Scripts
in sentence
277 examples of Scripts in a sentence
I dread to think how much money was wasted on this when there are fantastic
scripts
waiting to be made for a fraction of the cost.
Many films have great
scripts
or excellent acting but this film was about the story and the lessons to be learned.
The fact that it was even made while other
scripts
(any other scripts) were passed over is a crime.
It's always kind of staggering to think of other films that deal with love and marriage and the twisted ties that bind when compared to what Ingmar Bergman does in his
scripts.
While it's not actually one of his very best scripts, with a couple of flaws here and there and it not being quite long enough (i.e.
HOWEVER, what would be really nice, is if people would proof-read these lame
scripts
and realize how truly lame they are.
I've anxiously been awaiting this film since Mike Myers began working on
scripts
for it years back.
I wanna know what the hell happened to his
scripts.
There are far too many unnecessary plot elements, making the movie feel like 6 different
scripts
were thrown into a blender.
I prescribe that Vromen stick to writing his own scripts, as Joshua Leibner wrote this script, which is flimsy, and not worthy of Tomei.
I had thought in the past that they were just defecating cheap movie
scripts
so that they could make money and continue producing fine work on television.
Maybe because the
scripts
were better??? 'Cause his acting certainly wasn't.
Should the geriatric hamster who checks the
scripts
be replaced?
Writer/director Harry Essex, who also wrote the
scripts
for the classic 50's fright features "It Came from Outer Space" and "The Creature from the Black Lagoon," pukes forth a 50's style micro-budget clunker that boasts all the necessary bad movie vices to qualify as a real four-star stinker: the flat acting from a lame no-name cast (flash-in-the-pan 70's drive-in flick starlet Maria De Aragon in particular just takes up space as fetching love interest heroine Jeanne), sluggish pacing, ragged editing, rough, grainy cinematography by Robert Caramico, meandering narrative, a roaring, overwrought score by Robert Freeman, several ludicrous touches (the fireball stalks people before it kills them!), and a hackneyed "it ain't over yet!" ending all combine together to create one laughably lousy and leaden lump of a total stiff.
In terms of quality in execution and scripts, this was run of the mill stuff.
All this is handed down to us by an extremely heavy-handed director (Giovanni is responsible for writing some of the best
scripts
in French cinema and should have left directing to directors), complete with lines such as "People will march on the streets!" and Gabin's final judgment on society "It's a killing machine".
The stilted phrasing and wall to wall sexual innuendos made this one of the worst
scripts
I have encountered and brought to the screen.
The plot was supposed to have made a good film but destroyed with all the bad scripts, acting , bad humors, and so many pathetic scenes.
Okay, let's set the stage: I hate Lifetime movies for their poor acting, cheesy scripts, lack of realism, and ridiculous soap-opera style plots and "emotions."
Canadians always seem to write good
scripts
and this is what this film is lacking.
The writer should take some advice from the lead character in his own story, and go out to a bar instead of trying to write film
scripts.
Wesley Smith deserves better scripts, this one is complicated and fuzzy, and the rest of the actors did not help at all in making it less confusing.
The plot is clever and interesting, in fact, I think it is one of the most original scripts, but interestingly, also one in which most people can relate to (or if not from New York, at least have heard about!).
Her acting is always excellent though the
scripts
are usually failing.
And it's all the more peculiar as the writer, John Meredyth Lucas, was a Trek veteran who wrote four shows including the fine episode 'The Changeling.' None of his other
scripts
display this odd approach to dialogue.
The
scripts
are tedious and repetitive.
The special effects are not too hot either, but if the
scripts
were better, the plots less predictable, the acting less bad and direction less clunky you would forgive any shortcomings in the level of production.
We can only hope someone gives him a good script so those who can't see beyond bad
scripts
and directing can see how talented he truly is.
Project Greenlight has now used 2
scripts
that people don't want to see...There wasn't one scene in Shaker heights that rang true to me...
This is one of the dullest
scripts
I have seen turned into movie lately.
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