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Separate in sentence

1179 examples of Separate in a sentence

Unusually constructed around three separate lengthy flashbacks of past associates (a director, actress and writer, played by Barry Sullivan, Lana Turner and Dick Powell) of boy-genius Jonathan Shields (a composite, perhaps of David O Selznick and Orson Welles) played with total conviction and no little vigour by an emergent Kirk Douglas, these serve to lay bare, warts and all, his larger than life character by the conclusion, leaving the viewer to decide for themselves whether this golden boy with feet of clay is deserving of our admiration or derision.
She tries innovative ways to separate people from their hidden earnings, which is, after all, her job.
The network insisted the show ending with them going to separate beds at the end of each episode to avoid that speculation.
It seemed silly at first, but I later discovered that the print had been shown "double system," with separate hour-long reels of 35mm magnetic sound tracks.
The scene that she felt the need to separate her stuff apart from her partner's right before her partner's nephew arrival certainly reflects how lesbians are practically nonexistent at that time.
Five separate stories led by each story's own bizarre set of characters, end up tying together in a set of unusual consequences.
It's five separate stories.
Five separate faiths are suddenly connected by a murderer, each in its own way, all the stories which are not connected at the first glance suddenly make sense.
This movie is in the same vein as "A Separate Peace", in the sense of setting, and in the general coming of age story line.
Long feature films telling three separate tales that mix humor and horror.
Being a Jew, I received a lot of flak for applauding Vanessa Redgrave's magnificent performance, but one needs to separate the art from the politics.
Two female high school grads plan to get jobs and hang together, but bonds become frayed and paths separate after one of the girls ends up on an unintended journey of self-discovery.
The actors appear to converse, and separate dialogue is heard on the soundtrack.
Mabel and Harry later pick their spouses up and go their separate ways before any more trouble stirs up...There must have been some morals law if the police are arresting adulterous couples in this short film!
In the opening minutes two scenes are spliced together - Campbell and her boyfriend on separate conversations, Campbell while walking down the street.
This little film (actually 3 separate films) looks as if it was shot as a college film school thesis.
The directors Jeunet & Caro show their true potential in this movie that will keep you glued with its naive-like comedy style, and its unique set of characters, which could generate a separate movie about each and every one of them.
Perhaps Chris really is jealous, wanting to have Romain for herself, or perhaps she mostly just wants to separate Romain from her mom out of loyalty to her dad.
That's right, swing that axe lots and lots of times, making sure his head and body are separate entities, and why not his limbs as well.
WIthout the soundtrack to tie it together, this movie seems like three separate films hastily tacked to one another during a short weekend of Bolivian flake-fueled editing.
Admittedly the concept of intertwining three separate H.P. Lovecraft stories into one horror anthology, entirely taking place in one and the same house setting, is definitely ambitious and original, but at the same time also hazardous and unrewarding.
It has all sorts of separate threads that never really come together, and although the film opens with a bang (car chase, shootout, multiple explosions), then it slows to a crawl as we spent too much time with Traci's relationship problems with her unfaithful long-time (also cop) boyfriend.
Now it's shown in two separate, 3-hour screenings in selected movie-theatres around Italy.
I consider myself a relatively big fan of the giallo genre, though I haven't seen nearly as many as some that I talk too - but I figure at this point I've seen enough to separate the notable entries from the weaker ones - and WHO SAW HER DIE? is honestly about the lamest that I've seen so far.
There has to be something wrong, when you start to sympathise with the second leads instead of the two leads, which is the main problem with Griffin Dunne's mildly amusing, nasty, mean and cruel romantic comedy about obsessed and crazy ex-lovers Matthew Broderick and Meg Ryan combining their powers to separate their past lovers Kelly Preston and Tcheky Karyo from one another by playing tricks on them.
This should be a separate category at the video store, right?
These would be considered separate from musicals in that it exists to create imagery for the music, while musicals use the music to create drama or spectacle for imagery.
Three directors from three different countries made three separate films (around 40 minutes each) and put them together to create one hellacious and twisted film that continues to shock and disgust, shock and disgust, shock and disgust, over and over.
We tried on two separate occasions to watch this garbage and failed.
The basic premise is the same, an injustice followed by revenge - but this film is an excellent work in it's own separate right.
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