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Soundtrack in sentence

1148 examples of Soundtrack in a sentence

I came to Across 11th Street by a very strange route - I heard the title song by Bobby Womack on the soundtrack to Jackie Brown.
By far, the closest to a "film" score soundtrack that I have heard in a television movie.
A good soundtrack that leaves it's mark, but doesn't overpower the art and dialogs.
The ONLY place to get this recording that I have found is on the movie soundtrack, which sells for something like $50 on amazon.
I'm am unbelievably furious the soundtrack is unavailable!!!! Meredith Salenger is captivating as Natty, an undaunted tomboy who runs away (from an unbearable landlady) cross-country to find her dad, who is logging in the wilderness of Washington State!
The score is compelling and I now own both the DVD and the soundtrack, lol.
I don't usually make a point to watch films this bad (predictable plot, laughable dialog, horrible music soundtrack, etc), but when I saw that my all-time favorite actor Jeremy Brett had a brief but memorable role in "Shameless" (originally titled "Mad Dogs and Englishmen"), I couldn't resist.
It's a cheesy classic, it's a great soundtrack draped around a fun movie, it's a piece of nostalgia already viewed through rose-tinted glasses.
Personally i love this movie and wish they had a soundtrack for it.
Why the first movie's soundtrack was the top-selling CD of last year.
The soundtrack is good, but there's nothing creepy or dreamlike about the images.
Faust: Love of the Damned takes that basic plot and adds in a heavy metal soundtrack, a bunch of gore and a comic book central character and the result is...well, not even as good as you might think it will be.
I gave Haven a 3 because the soundtrack was good and the acting wasn't horrible.
The soundtrack is one of the best I have ever heard and although Harvey Keitel is an "adviser", he still gets the chance to show that he is one of Hollywood's tough characters.
God, they even missed the excellent soundtrack by Phillip Glass.
The acting is quite good, especially O'Conner and Pinter, but much of the production design and soundtrack seems a rip from the excellent 'Remains of the Day'.
Hot rod buffs will drool over the cars in the film, and rock fans will love the soundtrack.
Another HURRAY for the soundtrack: Stelvio Cipriani varies only one theme (schoolgirl variation, police/chasing variation) with great effect to it.
This soundtrack is very typical for Cipriani and almost as masterful as the one for "Mark Il Poliziotto".
The soundtrack is awesome and placed exactly within the series.
Even the soundtrack often points the finger at the all-elusive "white man" who is supposedly oppressing all minorities alike.
The obligatory throw-guy-through-pane-of-glass moment looks pretty much obligatory and gratuitous, and the oh-so-significant soundtrack songs are intrusive at best and would've been better suited to an '80s teen romance.
The soundtrack has a nice feel but is used to unsubtle effect; the film touches on America's racial divide, but quite shallowly; the teenage fashion on display has period interest for those who remember it at first hand.
Not to mention the gorgeous cinematography or the incredible harpsichord soundtrack.
As far as the whole storyline goes, the movie has an excellent soundtrack to add to the whole experience.I'd have to say, if you see only one documentary this year, definitely make it "Crumb".
There is no movie here - no plot, no story, no theme, no characters, no cinematography, no soundtrack - just boring shots of the desert inter cut with boring shots of awkward sex - until you finally and mercifully get an ending that is apparently from a different movie entirely.
Animated short stories in a goth/science-fiction vein, supplemented by a rock soundtrack featuring such non-metal artists as Journey, Cheap Trick and Stevie Nicks.
Buy this soundtrack!!!!
And as much as I loved the music in the first movie, the music in this soundtrack is even better!
Now, thirty years later, it is a fairly stylish soft blue film, which is served beautifully by its soundtrack and somehow by photography, which remains charming and announces the David Hamilton style of Bilitis.
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