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Southern in sentence

1660 examples of Southern in a sentence

Instead, Sherman's March is an incredibly patient and passionate examination of oneself, the pain and frustration that come with mid-life depression, and the quasi-comic mystery surrounding Southern culture.
George Peppard played pretty much the same character as he did on the A-Team (including the cigar/cigarette in the mouth from time to time, minus the gloves and ascot)except he tries on a lame southern accent.
The movie itself is a kind of southern Gothic drama with a very distinct cinematographic approach.
And I guess that's what happened here, except I didn't even really find the cowboy to be that hot with his fake southern accent.
But he only has a wife so that the movie can show us that not all Southern whites are murdering racists.
A Richie Cunningham lookalike travels to a southern swamp to meet up with his hot babe that looks a lot like ...well, Richie Cunningham.
-- in his confrontations with Vinny; and the incredible southern judge Fred Gwynne who is irresistible with his fancy southern/back east background against Vinny's Brooklyn approach; and Marisa Tomei's incredible performance such as telling Vinny "you blend" and "the baby deah is drinking from the little brook and BAM...".
She plays a very spoiled and uncompromising southern belle named Julie in 1850's New Orleans, who intends to marry young beau Henry Fonda but mercilessly tries his patience; she is selfishly late for her own party, and despite all self-respecting folks' protests, rebelliously dons a glowing red gown at a Grand Ball at a time when it's forbidden for any unmarried woman to wear anything other than white.
Many 80's horror movies feature undistinguished (to say the least) Southern folks as unhinged killers and the cast members of "Hunter's Blood" definitely belong to the most successfully menacing Rednecks ever.
Set in the southern English county of Sussex of the 1920s, and filmed there in the 1990s - and yes, there are still characters like the Starkadders out there!
Still, it is John Ireland who's given the best line in this steamy pile of Southern comfort, spitting out his opinion of Joan's character: "I don't know what you are, Eva, but whatever it is..it's on wheels!"
A team of American special agents lead by super smooth ace martial artist Jones (the ever cool Jim Kelly) travel across Thailand to rescue June (Judith Brown sporting in atrociously overdone Southern accent), the daughter of a U.S. senator who's been abducted by the evil Rangoon (Sam Hiona doing a third-rate Fu Manchu impression).
Shotgun Stories, Jeff Nichol's impressive directorial debut, is an intense portrayal of a host of social ills in the Southern US: poverty, lawlessness, broken homes and guns.
whatever, we know the movie is taking place in southern cali.
if one were to guess the year, one is tempted to say early 60s--say, 1962 or 63. but the film is significant because it documents a solid, burgeoning beach culture which had been in place since the years immediately following W.W. 2. this film is a rich summation of what transpired on the beaches of southern California in the 1950s.
First of all, it has real people from Alabama portraying people from Alabama, so there are no horrible saccharin southern accents.
The story is a great mix of dramatic and comical moments, with some interesting characters as the crazy girl of Dongmakgol (Hye-jeong Kang) and the northern and southern soldiers.
Along with rough seas, sailing ships, beautiful southern ladies, sea wrecks [he always has to have that disasterous wreck] a giant squid in a spectacular underwater scene in the hull of a wrecked ship, villains and heroes, DeMille rounds up a stellar cast in the likes of Paulette Goddard, fresh from her almost getting the role of Scarlett O'Hara in GONE WITH THE WIND, as Loxi Claiborne, who is in love with handsome Captain Jack, [John Wayne] who was just beginning to gain world wide fame and Steve Toliver, played by suave and sharp tongued Ray Milland, one of his best acting roles, along with a young Robert Preston and Susan Hayward as young lovers who become victims of the war over salvage rights of wrecked ships.
The cinematography is beautiful as are the rich southern locations.
Ms Davis dominates a talented cast and expensive backdrops as the vainglorious Southern belle Julie / Jezebel of the piece, cowing her spiky fiancé Henry Fonda into allowing her to wear a scandalous red dress to the ball where the great and the good are all in attendance to pass judgement on her misplaced show of bravado.
There are some disaffecting matters here though, particularly the patronising of the southern negro, all "yes'm'" and "clap yo' hands" - even if this is the way old Dixie treated its coloured inhabitants it's still painful to view the coarse stereotyping.
This film is great at showing the lazy Southern society with its Black servants, white masters, pre-war sentiments, clashes and classes.
Once abattoir workers, the decay of the Southern rural economy has left them unemployed, and the direction less father and sons take to using their butchering skills on passing people.
In 1852, in New Orleans, the southern Julie Marsden (Bette Davis) is an impulsive and spoiled young woman from the society of Louisiana.
The Mayans inhabited Central America and southern Mexico
Count Alurcard (Lou Chaney Jr.) comes from Hungary arrives in the southern part of the U.S. in Lousiana.
A Southern hick, I love it when Vermonters are made fun of.
In this "page from the history and lives of the most bloodthirsty pirates who ever infested the southern seas," the title cards explain, "it was the custom of these pirates to subdue their prey, loot the ship, bind their captives, and blow them up."
Of all the films about southern racial prejudice (In the Heat of the Night, Ghosts of Mississippi etc.) this one best presents the magnitude of ignorant hatred that existed within the South and the corruption of the white authorities.
In the book Athos and D'Artagnan first saw each other in Monsieur de Treville's office and also in the book D'Artagnan was a Gascon (Basque) from the Southern part of France and Athos,the Count de le Fere came from a region not far from Paris.
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