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Segment in sentence

366 examples of Segment in a sentence

The first segment, 'The Cemetery', is terrific; Roddy McDowall and Ossie Davis play off one another wonderfully, and it's a pleasure to see Roddy's nasty little character get his comeuppance.
I think this segment is one of the reasons many people are offended by this film, it IS good satire in that it is more honest about reality than most people care to admit.
I especially like the gag at the end of the segment with Gene Wilder, the doctor who has an affair with a sheep.
"If These Walls Could Talk" is a disturbing and yet emotionally powerful film that's set in the same house on the same street over three different decades (the first segment takes place in the early 1950's, the second is set in the mid-1970's and the third in the mid-1990's...all tumultuous eras in which issues affecting females and their bodies have been brought to the forefront).
The segment contrasting the grunting, leather-clad bands such as Man O War with the lace-wearing bands such as Poison and Cinderella was unexpected and fascinating.
First a bit of trivia: In the opening segment as the Reno Boys are riding into the Indiana Territory township for the robbery you can see an American Flag (with 48 stars I imagine) in the background with a California state flag underneath it, with it's bear in the center.
ANIMALYMPICS is definitely one of those films that pretty much defines its time and place - it's got a soft-rock score by 10CC's Graham Gouldman, some shiny chrome-effect logos and bumpers (the titles that pop up at the start of each segment), references to late seventies pop culture including disco fever and surf bums, and it's pre-political correctness so there are plenty of stereotypes (if you're offended by the joke early on about all Asian people looking the same, represented by a herd of puffins, you'd better tune out or get a sense of humour) and, believe it or not, a lot of none-too-thinly-veiled sexuality from our anthropomorphic heroes - the animators do have a habit of going slightly over the top with any movement that involves breasts or rear ends!
The last story is so boring, I don't even feel like talking about it; it's so poorly written and looong, it's the longest segment in the film and not even Bernstein's score can save it and it was worse to find out that the end that the whole bookended storyline (with the meteor and the girl) ties in with the last one.
I'd say that this movie has one excellent segment which should be scene by horror comic book fans, but the rest is terrible.
I loved the segments behind the scenes at the carnival and I especially loved the lesbian wedding segment.
Movie about an odd, underground segment, the intellectually passive version of Cronenberg's Crash.
Unlike many that take sides and immediately turn off one segment of the viewers this is one I could recommend to my friends who no nothing about the war.
I suppose people will typically talk about they loved the NY and Rome stories, but hated the Helsinki segment, or vice-versa, or whatever.
The style actually has a little more than a bit to owe as part of a tradition in the small but captivating realm of Star Wars animation (most specifically from the Boba Fett segment from the much maligned Star Wars Holiday Special), and so Clone Wars can be seen as a kind of logical continuation of back-story getting a good hit of invention and visual surprise.
I remember waiting for this show's weekly segment with such anticipation as a child in the Early 1980's.
The fourth, and thankfully final, segment - by John Gaeta ("The Matrix") - is a pretentious, go-nowhere short about a girl who was born with a tape worm in the womb!
I would recommend just checking out the first segment since it has nipples biting people in the face... Otherwise, this is just weak!
Roberto Benigni is excellent as the offbeat cab driver who likes the company of pumpkins and sheep, and his funny segment is juxtaposed quite beautifully with the more heartfelt and raw finale.
My favourite segment, however, is the equally funny New York section starring Giancarlo Esposito, which is basically a culture clash between a working-class New Yorker and a foreign immigrant's first night driving a taxi.
That makes three viewers, each liking a different segment of the trilogy.
In a film with a such format, it is tempting to comment on "which segment is superior" but this would be missing the point entirely because "Night on Earth" is greater than the sum of its five parts, although it is true that the five segments can stand easily on their own.
The L.A. segment portrays two very different women, for whom expectations from life differ completely and yet they are both content with who they are and they can somehow connect at some level.
segment is hilarious, especially the part played by Rosie Perez.
The Paris segment works so perfectly on so many different levels.
The infamous segment in Rome is comedy at its purest and Roberto Benigni in top form.
The Helsinki segment seems to end the film on a sad note but in my opinion, it actually says more: Although we sympathize with the two "talking" passengers since they sympathize with the taxi driver, it is again these two who are inconsiderate to their friend.
Gerald Potterton's "Heavy Metal" is definitely one of the best animation movies ever made.It has everything:violence,sex,nudity,humor and intelligent story.Great soundtrack by such hard rock/heavy metal groups like Black Sabbath,Nazareth,Devo,Blue Oyster Cult,Journey,Sammy Hagar,Trust,Grand Funk Railroad etc.My favourite segment from "Heavy Metal" is "B-17"-this one is dark,bloody and creepy!My highest recommendation.
Lynch's segment is magnificently skillful and striking, with a potted narrative of police, a 50's style family, and a bunch of space aliens holding a captive woman - it's almost as effective as the whole of Lost Highway and utterly distinctive.
The final segment knocks me off my feet.
Sadly the presenter seemed to whisper his way through the Machu Picchu segment.
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