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Soundtrack in sentence

1148 examples of Soundtrack in a sentence

An awful soundtrack that makes every song sound like Rob Zombie's "Dragula" rounds out this miserable piece of crap into a laughably bad movie.
And what's with the reggae soundtrack?
The dialogue, soundtrack and shooting style are standard for biker movies.
Immediately you can tell the movie is from the producer of "Mortal Kombat", due to it's thumping and annoying techno soundtrack.
Three stars added for the Philip Glass soundtrack.
The film had numerous elements in its favor, such as chemistry between Diego Luna and Alice Braga so palpable I thought the screen would start sparking, a great soundtrack, and beautiful locations.
The movies soundtrack (if you can call it that) sounds like a teenage boys first attempt at using cooledit and some sample cds.
The images are accompanied by a soundtrack, it's purpose being to create atmosphere as well.
They don;t need the techno soundtrack and snappy dialogue.
The soundtrack...got to change that record, or you get tired of it.
ultra cheezy soundtrack.
I consider it a short film that uses excerpts of the song "Thriller" in its soundtrack.
From the title change of Metal God to the 'safe' middle of the road 'Rock Star' to the lame soundtrack this movie plays out badly.
The soundtrack is very NOT metal for one, and the ending of the movie is lame as well.
The movie does have a few bright spots in the writing and acting but as a whole, it fails in the end because...1)A movie based on a metal band should have a metal soundtrack.
The only thing to enjoy is Pink Floyd's wonderful soundtrack, which is too good for stereotypical waste like this.
On the bright side, (if there is one) the soundtrack has some nice moments, which is another reason to question how the rest of the film can be so hideously bad.
Crialese uselessly insists on stereotypical situations and characters, trying to melt neorealistic suggestions and video-music technique, Fellinian surrealistic remembrances and a very annoying and completely off-topic soundtrack, leading the whole thing towards an end which gives you the sensation of an exaggeratedly long story cut abruptly short.
The effects and soundtrack are nothing special and fairly low budget.
The flashbacks are mostly mundane and predictable, dully acted and with a soundtrack that could put The Laughing Cow out of business it was so cheesy, it actually sounded like muzak or copyright free elevator stuff!!! To be avoided at all costs unless you need something to watch with granny of a Sunday evening.
Although the Classical orchestra soundtrack was very nice.
This one had an interesting story however the light hearted and extremely generic soundtrack distracted one from the film as did most of the bad actors with the exception of Dien and Linda Carter.
With a rock and techno soundtrack to boot, one comes away feeling a bit off.
Writer/Director Brian Burns has obviously seen a few romantic comedies, and he seems to think that he's discovered the formula for success: plenty of location shots in New York (preferably in the winter), allusions to old Hollywood films (especially musicals), enjoyable musical soundtrack.
In closing, the soundtrack is definitely worthwhile, the film much less.
I was also wondering if in the original version there were American songs in the soundtrack... they seemed extremely out of place.
This film is just full of ridiculous stereotypes as shown by the 'emo' soundtrack which just adds to the media myth that all skateboarders are white rockers.
This movie is pathetic not because it's poorly directed, acted, sung, danced, filmed, etc ... but because it's really difficult to ruin a movie using an ABBA soundtrack - yet, unfortunately, this is the only thing the movie succeeds in doing.
The camera zooms in on his overly large, bulbous eyes, while the whole time there is this purely putrid soundtrack to add to the amusement.
While the new Pride & Prejudice film is gorgeous to view, and the soundtrack is lovely, we are not seeing Jane Austen's Pride and Prejudice.
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