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Screenplay in sentence

907 examples of Screenplay in a sentence

One wonders what he would've brought to the film, as the director Mary Lambert, while not really a bad director, doesn't really bring that much imagination to this adaptation of King's novel, of which he wrote the screenplay.
Fashioned from a marvelous screenplay by Ernesto Gestaldi, this shocking mystery often develops fascinating twists until the terrific finale which most might not see coming throughout the film.
Ricardo Mendez Matta moves up from directing mainly action adventure fare for American television,in a screenplay written by Matta,along with Poli Marichal.
The film is directed astutely and consists of a wonderfully put together cast as well as a swift, family-conscious screenplay (also by Brommell) that brings life to an otherwise fatigued genre.
All aspects of the film were top notch including the most important, for me anyway, the screenplay and the acting.
Aided by hindsight, Crowe's screenplay is a lot tighter and more fleshed out than Amenabar's original.
The screenplay was written by my good friend and hungry bachelor, Fred Dresch, who was the inspiration for the character Marlon in the film.
The directing was great and the acting was enjoyable, but the most important factor here is the strength of the screenplay.
The star of this film is the screenplay.
Its screenplay and design are impeccable, not to mention the incredible cast.
It's a well written screenplay by Andrew Bergman (Honeymoon In Vegas).
I noticed that the screenplay was by William Nicholson (author of SHADOWLANDS).
The acting was fun, the screenplay was fun, the music was cheesie fun, the plot was stupendously fun.
Should the credit go to the screenplay or the direction?
The screenplay by Lajo Biros and the dialogue by Miles Malleson keep the story moving skillfully at all points.The young King Ahmad of Bagdad is angry at his vizier Jaffar for executing a man for having different ideas.
Miles Malleson who plays Duprez father, the Sultan of Basra, also wrote the perfect screenplay which is appropriately grandiose.
One question springs to mind - Was the screenplay written using the Sox as the team even before they finally broke the Curse of the Bambino?
In 1983, Director Brian De Palma set out to make a film about the rise and fall of an American gangster, and that he did-- with the help of a terrific screenplay by Oliver Stone and some impeccable work by an outstanding cast.
His themes (which deserved an Oscar nomination) are so intimate and lyric that it seems they had transformed the screenplay in music.
The screenplay is very good with great dialogue and characters, but you can't catch all the development because of the twists.
Right now, it's only available on video in Germany (in fact, my copy is from a German source--the excerpts from Wood's screenplay that are shown on the screen from time to time are translated into german, although the newspaper headlines (that great low-budget technique of giving plot elements, especially those that would be too expensive to film, via newspaper headlines is used here in the Wood tradition)that Zane sees are in English).
Universal immediately signed Durbin, rushed her into Three Smart Girls and rewrote the screenplay to pump up her part.
Great screenplay and some of the best actors the world has ever produced.
Sam Kleinman (Peter Falk) comes to his son's place unexpectedly.His son Ben Kleinman (Paul Reiser) is quite surprised to hear that his mother, Muriel Kleinman (Olympia Dukakis) has left his father.Ben's wife, Rachel (Elizabeth Perkins) and his three sisters try to find Muriel while Ben and his father go see a farmhouse that's for sale.But that's not the end of their journey.Their road trip turns into a long therapy session between Ben and his father.Raymond De Felitta is the director of The Thing About My Folks (2005).Paul Reiser is behind the screenplay and he has done a remarkable job.The dialogue between Ben and Sam is just amazing.And he did work with the script for twenty years so no wonder it's this good.Who would be better man to play the father than Peter Falk? Nobody, I can tell you that.And I really love the story on why Paul wanted Peter Falk for the part.Peter was an actor who made his own father laugh.And Peter certainly made me laugh in this movie.It's just hilarious when they go fishing.And how the old guy beats the younger one in the game of pool and then beats him with the stick.The movie is often very funny and I found myself laughing several times.But it can also be touching from time to time.You couldn't tell a story any better than it is told here.
Released two years before I was born, this Oscar-winning movie has it all - lavish Technicolor sets and costumes, breathtaking cinematography, superb wall-to-wall Gershwin music, superior choreography, a lighter-than-air screenplay, and great performances by Kelly, Levant, Foch, Guetary, and Caron.
Brilliant screenplay, with an excellent plot, poisonous quotes, awesome performances and a great directing.
So many things were right about its production, it only had one element not perfect; but I found the rest to be amusing, charming and very consistently-entertaining. To begin with, the screenplay by Daniel Taradash kept the best qualities of the fine theatrical play but opened out its scenes to include Greenwich Village and other areas of New York's scene.
I was angry at the time that movies like "Prince of Tides" and "Bugsy" (though I liked the latter) were nominated for best picture that year (let alone that "Silence of the Lambs" won!) and this was ignored completely except for one nomination for best screenplay.
Vivid drawings of planets, stars, an extremely well written screenplay.
Gwyneth Paltrow, (with the help of a good screenplay and excellent cinematography) is able to bring out the comedy effectively, she fails to make Emma likeable.
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