Shooting
in sentence
915 examples of Shooting in a sentence
It's as far away from the "master and coverage" style of
shooting
as one can get; perfectly integrating many layers of image, sound, effects, props, dialogue, voice over, performance, editing, lighting, etc... all equal, none predominant.
Specifically, the dictator suddenly drops dead, so Julia replaces el presidente with a Broadway actor (Richard Dreyfuss)
shooting
a movie in the country.
The
shooting
style of the love scene halfway into the film was amazing.
Everything points in that direction, until a police
shooting
ignites an investigation spearheaded by Marybeth Cogan (Bridget Fonda) who believes the guilt points towards city hall and the mayor.
But it is the bond between the mayor and his deputy which is taken to task by the accidental
shooting.
When the equipment of the starship is shut-down, Klaang is kidnapped by Sulibans after a
shooting
in the hospital.
After the autopsy of the Suliban killed in the shooting, Captain Archer is informed by Dr. Phlox that the alien was actually a mutant, altered in a sophisticated genetic engineering process.
A dying convict in the state penitentiary reveals that he stole a block of heroin from the car after the
shooting.
I also like revenge type movies,This qualifies there as well in my opinion.Some of my favorite parts of the movie were the opening scene with the whipping and the barn
shooting
scene.
Suddenly a troop of armed gangsters storm the casino,
shooting
wildly.
"Panic In The Streets" is an exciting and atmospheric thriller in which director Elia Kazan achieved a great sense of realism by
shooting
the movie in New Orleans, using a number of local people to fill various roles and making intelligent use of improvisation.
This movie set out to be better than the average action movie and in that regard they succeeded.This movie had spectacular cinematography featuring spectacular mountain snow and heights,a very fit Stallone putting in a good performance as well,an exciting plot,and a great performance from it's main villain becouse he will really shock you with his evil ways.The movie does not rank an all time great becouse of the weak screen play.The plot and story cries for this movie to make Stallone an extra special human,much like the Rambo or Rocky or Bond movie characters.They chose to humanise Stallone's character in this one which is ok but considering the plot's style,weakens the excitement factor.Also,the dialogue was cheesy and carelessly condescending at times.The script should have been more realistic and less "talky".Another weak point was the unrealistic
shooting
scenes.The movie makers should have been more carefull how they hadled the
shooting
hits and misses.They should have continued the quality of the scenes of the
shooting
sequences during the plane hijacking early in the movie.Instead,they decided to water down a lot of the
shooting
sequences (ala "A-Team" TV series) as soon as the villains set foot on the mountain tops.This movie had a lot of all time great potential.Crisper action sequences,better dialogue and more Rambo/Rocky style emotion/determination from Stallone would have taken this movie to a higher level.I know this was not Stallone's fault.I sense the movie's director wanted to tone down Stallone's character and try to steal the movie by taking credit for his direction which was not all that great if not for his cinematographer.Sill a good movie though........
The plot is simple enough: Stewart's lonesome cowpoke wins a remarkable Winchester in a
shooting
match, beating the meanest man in the west (Stephen McNally), who is actually his own brother and caused the death of their father.
Dirty Harry has to track down a rape victim who extracts revenge by
shooting
her assailants in the goolies before killing them.
Surely a live audience could have been used in the
shooting
of the series.
The cinematographically skilled team of Richard Brooks Burton, Mike Holding, Adam Ravetch, and Andrew Shillabeer were animales in camera
shooting
the wondrous nature sites and animal instinctive behaviors; not to mention, the slo-mo animal prey shots were u n b e l i e a v a b l e. "Earth" is also a lesson learner on the global warming effect on the animals; the papa polar bear in the doc is the poster animal boy on that consequence.
Panic In The Streets opens in high noir style, a view along a dark street followed by a camera tilt upwards to a window, behind which is playing out a sleazy card game - an opening flourish which, along with some of the location shooting, anticipates some of the atmosphere Welles brought a decade later in Touch Of Evil.
So these non-PC (frankly, audience-scaring) ideas had to be 'toned down', to the point where the producers lost the core audience they were
shooting
for in the first place.
Only he would (1) take footage from a 20-year-old movie about gorillas in diving helmets ("Robot Monster"), (2) combine it with clips from a 30-year-old movie about elephants with hair mats glued to their sides ("One Million B.C."), (3) throw in parts from a God-knows-how-old Filipino movie about midget cannibals, half man/half lobster monsters and beer-bellied Chinese cavemen with snakes growing out of their shoulders (all of the aforementioned footage being in black and white), (4) spend $11.43
shooting
new "connecting" footage (in color, no less) with an apparently--to be charitable--confused John Carradine and a bunch of actors who have trouble remembering their lines (among them a vapid blonde who is so incompetent that all her dialogue is dubbed in by someone else and who doesn't even have the decency to make up for it by getting naked), (5) put it out under at least 10 different titles and (6) try to pass each one off as a new movie.
Let Variety proclaim that the announced Actors Strike was narrowly avoided - I'd say that it did happen indeed: and it happened during the
shooting
of this film.
The thing is that Astaire is unable to accept his growing old and his
shooting
abilities not being what they used to so, to build up his confidence once more, the trio convince him to accept the badge of town marshal with them as his deputies!
2. Fandorin acts like Rambo
(shooting
Turks in beginning) - no such tactics is possible in these days - they fight very different 3. soldiers - in these days Russian army was full of hard mans - not geeks and so on.
Particularly the American part is filled with the stereotypical distorted view of America many Indians have-street crime committed by minorities, homosexuals, constant drinking & throwing up, gun-toting cops
shooting
a fleeing suspect & the racist, homophobic Bengali-turned ugly American.
Whether he's
shooting
a racehorse or collapsing on a rain-soaked street after rubbing out a bunch of rival mobsters ("I ain't so tough"), Cagney is nothing short of amazing in the lead.
Also whenever the people would start
shooting
the raptors the raptors just stood there like nothing was happening until they decided to run away.
There ware no close-ups of the sexy babes
shooting
big guns, half of the time the action was stopped because someone had to say something stupid and the whole thing was full of errors and stupid crap.
However I did think it was well acted by the leads, but I cannot get over why on earth the
shooting
scene was in here.
They even started the
shooting
as early as in the late sixties.
he also terminated the other android by
shooting
her in the face with a shotgun and knocking some 10 feet to the floor and in the process knocking one of her red eyes right out of her head.
While some action movies got you all worked up with all the
shooting
and heroes this movie just makes you sit there and think: "What the...?".
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