Stoker but the tormented Wallachian (Romanian) medieval ruler that stood against the might of the Ottoman Empire with nothing but a few trained men of his own and his reputation as master of psychological warfare by means of sheer
terror
and unprecedented scale of prisoner execution through impalement (Google on that for detailed info).
Where is the Leninist
terror?
Sporting vividly realized, even brilliantly conceived scenes of
terror
visually reminiscent of Argento's best and pacing that could only be compared to that of the young John Carpenter, LIGHTHOUSE should be seen by anyone the least bit interested in Horror or good film making.
The film captures some of the
terror
from the original story, but director Christian Duguay and storywriter Dan OBannon fails to deliver the film that this had the potential to become.
And you're like, "will they shack up?" "will they escape from Supergator's reign of terror?"
Cardboard characters, clumsy emotional manipulation, implausible storyline and cliché twists weigh against decent production values, competent acting and a reasonably balanced portrayal of participants in the war on
terror.
The atmosphere is positively claustrophobic and palpably creeeeeeeeepy, and the
terror
-- which starts early and brutally -- is unrelenting.
I enjoyed it, and remembered it, but never really realized the full effect of the delightful
terror
in it.
People appear and disappear at random, they run from the beast in
terror
and the next moment are chatting quietly.
"Escape from (the) Brothel" is one of those Hongkong films that mix drama with action, nudity and pure
terror
to make a notorious "Category-III-classic".
Now if you have ever seen any films from the 50's you should know what fate always falls upon the villain.If given the opportunity to see it you definitely should just to see a basic storyline before it became overdone, but if you need your movies to go from one moment of
terror
to the next this is not the movie for you; otherwise this film should hold you attention from beginning to end.
Pull on your dungarees, git yourself some moonshine, and curl up with yer sister on the couch: it's backwoods
terror
time!
The musical score is excellent and really accentuates the
terror
and emotional impact of the whole movie.
This movie is a disaster from beginning to end and I justify my summary because even though it is suppose to be a
terror
movie there is not
terror
anywhere.
This film is about a woman who lost her husband and son in a
terror
attack.
What I found most intriguing and refreshing about this film was the seemingly benign approach it creates allowing the
terror
to build gradually.
With as much
terror
in the world, it's nice to see an alternative measure.
Others, such as myself, will feel absolute
terror
for Walken's character.
I was hoping for this film to recreate the kind of claustrophobic
terror
that was the only reason to watch the first film, but instead, the entire film is an excuse for Jennifer Love Hewitt to show off her body.
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