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Seventies in sentence

183 examples of Seventies in a sentence

In the seventies, it was punk music that drove the whole generation.
Sixties, seventies, eighties and nineties.
Unless you lived near milpitas in the seventies or knew someone involved in the making of the movie, this is pretty awful.
I went into this film expecting/hoping for a sleazy drive-in style slice of seventies exploitation, but what I got was more of a bizarre pseudo western with far too much talking and not enough action.
I wouldn't recommend anyone bothers tracking this down...there was much better trash made in the seventies.
Riccardo Freda may have a good reputation; but since we now that many of his best films were, in fact, directed by the late great Mario Bava; it's clear that he wasn't one of Italy's most gifted filmmakers back in the seventies.
The only people in the audience who seemed to be enthralled with the film were the seventies generation folks who were some how reliving the past with the songs.
I was a DJ in the seventies and even went to the ABBA concert at Northlands Coliseum in Edmonton in Sept of 79, so I did appreciate them then and I still do now.
The events that he is rapidly forced to come to terms with are the separation of his parents, the culture shock when his Pakistani roots collide with a complete breakdown of English straitlaced society in the sixties, his father's dubious transformation into the revered Buddha of Suburbia, and the turning of his cousin into a feminist militant as his best friend suddenly becomes an icon of the burgeoning punk movement in the seventies.
Tacky seventies fashions abound in this world of white collar theft that only lends an air of implausibility to every situation.
(That style of movie-making was out of favour in the late seventies).
I would not recommend seeing this movie unless you have a deep passion for the Russian Orthodox Church, its monastic traditions, miracles in the face of Communism, and Saints of the Seventies.
Stacey Keach is too soppy as Lou Ford, and the whole thing has the same production values as that seventies TV spin off, of Planet Of The Apes.
Having grown up in the seventies, this film is seriously lacking in detail, atmosphere and authenticity.
This is one of the strangest Italian exploitation efforts of the seventies (why the hell are they referring to "The Rocky Horror Picture Show"?), but definitely not one of the best.
This film is a classic seventies cop flick that for some reason has been sadly overlooked.
If so many old TV series from the sixties and seventies can be released, why not this?
Things were different in each succeeding decade as the cool innocence of the fifties broke into the Warmth of the Sun whitewater freedom and exhilaration of the electric sixties and then into the assertively innovative playtime and inventive evolutionary madness of the weird seventies.
Such a great snapshot of the seventies and a cultural icon for my generation of those who understand that non-PC is really funny, no matter who you are! Wheels and Spaz are favorites, as is the hot dog eating contest with the famous line "what..? no mustard?"
The last of the seventies expose films.
Only in the seventies did they make them like this one!
Based on a completely untrue story, it follows the course of the down-and-out football league club through their course in the English FA cup, where mayhem ensues and the players all sport seventies styles.
The film was released late on in the Giallo cycle, but more than stands up to many of the films released around the 'golden' period in the early seventies.
It captured everything we grew up with in the seventies - peace, mellowness, flower power and great acoustic music.
The climax is terrific, very seventies (meaning shocking) and unforgettable.
It was in the Sixties and Seventies when TV was not such a important leisure time killer like today, one night in the mid seventies I watched the movie on TV I think it was ARD and I was stunned.
In this film, it follows the early period of his life from 1965-1979, but focusing on the late seventies.
In some scenes in the Rain People, Francis Ford Coppola's precursor to his hey-day of the seventies, there is the mark of a similar situation to 1969's Easy Rider, but not exactly in the same reference frame.
What now follows is a more obvious parody, with even some acrobatic jumping around from Brynes that predates all those seventies Circus Westerns.
Like many Italian films from the seventies, this is one is a rip off of a successful American film, the one in question this time being the critically panned Island of Dr Moreau.
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