Separately
in sentence
191 examples of Separately in a sentence
And I want to tell you about them each
separately
and then how they interact and why, in the end, there may be some good news.
The two main characters and their miserable lives are introduced
separately
and in flashes.
Though if I was to choose I'd prefer to have it
separately.
Every now and then, after an hour of tedious plot and amateur acting, we start getting bits and pieces of the big band swing that made Tommy and Jimmy Dorsey,
separately
and together, the great musicians they were.
It is not only difficult to comment
separately
on the three parts of Kieslowski's trilogy, it seems obvious that the filmmaker wants us to do just the opposite: view them in order, Blue, White, and Red, and consider them together as one complete work.
me go out'the key sentence of the film.Let me go out from deep deep inside of your brain and we will both be free.A discrete film that forcing the limits of human conscious and brain.Anybody who have seen the 'Machinist' would realize the similarities with breaking dawn.A man that could not escape from his conscience (again a psychological and an abstract concept)meets it in an human body.And he will just be free of accepting and realizing there is no way of escape.Also I want to mention about the performances of 'breking dawn's stuffs.In spite of having not many experiences, from actors and actresses to director all exhibited
separately
reasonable performance that have created a synergy which would increase the quality of the movie
These things taken
separately
are perhaps flaws.
The plot revolves around Dracula (John Carradine) and Larry Talbot, the wolfman (Lon Chaney Jr.),
separately
visiting a revolutionary doctor.
The 3 friends
separately
meet and fall for the same woman (Amanda Peet).
The 3 guys stop being friends as they
separately
dated her.
The situation at the beginning where the couples decide to go camping
separately
is awkward and plain dumb.
His head is chopped off and buried
separately
of his body...sounds like "The Thing that wouldn't die" doesn't it?
This is not a film you can really analyse
separately
from it's production.
Of course I loved it and had to watch this color finale over and over and then invite friends and family to the screen for weeks on end just to horrify and terrify them each
separately
and to roll about on the lounge in shrieking in delight at each and every exclamation of their startled reactions.
I managed to catch a late night double feature last night of "Before Sunrise" (1995) and "Before Sunset" (2004), and saw both films in a row, without really having the chance to catch my breath in between or ponder on the meaning of each film
separately.
The first hour plods along, and the dialogue feels very edited and a bit stagey - people wait for each other to finish and don't always react in a natural cadence, which would be a problem of recording each individual's dialogue
separately.
The opening scenes of the approach to the stadium makes you appreciate the valor of the young women trying to get in -- and each one
separately
-- at all.
Particular mention should be made of the limited but good music - especially the catchy and memorable song "It's a fine, fine night", which was issued
separately
on an HMV 78rpm record (10 inch plum label, I think!) in the fifties.
The hour long program follows each of them
separately
through their often screwed up quests to find love and it does it without being boring or trite.
As the first of the TV specials offered on the elaborate box set, "Barbra Streisand: The Television Specials", released last November, this disc is being released
separately
for those who do not want to fork over the dollars for all five specials.
This is one of those rare films that can be enjoyed or appreciated on many levels separately, or all at once.
This film is memorable for one reason and one reason only:Gene Wilder and Richard Pryor,together as a unit.They had a chemistry that was undeniable,and they are in full force here.The script is flawed,the supporting cast,at least for the most part,forgettable,and I'm not knocking Sidney Poitier as a director,but I always considered him to be much better in front of the camera than behind it.Much of the dialog and interaction between the two main stars was no doubt improvised,and they probably needed no instruction from Poitier whatsoever.As funny as the two men were separately,there was just something special about them on screen together.They were just knock down,drag out funny,and if you were to just put them on an empty stage with no sets,props or even a script,put a movie camera in front them and just said "action!",the result would most likely be priceless.See Stir Crazy for the unbelievable talent that was Gene Wilder and Richard Pryor.Without them,the film would have been forgotten,and very quickly.
Amar, Akbar and Anthony are separated from their family and from each other as small children, and each is raised
separately
and in a different faith.
OK, so not much has changed in the world since the 60's, eh? Anyway, if you're interested the 3 films I mention are available
separately
or as part of the "Coffin Joe Trilogy", all are quite interesting in their own way and well worth seeing if you enjoy things that are 'different', and believe me, you can't get much different than these.
Much seemed to be staged or shot
separately
and then cut together.
Better think
separately
with its head.
Through it all, we keep cutting back to Campbell and Hanigan for reacti0n shots, but they are all too obviously staring at the camera and not at Monk, who clearly filmed her sultry scenes
separately.
They were really funny
separately.
I felt the casting of Harvey Fierstein and Michael McKean was not strong, plus the idea of splicing together the brothers singing instead of having each one sing his version
separately
diminished the impact of the song.
Actually, to achieve maximum impact, you could watch the three sections separately, with cookie and soda breaks during the intermissions.
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