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Settings in sentence

425 examples of Settings in a sentence

The cast got just the right take on the excellent script, and in addition, Dick Hyman's musical settings of the opera and the other music made for a perfect match.
The look of the film is wonderful, as are the costumes and California settings.
So if you are looking for chills, scares, creepiness and visually stunning settings, great acting, dialongs, and gruesome effects; this is the movie you are looking for.
And at a time when the stereotype about artists is that they are mostly bitter, pretentious, often mentally unstable people who live in decrepit urban settings, Goldsworthy seems to be the opposite: a stable, unpretentious, family oriented person who loves nature and lives in a small village in Scotland (of course, I'm sure those are the same reasons why he's shunned by some people on the art world who found his works fluffy or superficial).
In truly cheap films actors wear their own clothes amid real settings.
THE YOUNG VICTORIA is a elegantly costumed and reproduced bit of history that benefits from some fine settings, solid direction by Jean-Marc Vallée of stalwart Julian Fellowes' version of the youthful lass who was to become England's longest reigning monarch - Victoria.
All three of these tales are pretty creepy and suspenseful because you're never really sure what to expect, and the premise and the settings are so unlike those of conventional horror films that it adds to the strangeness.
i find it really annoying when people say that it wasn't historically correct because it is supposed to be a Saturday night entertainment show not a boring history documentary so i think the costumes and settings were just right.
Most of the settings seem like they were made in the early 60s (except for the shrink's office, which was dated in a different way), and if you leave the Neve Campbell sequences out, the whole film has a washed- out early 60s ambience.
The kids are played by talented actors and actresses, and the settings are lovely and nature-filled -- another thing you don't see much on television.
What I liked most was that despite the gleaming aesthetics of the costumes and the settings, all gilded and shiny, this aspect never took over the heart of the film which was good, strong writing (thank you Julian Fellowes :D); nothing too flamboyant or saturated with pomp, i.e not sensationalised greatly (when Victoria is dragged out of bed to be informed she is now Queen, well you couldn't get a less glamorous hand over of the crown).
Everything is so well done: acting, directing, visuals, settings, photography, casting.
She is realistic settings and atmospheres.
Whether the period is the 20s (the first story), the present (ie 1950) for the middle story, or the 1910s (the last), costumes and settings are lovingly observed and created.
This is because of it's faster pace, better settings, and cool 80's soundtrack.
Conrads choice of colors and contrast between light and dark settings is a work of art.
The clothing is linen, wool and fur, the settings stony and bare, everything is somewhat rugged and primitive, a bit what you would find in Cacoyannis or Pasolini movies, and it makes it all the more authentic.
This film makes you leave your position as a standard audience, it takes you in, it makes you a part of the story... Costumes and settings are brilliant; especially the district of the okiyas is skillfully built.
The actors, the beautiful settings, locations, and surroundings, the deep emotions portrayed, the sweet songs (especially the singing voice of Udit Narayan, my favorite) -- everything was just lovely.
The background paintings vary from traditional "fantasy" motif to outright abstraction, but the transition to abstracted settings is always motivated by the narrative and contributes greatly to the themes of the film.
the settings are so spectular.
The settings are beautiful.
The settings are superb and almost movie like.
The symbolism, the settings (the one outdoor motion shot with Jeff Goldblum walking down the steps seems really weird after so much lounge lizardry), the dialogue (style, not practicality, is the order of the day), it's all about characters interacting, not really gangsterism.
Pay attention to Alwina's (Baker) placement within shots, how she is addressed by the other characters, the settings around her that all depict her as a "savage" African, and ask yourself if Alwina has any shred of agency throughout the film.
Other than the casting of Karloff and Lugosi, the film's greatest qualities are probably the atmosphere due to great settings and photography, as well as the wonderfully cheesy and highly entertaining storyline.
The settings are gorgeous, the town at dusk has beautiful lighting effects, the marsh long shots, and the house itself is sufficiently grown with moss.
Its seemingly insignificant settings apparently not imparting any morale at story's end.
First off, the film is undeniably cheaply-made with its cardboard sets, limited settings, and creative scientific props.
Rich colors, great settings, good acting and one of the most charming movies I have seen in a while.
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