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Sequence in sentence

1351 examples of Sequence in a sentence

From the almost poetic opening sequence, accompanied by a great, great score till the very ending this movie will not disappoint.
As the sub-par Fast and the Furious style credits sequence shot past with a low rent nu-metal band playing in the background, I was still reasonably sober but could feel the effects of two purple nightmares (look them up) taking effect and knew that soon, I would be swimming in a haze of my own creation.
The only bright spot is the psychedelic trip sequence which may have inspired the similar segment in Beavis and Butthead Do America.
The sequence where Bruce Lee's face is pasted over the mirror (As others have mentioned) is truly as shoddy as it gets and overall the movie has a few alright action sequences in the beginning but it's all very sub-par stuff.
There's a curious, but ridiculous skiing sequence that serves no purpose (except to make Cummings look foolish) and Norman Foster's direction is balky.
And when that final dramatic sequence comes, you will be beaten and bowed but will applaud a relievedly fine comeuppance.
He still finds time to squeeze a drop of enjoyment from his difficult life, though, and there is a stunning sequence where the boy and his friends race to the horizon where flaming oil fires incinerate the sky.
The opening with the title names put on shades drawn throughout the opening title sequence had me at once, and then actor Charley Grapewin, Uncle Henry from The Wizard of Oz and Inspector Queen from the Ellery Queen movie series, comes on and chews up so much scenery with his cantankerous old codger bit that you end up loving his character from the first moment you see him.
The whole mine sequence reads like Steven Speilburg's rejects.
The same opera pieces are used, the same title sequence and the same ear-piercing abstract death metal.
then there is a dark sequence going until the goal moment of the movie, which isn't even surrounded, then all is coming back to normality.
It's a tacky, flashback-framed fiasco that is filled with two-person scenes, and in every sequence the characters keep saying each other's names: "Hey, Flo?" "Yes, Charlie?" "You know what, Flo?" "What, Charlie?"
Props to Tobe Hooper for a great and well done opening sequence.
Michelle Yeoh does some incredible stunts, including imaginative use of rope in one sequence.
You know you're in trouble when you can spot continuity errors in the opening sequence of a film (check out the disappearing bra) without even looking for them.
I guess that was just one of so many disappointments shown during the movie and there are so many more things which unfortunately could not be shown in the movie, apart from the battles between the Serbian and croatian forces in the short sequence that was shown on TV.
The last fight sequence, however, is handled particularly well.
Throw in some of the worst acting imaginable, a sub-plot about ape men that goes nowhere, a laughably ridiculous dance sequence, and a parrot so annoying you'll want to strangle the nearest ornithologist and you've got The Wild Women of Wongo.
There are some redeeming qualities which saves this movie from being as awful as "Superman IV": the Rube Goldberg-esque sequence in the beginning of the film (where one mishap causes another & things get worse); the charming courtship between Lana & Clark (for a change, Lana really likes Clark but doesn't care much for Superman); and when Superman's evil twin starts doing naughty things like flick peanuts at windows to break them, or straighten the Tower of Pisa, I think he even comes on to Lana!
In a rather funny sequence, we see Bette going through all sorts of indignities (running in unglamorous sweats; climbing on monkey bars; and not at all looking like the actress who played all those feisty Warner Brothers heroines in the 30's and 40's.)
There is also the fact that the movie is deeply insecure; one feels that it would like to be a cold-war style espionage picture but does not have the courage of its convictions so tacks a cheesy and implausible action sequence onto the end.
This leads to a funny conversation between the two cops and Atkins, Atkins says teenagers are dicks and one of the cops replies "well, I have two of them" referring to the two dead kids from the opening sequence, the other cop quickly buts in and says "teenagers that is!", funny stuff and it doesn't end there.
The choreography is beautiful ( in fact, I watch the opening sequence multiple times in a row) and the music is absolutely amazing, ranging from classical to neoclassical to rap.
Instead it became a pointless sequence of rather boring events.
The opening sequence is a failure.
Anna Biller,in addition to acting as the film's central female lead,Barbi,also wore several hats in the production of this campy period piece (she wrote,directed & edited the film,in addition to set design & even supervising a brief animation sequence,where Barbi is experiencing her first real orgasm, while on some kind of psychedelic drug).The plot concerns a young,suburban housewife who's loutish husband ignores,and eventually abandons her,only to leave her to experimenting with her new found sexual self,including swingers,hippies,etc.
The editing flubs here and there but the opening credit sequence and the song "Song of Norway" is astounding.
However, after that opening sequence the film takes a drastic nose-dive into the land of really cheap horror flicks as it becomes very hokey (cringe-worthy even) and nonsensical ultimately causing the viewer to heave a huge sigh of relief once the film has ended!
Just only to watch (and listen to the song) the sequence where that old tune "Old Man River" is sung is this movie worth to be seen.
Next, when I saw the opening sequence was nearly identical, I started to get worried that the original had been remade and destroyed by Hollywood.
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